id: 133712
accession number: 1956.325
share license status: CC0
url: https://clevelandart.org/art/1956.325
updated: 2023-03-09 12:48:03.857000
Set of Ovid's Metamorphoses, 1704–31. Gobelins Manufactory (France, Paris, est. 1662). Tapestry weave; average: 327.7 x 322.6 cm (129 x 127 in.). The Cleveland Museum of Art, Gift of Mrs. Matthias Plum 1956.325
title: Set of Ovid's Metamorphoses
title in original language:
series:
series in original language:
creation date: 1704–31
creation date earliest: 1704
creation date latest: 1731
current location:
creditline: Gift of Mrs. Matthias Plum
copyright:
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culture: France, 18th century
technique: tapestry weave
department: Textiles
collection: Textiles
type: Tapestry
find spot:
catalogue raisonne:
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CREATORS
* Gobelins Manufactory (France, Paris, est. 1662) - manufacturer
For more information: http://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000032919
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measurements: Average: 327.7 x 322.6 cm (129 x 127 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
Mrs. Matthias Plum (Bertha Andrews Rainey Plum) [1909-1976], New York, NY, gifted to the Cleveland Museum of Art
date: ?–1956
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1956–
footnotes:
citations:
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fun fact:
During the French Revolution, Gobelins tapestries were sometimes disassembled to harvest the gold threads.
digital description:
Each tapestry illustrates a scene from Metamorphoses, written by the ancient Roman poet Ovid. The poem is comprised of fifteen books and contains more than 250 myths. These tapestries were produced in Paris by the royal Gobelins Manufactory during the 1700s. Gobelins was founded in 1662 for the purpose of furnishing French royal homes with the highest quality textiles. Gold and silver thread and silk were woven together to create luxurious tapestries like these.
wall description:
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RELATED WORKS
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CITATIONS
Malloy, Katherine R. “Three Eighteenth-Century Gobelins Tapestries.” The Bulletin of the Cleveland Museum of Art 44, no. 2 (1957): 24–27.
page number: Reproduced: P. 24; Mentioned: P. 24-27
url: https://www.jstor.org/stable/25142185
Standen, Edith A. “Ovid’s ‘Metamorphoses’: A Gobelins Tapestry Series.” Metropolitan Museum Journal 23 (1988): 149–191.
page number: Mentioned: P. 159, 162-163, 167, 171-173, 188; Reproduced: P. 164, 166, 172
url: https://www.jstor.org/stable/1512852
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1956.325/1956.325_web.jpg
print: https://openaccess-cdn.clevelandart.org/1956.325/1956.325_print.jpg
full: https://openaccess-cdn.clevelandart.org/1956.325/1956.325_full.tif