{
"data": {
"id": 132014,
"accession_number": "1954.581",
"share_license_status": "CC0",
"tombstone": "Saying Farewell at Xunyang (Song of the Pipa) (\u6f6f\u967d\u9001\u5ba2\u5716 (\u7435\u7436\u884c)), 1500s. Wen Boren (Chinese, 1502\u20131575). Handscroll; ink and color on paper; overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.581",
"current_location": null,
"title": "Saying Farewell at Xunyang (Song of the Pipa)",
"title_in_original_language": "\u6f6f\u967d\u9001\u5ba2\u5716 (\u7435\u7436\u884c)",
"creation_date": "1500s",
"creation_date_earliest": 1520,
"creation_date_latest": 1575,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "handscroll; ink and color on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Overall: 27 x 271.3 cm (10 5/8 x 106 13/16 in.); Painting only: 21 x 60 cm (8 1/4 x 23 5/8 in.)",
"dimensions": {
"painting": {
"height": 0.207,
"height_inch": 8,
"height_inch_fraction": 0.125,
"width": 0.592,
"width_inch": 23,
"width_inch_fraction": 0.3125
},
"painting only": {
"height": 0.21,
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"height_inch_fraction": 0.25,
"width": 0.6,
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"width_inch_fraction": 0.625
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"overall": {
"height": 0.27,
"height_inch": 10,
"height_inch_fraction": 0.625,
"width": 2.713,
"width_inch": 106,
"width_inch_fraction": 0.8125
},
"calligraphy": {
"height": 0.22,
"height_inch": 8,
"height_inch_fraction": 0.6875,
"width": 1.0,
"width_inch": 39,
"width_inch_fraction": 0.375
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"end colophon": {
"height": 0.22,
"height_inch": 8,
"height_inch_fraction": 0.6875,
"width": 0.22,
"width_inch": 8,
"width_inch_fraction": 0.6875
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},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "\"\u6f6f\u967d\u9001\u5ba2\u5716\"\n\u4e94\u5cf0\u5c71\u4eba\u6587\u4f2f\u4ec1\u5beb\u4e8e\u505c\u96f2\u9928\u4e2d [\u5370] \u6587\u4f2f\u4ec1; \u4e94\u5cf0",
"inscription_translation": "Artist's inscription, signature, and 2 seals: \n\nSaying Farewell at Xunyang. \nWu feng shan ren, Wen Boren painted [this] at Ting yun guan. [seals] Wen Boren; Wu feng.",
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "2 colophons and 9 additional seals: \n\n1 transcription of \"Pipa xing \u7435\u7436\u884c\u201d (Song of Pipa) and 3 seals of Zhu Yizun \u6731\u5f5c\u5c0a (1629\u20131709); \n2 seals of Wu Rongguang \u5433\u69ae\u5149 (1773\u20131843); \n1 colophon, dated 1826, and 3 seals of Wu Xijia \u5433\u932b\u5609 (mid-1700s)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 2
}
],
"exhibitions": {
"current": [
{
"id": 300427,
"title": "Chinese Landscape Painting",
"description": "Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).",
"opening_date": "1954-11-05T04:00:00"
},
{
"id": 438711,
"title": "Migrations of Memory\u2014The Poetry and Power of Music",
"description": "Migrations of Memory\u2014The Poetry and Power of Music. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2021-May 8, 2022).",
"opening_date": "2021-11-19T05:00:00"
}
],
"legacy": [
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 4-July 23, 2003).",
"opening_date": "2003-03-04T00:00:00"
}
]
},
"provenance": [
{
"description": "Wu Xijia \u5433\u932b\u5609 [mid-1700s]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 1
},
{
"description": "Yamamoto Teijiro \u5c71\u672c\u608c\u4e8c\u90ce [1870\u20131937], Tokyo, Japan",
"citations": [],
"footnotes": [],
"date": "by 1932",
"sortorder": 2
},
{
"description": "(Howard Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131954",
"sortorder": 3
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1954\u2013",
"sortorder": 4
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Wen Boren depicted the chilly autumn water with a fishnet pattern.",
"early_education_description": null,
"artlens_description": null,
"description": "This handscroll depicts The Song of the Pipa, a poem by Bai Juyi \u767d\u5c45\u6613 (772\u2013846) written after the poet\u2019s encounter with a pipa player on the Yangzi River. Expelled from her home city when her beauty and fame had faded, she played for the poet at night. Her musical performance and tragic life story resonated with Bai Juyi, who had just been demoted and exiled from life at court himself. The hazy, vast view and pale color tonalities of this painting illustrate these feelings of endless sadness, having lost one\u2019s sense of purpose in life.",
"external_resources": {
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],
"internet_archive": [
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"citations": [
{
"citation": "Yamamoto, Teijiro\u0304 \u5c71\u672c\u608c\u4e8c\u90ce. Cho\u0304kaido\u0304 shoga mokuroku \u6f84\u61d0\u5802\u66f8\u665d\u76ee\u9304. Tokyo: Tanaka Keitaro\u0304, 1932.",
"page_number": "Reproduced: III, pl. 94",
"url": null
},
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954.",
"page_number": "Mentioned: p. 151. cat. no. 58; Reproduced: p. 84",
"url": "https://archive.org/details/ChineseLandscape"
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: VII, Lists, 266",
"url": null
},
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.",
"page_number": "cat. no. 59",
"url": ""
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chugoku kaiga shi \u4e2d\u570b\u7e6a\u756b\u53f2. To\u0304kyo\u0304: Yoshikawa Kobunkan, 1981.",
"page_number": null,
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Reproduced: pp. 282-286",
"url": null
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 185, p. 237",
"url": null
},
{
"citation": "Peng, Wei \u5f6d\u8587, and Clarissa von Spee. Migrations of Memory: The Poetry and Power of Music by Chinese Artist Peng Wei in Collaboration with the Cleveland Museum of Art = \u5e73\u6c99\u843d\u96c1\u2014\u97f3\u6a02\u7684\u8a69\u610f\u8207\u529b\u91cf: \u4e2d\u570b\u85dd\u8853\u5bb6\u5f6d\u8587\u8207\u514b\u5229\u592b\u862d\u85dd\u8853\u535a\u7269\u9928\u5408\u4f5c. Cleveland, OH: The Cleveland Museum of Art, 2021.",
"page_number": "Mentioned and Reproduced: p. 14",
"url": ""
}
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