id: 131819 accession number: 1954.392 share license status: CC0 url: https://clevelandart.org/art/1954.392 updated: 2024-03-26 01:58:32.884000 A Genoese Lady with Her Child, c. 1623–25. Anthony van Dyck (Flemish, 1599–1641). Oil on canvas; framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1954.392 title: A Genoese Lady with Her Child title in original language: series: series in original language: creation date: c. 1623–25 creation date earliest: 1623 creation date latest: 1625 current location: 212 Baroque Painting and Sculpture creditline: Gift of the Hanna Fund copyright: --- culture: Flanders technique: oil on canvas department: European Painting and Sculpture collection: P - Netherlandish-Flemish type: Painting find spot: catalogue raisonne: --- CREATORS * Anthony van Dyck (Flemish, 1599–1641) - artist --- measurements: Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Venetian Tradition opening date: 1956-11-08T05:00:00 The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957). title: In Memoriam: Leonard C. Hanna, Jr. opening date: 1958-03-04T05:00:00 In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). title: Style, Truth and the Portrait opening date: 1963-10-01T04:00:00 Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). title: Juxtapositions opening date: 1965-09-11T04:00:00 Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). title: Van Dyck. Grande pittura e Collezionismo a Genova opening date: 1997-03-22T00:00:00 Van Dyck. Grande pittura e Collezionismo a Genova. Palazzo Ducale, Venice (March 22-July 13, 1997). title: Anton van Dyck, Riflessi italiani opening date: 2004-02-19T00:00:00 Anton van Dyck, Riflessi italiani. Palazzo Reale, Milano, Italy (organizer) (February 19-July 4, 2004). --- LEGACY EXHIBITIONS * {'description': 'London, British Institution, 1832, cat. no. 46.', 'opening_date': None} * {'description': 'London, British Institution, 1854, cat. no. 62', 'opening_date': None} * {'description': 'London, Royal Academy of Arts, 1902: "Exhibition of Works by the Old Masters," cat. no. 102.', 'opening_date': '1902-01-01T00:00:00'} * {'description': 'Brussels, Nouveau Palais, 1910: "Tresor de l\'art belge au XVIIe siecle," no. LXIX, p. 154, plate 60 (catalogue published in 1912: see also literature)', 'opening_date': '1910-01-01T00:00:00'} * {'description': 'New York, NY, The Metropolitan Museum of Art, 1913: "A Loan Exhibition of Mr. Morgan\'s Paintings," Metropolitan Museum of Art Bulletin VIII (January, 1913), p. 6, reproduced p. 4.', 'opening_date': '1913-01-01T00:00:00'} * {'description': 'Washington, D.C., The National Gallery of Art, 1990: "Anthony Van Dyck: Paintings in the Grand Manner," cat. no. 37, reproduced in color p. 179.', 'opening_date': '1990-01-01T00:00:00'} --- PROVENANCE Du Pre Alexander, Second Earl of Caledon, purchased through George Augustus Wallis in Florence, March 1829; date: footnotes: citations: J. Pierpont Morgan (1837-1913), London and New York, by 1902; date: footnotes: citations: [M. Knoedler & Co., New York], sold to the Cleveland Museum of Art, 1954. date: footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Arendsee, M., and M. Steinman-Arendsee. "Take the CAN disability aesthetics tour, at the Cleveland Museum of art." CAN Journal (Winter 2019/20): 76-87. page number: Mentioned: p. 77 url: Francis, Henry S. “A Genoese Portrait by Van Dyck.” The Bulletin of the Cleveland Museum of Art 42, no. 6 (June 1955): 115–117. page number: Mentioned: p. 115-117; Reproduced: p. 117 url: http://www.jstor.org/stable/25142045 Cleveland Museum of Art. Venetian Tradition: Catalogue of the Exhibition. Cleveland, OH, Cleveland Museum of Art: 1956. page number: Mentioned: p. 22; Reproduced: pl. XVI url: The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. page number: Mentioned and Reproduced: cat. no. 443 url: https://archive.org/details/CMAHandbook1958/page/n81 Saisselin, Rémy G. Style, Truth, and the Portrait. Cleveland, OH: Cleveland Museum of Art, 1963. page number: Mentioned and Reproduced: cat. no. 24 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 120 url: https://archive.org/details/CMAHandbook1966/page/n144 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 120 url: https://archive.org/details/CMAHandbook1969/page/n144 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 154 url: https://archive.org/details/CMAHandbook1978/page/n174 The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982 . page number: Mentioned: p. 11-13; Reproduced: p. 12 url: Sanguineti, Daniele. Giovanni Bernardo Carbone: 1616-1683. Genova : Sagep editori, 2020, 129. page number: Reproduced: p. 129, fig. 150; Mentioned: p. 123. url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_web.jpg print: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_print.jpg full: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_full.tif