id:			131797
accession number:	1954.373
share license status:	CC0
url:			https://clevelandart.org/art/1954.373
updated:		2019-06-27 08:07:02.991000

One of the Legion of Twenty-eight (Nijūhachi busshū), 12th century. Japan, Kamakura Period (1185-1333). Wood with traces of color; overall: 100 cm (39 3/8 in.). The Cleveland Museum of Art, John L. Severance Fund 1954.373

title:				One of the Legion of Twenty-eight (Nijūhachi busshū)
title in original language:	
series:				
series in original language:	
creation date:			12th century
creation date earliest:		1100
creation date latest:		1199
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	Japan, Kamakura Period (1185-1333)
technique:	Wood with traces of color
department:	Japanese Art
collection:	Japanese Art
type:		Sculpture
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 100 cm (39 3/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Art: The International Language
	opening date:   1956-10-02T04:00:00
	<i>Art: The International Language</i>. The Cleveland Museum of Art (October 2-November 4, 1956).

	title:		Japanese Gallery 235 Rotation - July 2017-January 2018
	opening date:   2017-07-15T04:00:00
	<i>Japanese Gallery 235 Rotation - July 2017-January 2018</i>. The Cleveland Museum of Art (organizer).

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LEGACY EXHIBITIONS

* Albuquerque Museum of Art, History and Science, 1980: Japanese Art Exhibition.

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PROVENANCE

	R. Umehara, Tokyo
	date: 
	footnotes: 	
	citations: 	


	(Hollis & Company)
	date: 
	footnotes: 	
	citations: 	


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fun fact: 


digital description: 
The simple carving technique seen in this figure is often used for sculptures of Shinto deities (kami), but his hairstyle, adornments, and garments identify him as a deity from the heavenly realm of Buddhism. He belongs to a large group that represents the 28 heavenly beings who protect and serve the bodhisattva Kannon in his thousand-armed manifestation.

wall description: 
This sculpture belongs to a large group thought to have come from Izumo in Shimane prefecture. The simple carving technique seen in the figure is often used for sculptures of Shinto deities (kami). His hairstyle, adornments, and garments identify him as a deity from the heavenly realm of Buddhism. Together, the group of sculptures represents the 28 heavenly beings who protect and serve the bodhisattva Kannon in his thousand-armed manifestation.
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RELATED WORKS

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CITATIONS

	The Cleveland Museum of Art. <em>The Cleveland Museum of Art Handbook.</em> Cleveland, OH: The Cleveland Museum of Art, 1958.
	page number: 	Mentioned and Reproduced: cat. no. 906
	url:		https://archive.org/details/CMAHandbook1958/page/n160

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.
	page number: 	Reproduced: p. 275
	url:		https://archive.org/details/CMAHandbook1966/page/n299

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.
	page number: 	Reproduced: p. 275
	url:		https://archive.org/details/CMAHandbook1969/page/n299

	The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.
	page number: 	Reproduced: p. 370
	url:		https://archive.org/details/CMAHandbook1978/page/n390

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1954.373/1954.373_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1954.373/1954.373_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1954.373/1954.373_full.tif