{
"data": {
"id": 132308,
"accession_number": "1954.791",
"share_license_status": "CC0",
"tombstone": "Leisure Enough to Spare (\u6709\u9918\u9592), 1360. Yao Tingmei (Chinese, active mid-1300s). Handscroll; ink on paper; image: 23.1 x 84 cm (9 1/8 x 33 1/16 in.); overall: 23.8 x 734 cm (9 3/8 x 289 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.791",
"current_location": null,
"title": "Leisure Enough to Spare",
"title_in_original_language": "\u6709\u9918\u9592",
"creation_date": "1360",
"creation_date_earliest": 1360,
"creation_date_latest": 1360,
"artists_tags": [
"male"
],
"culture": [
"China, Yuan dynasty (1271\u20131368)"
],
"technique": "handscroll; ink on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Image: 23.1 x 84 cm (9 1/8 x 33 1/16 in.); Overall: 23.8 x 734 cm (9 3/8 x 289 in.)",
"dimensions": {
"image": {
"height": 0.231,
"height_inch": 9,
"height_inch_fraction": 0.125,
"width": 0.84,
"width_inch": 33,
"width_inch_fraction": 0.0625
},
"overall": {
"height": 0.238,
"height_inch": 9,
"height_inch_fraction": 0.375,
"width": 7.34,
"width_inch": 289,
"width_inch_fraction": 0.0
}
},
"state_of_the_work": null,
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"copyright": null,
"inscriptions": [
{
"inscription": "\u81f3\u6b63\u5eff\u5e74\u6625\u6b63\u6708_\u65e5\u4f5c\u6b64\u4f75\u7cfb\u9119\u8a9e\u4e8e\u5c3e\n\n\u5730\u504f\u4eba\u9060\u9589\u67f4\u95dc\uff0c\u6eff\u9662\u677e\u9670\u767d\u665d\u9592\u3002\n\u773c\u5e95\u98a8\u5875\u6e3e\u5fd8\u5374\uff0c\u5750\u770b\u6d41\u6c34\u81e5\u770b\u5c71\u3002\n\n\u5433\u8208\u59da\u5ef7\u7f8e\u756b",
"inscription_translation": "Artist's inscription, poem, and signature: \n\nIn the first month of spring in the twentieth year of the reign of Zhizheng [1360], I painted this and attached a few rustic words at the end of the scroll. \n\nA secluded place, one may close the thatch door. \nIn a courtyard fully shaded by pines, a moment of daytime leisure awaits. \nSights of wind and dust can be utterly forgotten. \nOne sits to view the cascades, or lies down [better] to see the hills.\n\nPainted by Yao Tingmei of Wuxing",
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "23 colophons and 53 seals (dates unavailable for some): 1 colophon, dated 1360, and 2 seals of Yang Weizhen (1296\u20131370); 1 colophon and 3 seals of Wan Yi; 1 colophon of Zhang Junde; 1 colophon and 3 seals of Angji (act. c. mid-1300s); 1 colophon and 1 seal of Xu Shiquan; 1 colophon and 3 seals of Gao Yu; 1 colophon and 2 seals of Li Mingfu; 1 colophon and 2 seals of Lu Lin; 1 colophon and 1 seal of Zhang Qian; 1 colophon of Tao Tangwen; 1 colophon and 1 seal of Wu Yuangui (act. c. 1300\u201360); 1 colophon of Bao Jiong; 1 colophon of Wang Zao; 1 colophon and 1 seal of Ma Chuyi; 1 colophon and 1 seal of Lin Yizhuang; 1 colophon and 1 seal of Gu Shunju; 1 colophon and 2 seals of Wang Jing; 1 colophon and 2 seals of Lin Shouchang; 1 colophon and 1 seal of Gao Zhidao; 1 colophon of Lin Xun; 1 colophon, dated 1359, and 2 seals of Meng Weicheng (act. mid-14th c.); 1 colophon and 1 seal of Meng Zhiji (act. mid-1300s); 14 seals of Liang Qingbiao \u6881\u6e05\u6a19 (1620\u20131691); 1 poem dated 1755 and 5 seals of the Qianlong \u4e7e\u9686 emperor (r. 1736\u201395); 2 seals of the Jiaqing \u5609\u6176 emperor (r. 1796\u20131821); 3 seals of the Xuantong \u5ba3\u7d71 emperor (r. 1909\u201311).",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 2
},
{
"inscription": "Colophon by Yang Weizhen, \"An Essay on Leisure to Spare\":\n\nMaster Ouyang [Ouyang Xiu, 1007\u20131072] says in one of his poems, \"To have good company is such a joy. It provides the rare excuse to steal away leisure from one's life.\" Now, if leisure could be acquired only by stealing, this certainly could not be said to be abundant enough to spare. In the poetry of Su Dongpo [1036\u20131101] he says, \"It is indeed not bad to be able to secure leisure because of illness.\" Now if leisure should have been obtained from an illness that is against one's wish, this again could not be said to be abundant enough to spare. How vulgar is the poem by a man of late Sung who talks about buying plenty of farm and homestead land in preparation for the coming days of leisure. Now, if leisure has to depend on the extensive holding of real estate, this is precisely the kind of thing which will jeopardize one's leisure. Indeed, one will never have enough leisure that way, let alone enough to spare.\n\nIn Qinglong by the Song River, there is a hermit, Mr. Tu. Inside, he has fine children to take care of his household. Under him, he has diligent servants to engage in production. Outside, he has wise relatives and friends to watch out and guard him. Thus he has been able to live peacefully, and to eat heartily, and to pass his time in rest and play. Surely his leisure was not stolen from the few moments when he has company. It was not derived from illness. It was not jeopardized by extensive holdings of real estate. Could anyone question my word if I said this is truly abundant enough to spare? Mr. Tu asked a common friend, Zhang Mengchen, to come to me for an essay. I herewith composed this for him as above. At the same time, others who are well versed in poetry have written poems as in the following.\n\nDong wei zi wrote this on the first day of the second month of the gengzi year [1360]. By \"Dong wei\" I mean the jinshi graduate from the examination in the dingmao year of Taiding [1327], with the present rank of Feng xun dai fu, and in the office of Commissioner of Schools for the Jiangxi and other provinces, whose name is Yang Weizhen.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 3
},
{
"inscription": "Title on frontispiece by Zhang Bi \u7ae0\u5f3c:\nSigned Gongchen \u62f1\u8fb0",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 4
}
],
"exhibitions": {
"current": [
{
"id": 300427,
"title": "Chinese Landscape Painting",
"description": "Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).",
"opening_date": "1954-11-05T04:00:00"
},
{
"id": 700733,
"title": "Arts of China",
"description": "Arts of China. Lyman Allyn Art Museum, New London, CT (organizer) (October 30-December 4, 1955).",
"opening_date": "1955-10-30T04:00:00"
},
{
"id": 300857,
"title": "Art: The International Language",
"description": "Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956).",
"opening_date": "1956-10-02T04:00:00"
},
{
"id": 301217,
"title": "The Scholar in Art",
"description": "The Scholar in Art. The Cleveland Museum of Art, Cleveland, OH (April 19-28, 1968).",
"opening_date": "1968-04-19T04:00:00"
},
{
"id": 301272,
"title": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368)",
"description": "Chinese Art Under the Mongols: The Yuan Dynasty (1279\u20131368). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 2-November 24, 1968).",
"opening_date": "1968-10-02T04:00:00"
},
{
"id": 301895,
"title": "The Colors of Ink",
"description": "The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
"opening_date": "1974-01-10T04:00:00"
},
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 311446,
"title": "Asian Autumn: Masterpieces from the Collection",
"description": "Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
"opening_date": "1991-09-17T04:00:00"
},
{
"id": 211775,
"title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
"description": "Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
"opening_date": "1998-02-21T00:00:00"
},
{
"id": 196054,
"title": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art",
"description": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).",
"opening_date": "2009-06-27T04:00:00"
}
],
"legacy": [
{
"description": "Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 4, 2003-July 23, 2003).",
"opening_date": "2003-03-04T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).",
"opening_date": "2013-11-21T00:00:00"
}
]
},
"provenance": [
{
"description": "Liang Qingbiao \u6881\u6e05\u6a19 [1620\u20131691]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 1
},
{
"description": "Qing imperial collection (seals of Emperors Qianlong, r. 1736\u20131795, Jiaqing, r. 1796\u20131820, and Xuantong, r. 1909\u20131911)",
"citations": [],
"footnotes": [],
"date": "1736?\u2013c. 1911",
"sortorder": 2
},
{
"description": "Zhang Heng \u5f35\u73e9 [1915\u20131963]",
"citations": [],
"footnotes": [],
"date": null,
"sortorder": 3
},
{
"description": "(Frank Caro [1904\u20131980], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131954",
"sortorder": 4
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1954\u2013",
"sortorder": 5
}
],
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"early_education_description": null,
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"description": "Seclusion and leisure\u2014the ideals of the literati, or scholar-gentlemen\u2014are expressed in this mature work by Yao Tingmei. The theme acquired special meaning at a time of the military uprisings near the end of the Yuan dynasty. Dedicated to an ascetic named Du, this work combines painting, calligraphy, and poetry; following the painting are more than 20 poems and essays written by notable scholars, one of whom was the calligrapher Yang Weizhen. It reveals not only the aesthetic taste of the literati but also the practice of contributing artistic and literary works to fulfill social obligations. Yao's painting demonstrates his individual style derived from various ancient masters (Guo Xi, Dong Yuan, and Juran). Yang Weizhen's calligraphy exhibits his bold, vigorous style and his intent to capture the spirit of antiquity in art.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60516585"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1954.791-leisure-enough-to-sp"
]
},
"citations": [
{
"citation": "Ferguson, John C \u798f\u958b\u68ee. Li dai zhu lu hua mu \u6b77\u4ee3\u8457\u9304\u7575\u76ee. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo \u91d1\u9675\u5927\u5b78\u4e2d\u570b\u6587\u5316\u784f\u7a76\u6240, 1934.",
"page_number": "II, 187",
"url": null
},
{
"citation": "Zheng, Zhenduo \u912d\u632f\u9438. Tang Song yi lai ming hua ji: Yun hui zhai cang \u5510\u5b8b\u4ee5\u6765\u540d\u756b\u96c6: \u97de\u8f1d\u9f4b\u85cf. Shanghai: Shanghai chu ban gong si, 1947.",
"page_number": "Reproduced: pls. 40\u201347",
"url": null
},
{
"citation": "Chen, Rentao \u9673\u4ec1\u6fe4 [J.D. Chen] and Xu Rong \u5f90\u9394. Jin gui lun gu chu ji [\u91d1\u5331\u8ad6\u53e4\u521d\u96c6 = Essays on Chinese antiquities - The first album of King-Kwei's collection with explanations]. Hong Kong: Chen Rentao, 1952.",
"page_number": "p. 64",
"url": null
},
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland: Cleveland Museum of Art, 1954.",
"page_number": "Reproduced: cat. no. 34, p. 59; Mentioned: p. 147",
"url": "https://archive.org/details/ChineseLandscape"
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned; VII, Lists, 144",
"url": null
},
{
"citation": "Chen, Rentao \u9673\u4ec1\u6fe4 [J.D. Chen]. Gu gong yi yi shu hua mu jiao zhu \u6545\u5bae\u5df2\u4f5a\u66f8\u756b\u76ee\u6821\u6ce8. Hong Kong: Dongnan shu ju, 1956.",
"page_number": "p. 15b",
"url": null
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 855",
"url": "https://archive.org/details/CMAHandbook1958/page/n152"
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: p. 414, fig. 548",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 261",
"url": "https://archive.org/details/CMAHandbook1966/page/n286"
},
{
"citation": "Lee, Sherman E., and Wai-kam Ho. Chinese Art Under the Mongols: The Yu\u0308an Dynasty, 1279-1368. [Cleveland]: Cleveland Museum of Art; [distributed by the Press of Case Western Reserve University], 1968.",
"page_number": "Mentioned and Reproduced: cat. no. 260",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 262",
"url": "https://archive.org/details/CMAHandbook1969/page/n286"
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chu\u0304goku bijutsu [\u4e2d\u570b\u7f8e\u8853 = Chinese art in Western collections]. To\u0304kyo\u0304: Ko\u0304dansha, 1972.",
"page_number": "Reproduced: vol. I, pt. 1, 229, color pl. 24",
"url": null
},
{
"citation": "Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "cat. no. 17",
"url": null
},
{
"citation": "Barnhart, Richard. \u201cYao Yen-Ch'ing, T'ing-Mei, of Wu-Hsing.\u201d Artibus Asiae, vol. 39, no. 2, 1977, pp. 105\u2013123.",
"page_number": "Reproduced: pp. 107, 108, figs. 2, 9",
"url": "www.jstor.org/stable/3250195"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 347",
"url": "https://archive.org/details/CMAHandbook1978/page/n367"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 112, pp. 137\u2013138",
"url": null
},
{
"citation": "Lee, Sherman E., and Wai-kam Ho. The Nature and Significance of the Collection of Liang Ch'ing-Piao. Taipei, Taiwan: Chung-hua ming-kuo, 1981.",
"page_number": "Mentioned: p. 138, no. 193",
"url": null
},
{
"citation": "Little, Stephen. \u201cChinese Calligraphy.\u201d The Bulletin of the Cleveland Museum of Art 74, no. 9 (November 1987): 372\u2013403.",
"page_number": "Mentioned and Reproduced: pp. 390-391, figs. 23a-b",
"url": "http://www.jstor.org/stable/25160005"
},
{
"citation": "T\u014dy\u014d kaiga no seika: tokubetsuten: Kur\u012bvurando Bijutsukan no korekushon kara [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef : \u7279\u522b\u5c55 : \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089 = Highlights of Asian painting from the Cleveland Museum of Art]. Japan: Nara National Museum, 1998.",
"page_number": "Reproduced: p. 53, cat. no. 30",
"url": null
},
{
"citation": "Sugimura, To\u0304 \u6749\u6751\u68df. Isura\u0304mu \u30a4\u30b9\u30e9\u30fc\u30e0. To\u0304kyo\u0304: Sho\u0304gakukan, 1999.",
"page_number": "Reproduced: p. 150, no. 60",
"url": null
},
{
"citation": "Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2012.",
"page_number": "Reproduced: pp. 124\u2013125",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Mentioned and Reproduced p. 142\u2013146",
"url": null
}
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