id: 131819
accession number: 1954.392
share license status: CC0
url: https://clevelandart.org/art/1954.392
updated: 2024-03-26 01:58:32.884000
A Genoese Lady with Her Child, c. 1623–25. Anthony van Dyck (Flemish, 1599–1641). Oil on canvas; framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1954.392
title: A Genoese Lady with Her Child
title in original language:
series:
series in original language:
creation date: c. 1623–25
creation date earliest: 1623
creation date latest: 1625
current location: 212 Baroque Painting and Sculpture
creditline: Gift of the Hanna Fund
copyright:
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culture: Flanders
technique: oil on canvas
department: European Painting and Sculpture
collection: P - Netherlandish-Flemish
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Anthony van Dyck (Flemish, 1599–1641) - artist
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measurements: Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Venetian Tradition
opening date: 1956-11-08T05:00:00
The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957).
title: In Memoriam: Leonard C. Hanna, Jr.
opening date: 1958-03-04T05:00:00
In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958).
title: Style, Truth and the Portrait
opening date: 1963-10-01T04:00:00
Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963).
title: Juxtapositions
opening date: 1965-09-11T04:00:00
Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).
title: Van Dyck. Grande pittura e Collezionismo a Genova
opening date: 1997-03-22T00:00:00
Van Dyck. Grande pittura e Collezionismo a Genova. Palazzo Ducale, Venice (March 22-July 13, 1997).
title: Anton van Dyck, Riflessi italiani
opening date: 2004-02-19T00:00:00
Anton van Dyck, Riflessi italiani. Palazzo Reale, Milano, Italy (organizer) (February 19-July 4, 2004).
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LEGACY EXHIBITIONS
* {'description': 'London, British Institution, 1832, cat. no. 46.', 'opening_date': None}
* {'description': 'London, British Institution, 1854, cat. no. 62', 'opening_date': None}
* {'description': 'London, Royal Academy of Arts, 1902: "Exhibition of Works by the Old Masters," cat. no. 102.', 'opening_date': '1902-01-01T00:00:00'}
* {'description': 'Brussels, Nouveau Palais, 1910: "Tresor de l\'art belge au XVIIe siecle," no. LXIX, p. 154, plate 60 (catalogue published in 1912: see also literature)', 'opening_date': '1910-01-01T00:00:00'}
* {'description': 'New York, NY, The Metropolitan Museum of Art, 1913: "A Loan Exhibition of Mr. Morgan\'s Paintings," Metropolitan Museum of Art Bulletin VIII (January, 1913), p. 6, reproduced p. 4.', 'opening_date': '1913-01-01T00:00:00'}
* {'description': 'Washington, D.C., The National Gallery of Art, 1990: "Anthony Van Dyck: Paintings in the Grand Manner," cat. no. 37, reproduced in color p. 179.', 'opening_date': '1990-01-01T00:00:00'}
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PROVENANCE
Du Pre Alexander, Second Earl of Caledon, purchased through George Augustus Wallis in Florence, March 1829;
date:
footnotes:
citations:
J. Pierpont Morgan (1837-1913), London and New York, by 1902;
date:
footnotes:
citations:
[M. Knoedler & Co., New York], sold to the Cleveland Museum of Art, 1954.
date:
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
Arendsee, M., and M. Steinman-Arendsee. "Take the CAN disability aesthetics tour, at the Cleveland Museum of art." CAN Journal (Winter 2019/20): 76-87.
page number: Mentioned: p. 77
url:
Francis, Henry S. “A Genoese Portrait by Van Dyck.” The Bulletin of the Cleveland Museum of Art 42, no. 6 (June 1955): 115–117.
page number: Mentioned: p. 115-117; Reproduced: p. 117
url: http://www.jstor.org/stable/25142045
Cleveland Museum of Art. Venetian Tradition: Catalogue of the Exhibition. Cleveland, OH, Cleveland Museum of Art: 1956.
page number: Mentioned: p. 22; Reproduced: pl. XVI
url:
The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.
page number: Mentioned and Reproduced: cat. no. 443
url: https://archive.org/details/CMAHandbook1958/page/n81
Saisselin, Rémy G. Style, Truth, and the Portrait. Cleveland, OH: Cleveland Museum of Art, 1963.
page number: Mentioned and Reproduced: cat. no. 24
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 120
url: https://archive.org/details/CMAHandbook1966/page/n144
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 120
url: https://archive.org/details/CMAHandbook1969/page/n144
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 154
url: https://archive.org/details/CMAHandbook1978/page/n174
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982 .
page number: Mentioned: p. 11-13; Reproduced: p. 12
url:
Sanguineti, Daniele. Giovanni Bernardo Carbone: 1616-1683. Genova : Sagep editori, 2020, 129.
page number: Reproduced: p. 129, fig. 150; Mentioned: p. 123.
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_web.jpg
print: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_print.jpg
full: https://openaccess-cdn.clevelandart.org/1954.392/1954.392_full.tif