{
"data": {
"id": 133100,
"accession_number": "1955.50",
"share_license_status": "CC0",
"tombstone": "Herakles Epitrapezios (Hercules on/at the Table), c. 1\u2013100 CE. Italy, Roman, Alexandrian(?). Marble; overall: 48.3 x 19.5 x 26.7 cm (19 x 7 11/16 x 10 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1955.50",
"current_location": null,
"title": "Herakles Epitrapezios (Hercules on/at the Table)",
"creation_date": "c. 1\u2013100 CE",
"creation_date_earliest": 1,
"creation_date_latest": 100,
"artists_tags": [],
"culture": [
"Italy, Roman, Alexandrian(?)"
],
"technique": "marble",
"support_materials": [],
"department": "Greek and Roman Art",
"collection": "GR - Roman",
"type": "Sculpture",
"measurements": "Overall: 48.3 x 19.5 x 26.7 cm (19 x 7 11/16 x 10 1/2 in.)",
"dimensions": {
"No Extent Specified": {
"height": 0.255,
"height_inch": 10,
"height_inch_fraction": 0.0625,
"width": 0.195,
"width_inch": 7,
"width_inch_fraction": 0.6875,
"depth": 0.24,
"depth_inch": 9,
"depth_inch_fraction": 0.4375
},
"overall": {
"height": 0.483,
"height_inch": 19,
"height_inch_fraction": 0.0,
"width": 0.195,
"width_inch": 7,
"width_inch_fraction": 0.6875,
"depth": 0.267,
"depth_inch": 10,
"depth_inch_fraction": 0.5
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [],
"legacy": []
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The sculptor carved Herakles and his rocky seat (covered with his lionskin) from separate marble pieces.",
"early_education_description": null,
"artlens_description": null,
"description": "The Roman poets Martial and Statius mention a bronze statuette made by the master Greek sculptor Lysippos (active c. 360s\u2013310s BCE). It depicted the Greek hero Herakles seated on a rock with a drinking cup and was created for Alexander the Great, who claimed Herakles as an ancestor and carried the sculpture with him on his military campaigns. Later, the work was said to have been acquired by Hannibal, Sulla, and the famed Roman art collector Novius Vindex. The statuette is called epitrapezios (on/at the table) either because it was designed to be displayed on a tabletop or because it shows Herakles seated, as at a table. Later sculptors made many more versions, including this one, to meet the demand of Roman collectors enamored with Greek art.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60748277"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1955.50-herakles-epitrapezio"
]
},
"citations": [
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958.",
"page_number": "Mentioned and Reproduced: cat. no. 33",
"url": "https://archive.org/details/CMAHandbook1958/page/n21"
},
{
"citation": "De Visscher, Fernand. \u201cH\u00e9rakl\u00e8s Epitrapezios.\u201d L\u2019Antiquit\u00e9 Classique 30, no. 1, 1961.",
"page_number": "p. 67\u2013129",
"url": ""
},
{
"citation": "Visscher, Fernand de. Heracles Epitrapezios. Paris: E.de Broccard, 1962.",
"page_number": "P. 61, pl. XIV, fig. 4.",
"url": null
},
{
"citation": "Bartman, Elizabeth. \"Lysippos' Huge God in Small Shape.\" The Bulletin of the Cleveland Museum of Art 73, no. 7 (1986): 298-311.",
"page_number": "p. 299-311, figs. 1-4.",
"url": "www.jstor.org/stable/25159951."
},
{
"citation": "Uhlenbrock, Jaimee Pugliese, Karl Galinsky, and Edith C. Blum Art Institute. Herakles: Passage of the Hero through 1000 Years of Classical Art. New Rochelle, N.Y., Annandale-on-Hudson, N.Y.: A.D. Caratzas; Edith C. Blum Art Institute, Bard College, 1986.",
"page_number": "fig. 43",
"url": ""
},
{
"citation": "Ouvry, Jean. \u201cUne R\u00e9plique de L\u2019h\u00e9racl\u00e8s Epitrapezios Retrouv\u00e9e.\u201d Antike Kunst 32, no. 2, 1989.",
"page_number": "p. 152\u2013154",
"url": "http://www.jstor.org/stable/41320601"
},
{
"citation": "Bartman, Elizabeth. Ancient Sculptural Copies in Miniature. Leiden: E.J. Brill, 1992.",
"page_number": "Pp. 159; cat. 3, Figs. 86-87.",
"url": null
},
{
"citation": "Ridgway, B.S. \" Roman Bronze Statuary--Beyond Technology,\" in C.C. Mattusch, (ed.), The Fire of Hephaistos: Large Classical Bronzes from North American Collections. Cambridge, Mass: Harvard University Art Museums, 1996.",
"page_number": "P. 132, Fig. 9.",
"url": null
},
{
"citation": "Anguissola, Anna. Supports in Roman Marble Sculpture: Workshop Practice and Modes of Viewing. Cambridge: Cambridge University Press, 2018.",
"page_number": "Mentioned: p. 193 n. 37.",
"url": ""
},
{
"citation": "Cleveland Museum of Art. Sketchbook: Michelangelo: Mind of the Master. Cleveland Museum of Art; Cleveland, Ohio, 2019.",
"page_number": "Reproduced: P. 8",
"url": ""
},
{
"citation": "Merrill, Larry, Kathleen Wakefield, and Archie Rand. An Accumulation of Silence. 2021.",
"page_number": "Reproduced: p. 8",
"url": ""
}
],
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"creditline": "Purchase from the J. H. Wade Fund",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 133100,
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"legal_status": "accessioned",
"accession_date": "1955-03-10T00:00:00",
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"date_text": "c. 1\u2013100 CE",
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"updated_at": "2026-07-01 21:15:20.186000"
}
}