{
    "data": {
        "id": 135265,
        "accession_number": "1958.28",
        "share_license_status": "CC0",
        "tombstone": "Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875. Edgar Degas (French, 1834\u20131917). Oil on fabric; framed: 67.6 x 58.4 x 6 cm (26 5/8 x 23 x 2 3/8 in.); unframed: 49 x 39.4 cm (19 5/16 x 15 1/2 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr., 1958.28",
        "current_location": null,
        "title": "Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi",
        "creation_date": "c. 1875",
        "creation_date_earliest": 1870,
        "creation_date_latest": 1880,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "France, 19th century"
        ],
        "technique": "oil on fabric",
        "support_materials": [],
        "department": "Modern European Painting and Sculpture",
        "collection": "Mod Euro - Painting 1800-1960",
        "type": "Painting",
        "measurements": "Framed: 67.6 x 58.4 x 6 cm (26 5/8 x 23 x 2 3/8 in.); Unframed: 49 x 39.4 cm (19 5/16 x 15 1/2 in.)",
        "dimensions": {
            "framed": {
                "height": 0.676,
                "height_inch": 26,
                "height_inch_fraction": 0.625,
                "width": 0.584,
                "width_inch": 23,
                "width_inch_fraction": 0.0,
                "depth": 0.06,
                "depth_inch": 2,
                "depth_inch_fraction": 0.375
            },
            "unframed": {
                "height": 0.49,
                "height_inch": 19,
                "height_inch_fraction": 0.3125,
                "width": 0.394,
                "width_inch": 15,
                "width_inch_fraction": 0.5
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 304248,
                    "title": "Style, Truth and the Portrait",
                    "description": "<i>Style, Truth and the Portrait</i>. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963).",
                    "opening_date": "1963-10-01T04:00:00"
                },
                {
                    "id": 338874,
                    "title": "Small Paintings from Famous Collections",
                    "description": "<i>Small Paintings from Famous Collections</i>. Taft Museum of Art, Cincinnati, OH (organizer) (April 4-June 7, 1981).",
                    "opening_date": "1981-04-04T04:00:00"
                },
                {
                    "id": 309658,
                    "title": "Portraiture: The Image of the Individual",
                    "description": "<i>Portraiture: The Image of the Individual</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984).",
                    "opening_date": "1983-11-22T05:00:00"
                },
                {
                    "id": 338956,
                    "title": "Degas: The Portraits",
                    "description": "<i>Degas: The Portraits</i>. Kunsthaus Z\u00fcrich, Zurich, Switzerland (organizer) (December 2, 1994-March 3, 1995); K\u00fcnsthalle Tubingen, D-72076 T\u00fcbingen, Germany (March 18-June 18, 1995).",
                    "opening_date": "1994-12-02T05:00:00"
                },
                {
                    "id": 182153,
                    "title": "Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art",
                    "description": "<i>Monet to Dal\u00ed: Modern Masters from the Cleveland Museum of Art</i>. Beijing World Art Museum (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).",
                    "opening_date": "2006-05-27T00:00:00"
                },
                {
                    "id": 540045,
                    "title": "Napoli Ottocento",
                    "description": "<i>Napoli Ottocento</i>. Scuderie del Quirinale, Rome, Italy (organizer) (March 26-June 16, 2024).",
                    "opening_date": "2024-03-26T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>French Art of the Nineteenth Century, Paintings, Prints, Drawings</em>. Fogg Art Museum, Cambridge, MA (1942).",
                    "opening_date": "1942-01-01T00:00:00"
                },
                {
                    "description": "<em>Collectors' Choice; Masterpieces of French Art from New York Private Collections.</em> Paul Rosenberg &amp; Co., New York, NY (1953).",
                    "opening_date": "1953-01-01T00:00:00"
                },
                {
                    "description": "<em>Pictures Collected by Yale Alumni</em>. Yale University Art Gallery, New Haven, CT (1956).",
                    "opening_date": "1956-01-01T00:00:00"
                },
                {
                    "description": "<em>A Loan Exhibition of 19th and 20th Century French Paintings-Masterpieces Recalled</em>. Paul Rosenberg &amp; Co., New York, NY (1957).",
                    "opening_date": "1957-01-01T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Carafa Family, Naples, Italy",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": null
            },
            {
                "description": "Mrs. Millicent A. Rogers [1902-1953], New York, NY",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "(Paul Rosenberg & Co., New York, NY, June 25, 1951, sold to Leonard C. Hanna Jr.)",
                "citations": [],
                "footnotes": [],
                "date": "1942-1951",
                "sortorder": 3
            },
            {
                "description": "Leonard C. Hanna Jr., [1889-1957], Cleveland, OH, bequeathed to the Cleveland Museum of Art",
                "citations": [],
                "footnotes": [],
                "date": "1951-1958",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1958-",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Degas was a Parisian by birth, but had family connections around the world, including New Orleans and Italy. In this portrait Degas's aunt, who was a titled member of the aristocracy in southwestern Italy, is captured in loose, flowing strokes with her mourning dress and watery-eyed gaze.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Although best remembered for his depictions of ballet dancers and race horses, Degas painted many likenesses of his family members. He probably painted this portrait of his aunt, Stefania Carafa (1819\u20131901), during an extended visit to Naples, where many of his relatives lived. Described in family papers as a highly indulged, fun-loving child, the duchess grew into the stoic, world-weary woman depicted here. No expensive finery reveals her high social rank; indeed she wears a mourning dress, possibly to observe the recent death of her brother Achille.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60465071"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1958.28-stefanina-primicile"
            ]
        },
        "citations": [
            {
                "citation": "Frankfurter, Alfred M. \"Collectors and Million-Dollar Taste.\"<em> ARTnews </em>52 (March 1953): 24-25.",
                "page_number": "Reproduced: p. 25",
                "url": null
            },
            {
                "citation": "Coe, Nancy. <em>The History of the Collecting of European Paintings and Drawings in the City of Cleveland</em>. Thesis M.A. Oberlin College, 1955.",
                "page_number": "Reproduced: v. 2, p. 72",
                "url": null
            },
            {
                "citation": "Cleveland Museum of Art. <em>In Memoriam: Leonard C. Hanna, Jr.</em> Cleveland: The Cleveland Museum of Art, 1958.",
                "page_number": "Reproduced: no. 9",
                "url": null
            },
            {
                "citation": "\"Great Show of French Masters.\" Life 45, no. 8 (August 25, 1958): 41-48.",
                "page_number": "Reproduced: p. 43",
                "url": null
            },
            {
                "citation": "\"Annual Report.\" <em>The Bulletin of the Cleveland Museum of Art</em> XLVI, no. 6 (June 1959): 109-158.",
                "page_number": "Mentioned: p. 122",
                "url": null
            },
            {
                "citation": "Boggs, Jean Sutherland. <em>Portraits by Degas</em>. Berkeley: University of California Press, 1962.",
                "page_number": "Mentioned: p. 124",
                "url": null
            },
            {
                "citation": "Saisselin, R\u00e9my G. <em>Style, Truth, and the Portrait.</em> [Cleveland]: Cleveland Museum of Art, 1963.",
                "page_number": "Reproduced: cat. no. 90",
                "url": null
            },
            {
                "citation": "Boggs, Jean Sutherland. \"Edgar Degas and Naples.\" <em>The Burlington Magazine</em> 105 (June 1963): 273-276.",
                "page_number": "Reproduced: p. 275, fig. 36",
                "url": null
            },
            {
                "citation": "Mastai, M. L. D. \u201cPortraiture from Titian to Degas at the Cleveland Museum of Art.\u201d <em>Connoisseur</em> 154 (October 1963): 133\u201334.",
                "page_number": "Reproduced: p. 134",
                "url": null
            },
            {
                "citation": "Lee, Sherman. \"Style, Truth, and the Portrait.\" <em>Art in America</em> 51, no. 5 (October 1963): 28-29.",
                "page_number": "Reproduced: p. 28",
                "url": null
            },
            {
                "citation": "\"The Artist's View of Man: Portraiture Through Four Centuries.\" <em>Illustrated London News </em>243 (October 5, 1963): 521.",
                "page_number": "Mentioned and reproduced: p. 521",
                "url": null
            },
            {
                "citation": "Conlan, Barnett D. \"Report From Paris.\" <em>Pictures on Exhibit</em> 27, no. 2 (November 1963): 34-45.",
                "page_number": "Reproduced: p. 40",
                "url": null
            },
            {
                "citation": "\"Berichte.\" <em>Pantheon</em> 22 (1964): 55-57.",
                "page_number": "Reproduced: p. 56",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 172",
                "url": "https://archive.org/details/CMAHandbook1966/page/n196"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 172",
                "url": "https://archive.org/details/CMAHandbook1969/page/n196"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 213",
                "url": "https://archive.org/details/CMAHandbook1978/page/n233"
            },
            {
                "citation": "Taft Museum. <em>Small Paintings from Famous Collections, [Exhibition], The Taft Museum, April 4 - June 7, 1981</em>. [Cincinnati, Ohio]: [The Museum], 1981.",
                "page_number": "Mentioned and Reproduced: no. 13",
                "url": null
            },
            {
                "citation": "Hanson, Anne Coffin. \"Edward Hopper, American Meaning and French Craft.\" <em>Art Journal</em> 41, no. 2 (1981): 142-49.",
                "page_number": "Mentioned: p. 149, no. 20",
                "url": null
            },
            {
                "citation": "Brame, Philippe, Theodore Reff, and Paul-Andr\u00e9 Lemoisne. <em>Degas Et Son Oeuvre A Supplement</em>. New York: Garland, 1984.",
                "page_number": "Mentioned and reproduced: no. 53",
                "url": null
            },
            {
                "citation": "Boggs, Jean Sutherland. <em>Degas: [an Exhibition Held at the] Galeries Nationales Du Grand Palais, Paris, 9 February-16 May 1988, National Gallery of Canada, Ottawa, 16 June-28 August 1988, the Metropolitan Museum of Art, New York, 27 September 1988-8 January 1989</em>. New York: Metropolitan Museum of Art, 1988.",
                "page_number": "Reproduced: p. 253, fig. 125",
                "url": null
            },
            {
                "citation": "Degas, Edgar, Felix Andreas Baumann, Marianne Karabelnik, and Jean Sutherland Boggs. <em>Degas: Portraits</em>. London: Merrell Holberton, 1994.",
                "page_number": "Mentioned and Reproduced: no. 98, p. 44-45, 196, 340",
                "url": null
            },
            {
                "citation": "D' Argencourt, Louise, and Roger Diederen. <em>Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century.</em> Cleveland: Cleveland Museum of Art, 1974.",
                "page_number": "Mentioned and reproduced: p. 212-215",
                "url": null
            },
            {
                "citation": "Dwyer Modestini, Dianne, and Mario Modestini. <em>Masterpieces: Based on a Manuscript by Mario Modestini. </em>Fiesole (Firenze) : Cadmo, 2018.",
                "page_number": "Reproduced: p. 93; Mentioned: p. 94, p. 473",
                "url": null
            },
            {
                "citation": "Degas, Edgar, Adriano Pedrosa, Fernando Oliva, and Sofia Borges. Degas: Dance, Politics and Society. 2021, 322.",
                "page_number": "Reproduced: p. 322, fig. 282.",
                "url": ""
            }
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        ],
        "creditline": "Bequest of Leonard C. Hanna Jr.",
        "image_credit": null,
        "sketchfab_id": null,
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        "athena_id": 135265,
        "creators": [
            {
                "id": 1759,
                "description": "Edgar Degas (French, 1834\u20131917)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Son of a Parisian banker, Edgar Degas enrolled in law school in 1853 following his father's wishes. But he had already shown an interest in art and had also registered to copy at the Louvre. In 1855 he entered the \u00c9cole des Beaux-Arts and became a student of Louis Lamothe (1822-1869), a former pupil of Ingres (q.v.). One year later Degas made the traditional journey to Italy, remaining there for three years. He visited family members in Naples and Florence and attended life classes at the Villa Medici in Rome. A visit to Normandy in 1861 may have introduced him to the racetrack. In Paris he continued to study at the Louvre, where he met Manet (q.v.) in 1862. Apart from his continuous interest in portraiture and history painting, Degas began to pay attention to subjects of modern life. Between 1865 and 1870, he exhibited at the Salon. At the time of the Franco-Prussian War, he enlisted in the artillery, but because of his poor eyesight he served (with Manet) in the infantry. After the war he traveled first to London and, in 1872-73, visited his uncle and brothers who had a cotton business in New Orleans. Degas participated in the first impressionist exhibition of 1874. He continued to exhibit with these artists until 1886 but never completely considered himself a member of the group, preferring to call himself a realist or naturalist. While many of the impressionists painted en plein air, Degas worked with models in his studio and, later in his career, from his imagination. In addition to painting, he experimented often with monotypes, engraving, pastels, sculpture, and photography. He traveled extensively-London, Naples, Spain, Morocco, and Switzerland-but continued to draw his subject matter from modern-day Paris. Other recurring themes would be the female nude and the ballet dancer. After the impressionist exhibition of 1886, Degas no longer participated in group shows. Instead he sold his works to private dealers such as Durand-Ruel and Ambroise Vollard. In the 1890s he began his own art collection, which, besides many works on paper, included paintings by such artists as Ingres, C\u00e9zanne (q.v.), Delacroix (q.v.), Gauguin (q.v.), and van Gogh (q.v.). His own art at the time became characterized by broader strokes of paint, charcoal, and pastel and the use of more vibrant colors, partly because of problems with his vision. His failing eyesight and poor health caused him to abandon his pursuit of art during the last years of his life.",
                "name_in_original_language": null,
                "birth_year": "1834",
                "death_year": "1917",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "1958-11-29T00:00:00",
        "sortable_date": 1870,
        "date_added_to_oa": null,
        "date_text": "c. 1875",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": true,
        "impression": null,
        "alternate_titles": [
            "Portrait of the Duchess of Montejasi-Cicerale"
        ],
        "is_highlight": false,
        "updated_at": "2026-09-09 19:14:04.975000"
    }
}