id: 134845 accession number: 1957.400.1 share license status: CC0 url: https://clevelandart.org/art/1957.400.1 updated: 2023-03-09 12:48:07.258000 Ear Ornament, c. 500–200 BC. Peru, North Highlands, Chavín de Huantar(?), Chavín Style (1000-200 BC). Hammered and cut gold; diameter: 9.6 cm (3 3/4 in.); overall: 2.6 cm (1 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Paul Tishman 1957.400.1 title: Ear Ornament title in original language: series: series in original language: creation date: c. 500–200 BC creation date earliest: -500 creation date latest: -200 current location: 232 Andean creditline: Gift of Mr. and Mrs. Paul Tishman copyright: --- culture: Peru, North Highlands, Chavín de Huantar(?), Chavín Style (1000-200 BC) technique: hammered and cut gold department: Art of the Americas collection: AA - Andes type: Metalwork find spot: catalogue raisonne: --- CREATORS --- measurements: Diameter: 9.6 cm (3 3/4 in.); Overall: 2.6 cm (1 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Arts of Pre- Hispanic America opening date: 1970-04-12T05:00:00 The Arts of Pre- Hispanic America. The Chrysler Museum of Art, Norfolk, VA (organizer) (April 12-May 31, 1970). --- LEGACY EXHIBITIONS * Boston, MA: Museum of Fine Arts, Boston; October 4 - November 5, 1961. "Twenty-five Centuries of Peruvian Art, 700B.C. - 1800 A.D." Cat. no. 6c, repr. in black and white, bottom.

Kansas City, MO: William Rockhill Nelson Gallery of Art; January 18-February 25, 1962. "The Imagination of Primitive Man", cat. no. 269, p. 162. no repr.

Cleveland, OH: The Cleveland Museum of Art; February 23-April 3, 1966. "Treasures of Peruvian Gold."

Norfolk, VA: Norfolk Museum of Arts & Sciences; April 12- May 13, 1970. " The Arts of Pre-Hispanic America." --- PROVENANCE Juan Dalmau, Peru date: footnotes: citations: Joseph Brummer date: footnotes: citations: Dr. Vladimir G. Simkhovitch date: footnotes: citations: Juan Dalmau, Peru; Joseph Brummer; Dr. Vladimir G. Simkhovitch date: footnotes: citations: --- fun fact: digital description: wall description: There seems to be a link between Chavín religion and appearance of the Andes’ first large precious-metal objects, made using revolutionary new metallurgical processes. Chavín may have developed these technical innovations to express the inexpressible, the "wholly other" nature of its religion. In many areas, elite men and women wore the ornaments as emblems of their ties to this religion, and eventually were buried with them. These 16 objects, along with three others not in the museum’s collection, are said to have come as a group from Chavín itself. --- RELATED WORKS --- CITATIONS The Bulletin of the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art, March 1958. page number: 89 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1957.400.1/1957.400.1_web.jpg print: https://openaccess-cdn.clevelandart.org/1957.400.1/1957.400.1_print.jpg full: https://openaccess-cdn.clevelandart.org/1957.400.1/1957.400.1_full.tif