id:			134237
accession number:	1956.719
share license status:	CC0
url:			https://clevelandart.org/art/1956.719
updated:		

Virgin and Child with Saint Jerome and Saint Catherine of Alexandria, c. 1450. Carolino da Viterbo (Italian). Tempera and gold on wood panel; framed: 68.5 x 47.5 x 5 cm (26 15/16 x 18 11/16 x 1 15/16 in.); unframed: 59.7 x 39 cm (23 1/2 x 15 3/8 in.). The Cleveland Museum of Art, The Fanny Tewksbury King Collection 1956.719

title:				Virgin and Child with Saint Jerome and Saint Catherine of Alexandria
title in original language:	
series:				
series in original language:	
creation date:			c. 1450
creation date earliest:		1445
creation date latest:		1455
current location:		117A Italian Renaissance
creditline:			The Fanny Tewksbury King Collection
copyright:			

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culture:	Italy, Siena?, 15th century
technique:	tempera and gold on wood panel
department:	Medieval Art
collection:	MED - Medieval Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Carolino da Viterbo (Italian)  - artist

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measurements: Framed: 68.5 x 47.5 x 5 cm (26 15/16 x 18 11/16 x 1 15/16 in.); Unframed: 59.7 x 39 cm (23 1/2 x 15 3/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* Representative Art through the Ages (lent by Mrs. Ralph King),The Cleveland Museum of Art, 1928.<br>Twentieth Anniversary Exhibition, The Cleveland Museum of Art, cat. no. 141. The Cleveland Museum of Art, 1936.

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PROVENANCE

	In sale held by Galardelli, Florence, May 13, 1914, lot 37, illus. in pl. I (as Sano di Pietro)
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	Achillito Chiesa, Milan (sale: American Art Galleries, New York, Nov. 27, 1925, no. 50)
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	Mr. and Mrs. Ralph Kind, Cleveland, 1925
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	The Fanny Tewksbury Kind Collection, 1956
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fun fact:
The figure to the right of the Christ child is Saint Jerome, identifiable by the rock he holds to his chest.

digital description:


wall description:
In his right hand, the Christ child grasps a stem of roses. The beauty and fragrance of roses symbolize heaven, while their thorny stems allude to the crown of thorns and Christ's suffering. The bird he holds in his left hand symbolizes the human soul. The elaborate haloes with Latin inscriptions identify the figures and help organize the composition. The names of Christ, Saint Jerome, and Saint Catherine of Alexandria appear in abbreviated form. The Madonna's halo proclaims her worthiness to bear the Son of God: "Hail, full of grace," while the inscription at the top is one of her most popular titles: "Merciful Mother."
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RELATED WORKS

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CITATIONS

	Cleveland Museum of Art. <em>Catalogue of Paintings. Pt. 1. European Paintings before 1500. </em>Cleveland: Cleveland Museum of Art, 1974.
	page number: 	Reproduced: fig. 28, p. 73 - 75
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1956.719/1956.719_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1956.719/1956.719_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1956.719/1956.719_full.tif