id: 131761
accession number: 1954.337
share license status: CC0
url: https://clevelandart.org/art/1954.337
updated: 2019-04-18 10:33:15.274000
Bastille Day, 1892. Maurice Prendergast (American, 1858-1924). Monotype in oil colors; sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.); image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1954.337
title: Bastille Day
title in original language:
series:
series in original language:
creation date: 1892
creation date earliest: 1892
creation date latest: 1892
current location:
creditline: Gift of The Print Club of Cleveland
copyright:
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culture: America, 19th century
technique: monotype in oil colors
department: Prints
collection: PR - Monotype
type: Print
find spot:
catalogue raisonne:
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CREATORS
* Maurice Prendergast (American, 1858-1924) - artist
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measurements: Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.); Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.)
state of the work:
edition of the work:
support materials:
description: cream laid paper
watermarks:
inscriptions:
inscription: across bottom in image: ":Le.Quatorze. Juillet.1892:" ; lower right in image: MBP [in monogram]"
translation:
remark:
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CURRENT EXHIBITIONS
title: What Was the Armory Show?
opening date: 1963-06-27T04:00:00
What Was the Armory Show?. The Cleveland Museum of Art, Cleveland, OH (June 27-September 15, 1963).
title: Generous Donors: A Tribute to The Print Club of Cleveland
opening date: 1991-04-02T04:00:00
Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991).
title: Singular Impressions: The Monotype in America
opening date: 1997-04-04T00:00:00
Singular Impressions: The Monotype in America. National Museum of American Art, Washington, DC (April 4-August 3, 1997).
title: Treasures on Paper from the Collection of the Cleveland Museum of Art
opening date: 2014-03-09T00:00:00
Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art (organizer) (March 9-June 8, 2014).
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LEGACY EXHIBITIONS
* Washinton, DC National Museum of American Art, "Singular Impressions: The Monotype in America" April 4 - August 3, 1997.
CMA, "Treasures on Paper from the Collection of the Cleveland Museum of Art" (Mar. 9, 2014-Jun. 8, 2014)
The Cleveland Museum of Art (5/31/2015 - 10/11/2015); "Monotypes: Painterly Prints"
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PROVENANCE
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fun fact:
digital description:
wall description:
Like Edgar Degas, Prendergast was a skilled and devoted practitioner of monotype, a technique he began to investigate in Paris about 1891 or 1892, perhaps having seen examples of the French artist’s work in this medium. He was influenced by the flattened space and emphasis on surface pattern of ukiyo-e (Japanese color woodcuts) as well as the etchings of James McNeill Whistler, who used ink left on the surface of the printing plate to create evocative atmospheric effects. Prendergast produced beautiful colored monotypes documenting the pastimes of stylish urbanites. Bastille Day, one of the few works that can be dated to the artist’s early years in Paris, distills the scene of lanterns illuminating the boulevards to an almost abstract composition of reflective colored light and bustling crowds.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1954.337/1954.337_web.jpg
print: https://openaccess-cdn.clevelandart.org/1954.337/1954.337_print.jpg
full: https://openaccess-cdn.clevelandart.org/1954.337/1954.337_full.tif