id: 135299
accession number: 1958.31
share license status: CC0
url: https://clevelandart.org/art/1958.31
updated: 2024-03-26 01:58:44.696000
Adeline Ravoux, 1890. Vincent van Gogh (Dutch, 1853–1890). Oil on fabric; framed: 72.5 x 73.5 x 8.5 cm (28 9/16 x 28 15/16 x 3 3/8 in.); unframed: 50.2 x 50.5 cm (19 3/4 x 19 7/8 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.31
title: Adeline Ravoux
title in original language:
series:
series in original language:
creation date: 1890
creation date earliest: 1890
creation date latest: 1890
current location: 222 Impressionism & Post-Impressionism
creditline: Bequest of Leonard C. Hanna, Jr.
copyright:
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culture: Netherlands
technique: oil on fabric
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Vincent van Gogh (Dutch, 1853–1890) - artist
The son of a clergyman, Vincent van Gogh was sent to The Hague at the age of sixteen to become an apprentice at Goupil & Co., an art dealer with whom his uncle was affiliated. In August 1872 van Gogh began his extensive correspondence with his younger brother Theo, who would join the Brussels branch of the firm the following year. Vincent was transferred to the London offices in 1873 and two years later to the Paris office, but he despised the art trade and was dismissed in 1876. He then taught briefly at a boarding school in Ramsgate and Isleworth, and, back in the Netherlands, worked in a bookshop in Dordrecht before moving to Amsterdam to study theology. In little more than a year he had left the university and entered missionary school, failing again. Still intent on entering the ministry, he moved to the Borinage in Belgium and became a lay evangelist to the miners. Van Gogh finally decided to become an artist in August 1880 and started copying works by Millet (q.v.), the painter of peasant life. With his brother's financial help, he briefly joined the Academy in Brussels. The following year he returned to The Hague, where he received some artistic training from his cousin by marriage, Anton Mauve (1838-1888). There van Gogh met Sien Hoornik, a pregnant prostitute with a five-year-old daughter, with whom he lived briefly. Unable to marry her because of his family's disapproval, he moved in November 1883 from The Hague to the province of Drenthe, a popular place for artists, where he painted and drew laborers and peasants. Feeling terribly lonely, he visited his parents in December 1884 in Nuenen, and it was there that he finally decided to become a painter of peasant life. Van Gogh completed The Potato Eaters (Van Gogh Museum, Amsterdam) in April 1885 and sent it to his brother in Paris. On 25 November he moved to Antwerp, where he reveled in the work of Rubens and first came to know Japanese prints. Van Gogh traveled to Paris in March 1886 and lived with Theo. Under the influence of the impressionists, and works by Monticelli (q.v.), his palette changed to more intense and vibrant colors. He began to associate with Émile Bernard (1868-1941), Henri de Toulouse-Lautrec (1864-1901), Degas (q.v.), Gauguin (q.v.), Pissarro (q.v.), and Seurat (q.v.) and started collecting some of their paintings as well as Japanese prints. He moved to Arles in February 1888. Apart from paintings, he also made some drawings because it was a cheaper medium. Theo encouraged him to submit to the Salon des Indépendants. In May Vincent rented a room in the Yellow House, even though he could hardly afford to do so, and continued to send his work to his brother. In June he became intrigued with the subject of the wheat harvest and painted The Sower (Kröller-Müller Museum, Otterlo). On 23 October 1888, Gauguin arrived in Arles, at a time when van Gogh was having trouble with his eyesight. Gauguin encouraged him to paint from memory, which resulted in Memory of the Garden in Etten (Hermitage, St. Petersburg). The artists, however, had many disagreements, and during a dramatic quarrel on 23 December van Gogh mutilated his ear. He was taken into a hospital in Arles, and Gauguin left for Paris. Van Gogh recovered rapidly and was dismissed on 7 January 1889. In February his neighbors objected to his presence in the Yellow House, and he had to return to the hospital. In April Theo married Johanna Gesina Bonger, who would eventually safeguard most of Vincent's oeuvre. Aware of his mental problems, at the end of April van Gogh checked himself into the asylum of Saint-Paul-de-Mausole in Saint-Rémy, where he was treated by Dr. Peyron. His condition was stable, and he was allowed to work in a makeshift studio. He worked in the garden (Irises, J. Paul Getty Museum, Los Angeles) and painted the fields he could see from his window. Under supervision he painted in the countryside, rendering cypresses and olive trees. Starry Night (Museum of Modern Art, New York) also stems from this period. From July through September he suffered from a severe depression that prevented him from working. He resumed his work from October through December, painting well-known Provençal works and adapting prints after Delacroix (q.v.), Millet, and Rembrandt (1606-1669). In January 1890 he exhibited five works with Les XX in Brussels, selling one of them. After a visit to Arles at the end of February, he became ill again but continued to work. He finally left the asylum, and visited Theo in Paris on his way to Auvers, where he arrived on 20 May. He became close friends with Dr. Gachet and rented a room at the inn of the Ravoux family. He painted the village, portraits, and the surrounding wheat fields. On 27 July 1890, during an episode of depression, van Gogh shot himself in the chest and died two days later.
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measurements: Framed: 72.5 x 73.5 x 8.5 cm (28 9/16 x 28 15/16 x 3 3/8 in.); Unframed: 50.2 x 50.5 cm (19 3/4 x 19 7/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: The Armory Show, 50th Anniversary Exhibition
opening date: 1963-02-17T05:00:00
The Armory Show, 50th Anniversary Exhibition. Munson-Williams-Proctor Institute, Utica, NY (organizer) (February 17-April 28, 1963).
title: Juxtapositions
opening date: 1965-09-11T04:00:00
Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).
title: In Quest of Excellence: Civic Pride, Patronage, Connoisseurship
opening date: 1984-01-12T05:00:00
In Quest of Excellence: Civic Pride, Patronage, Connoisseurship. Pérez Art Museum Miami (organizer) (January 12-April 22, 1984).
title: ゴッホ (Van Gogh)
opening date: 1985-10-12T04:00:00
ゴッホ (Van Gogh). National Museum of Western Art, Tokyo, Tokyo, Japan (organizer) (October 12-December 8, 1985); Nagoya City Art Museum, Nagoya, Japan (December 21, 1985-February 2, 1986).
title: Creativity in Art and Science, 1860-1960
opening date: 1987-09-16T04:00:00
Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987).
title: Van Gogh Face to Face: The Portraits
opening date: 2000-03-12T00:00:00
Van Gogh Face to Face: The Portraits. The Detroit Institute of Arts, Detroit, MI (organizer) (March 12-June 4, 2000); Museum of Fine Arts, Boston, Boston, MA (July 2-September 24, 2000); Philadelphia Museum of Art, Philadelphia, PA (October 22, 2000-January 14, 2001).
title: The Société Anonyme: Modernism for America
opening date: 2006-04-23T04:00:00
The Société Anonyme: Modernism for America. UCLA at Armand Hammer Museum of Art and Cultural Center (April 23-August 20, 2006).
title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art
opening date: 2006-05-27T00:00:00
Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).
title: Van Gogh Repetitions
opening date: 2013-10-12T00:00:00
Van Gogh Repetitions. The Cleveland Museum of Art, Cleveland, OH (March 2-May 26, 2014).
title: Through Vincent's Eyes: Van Gogh and His Sources
opening date: 2021-11-12T05:00:00
Through Vincent's Eyes: Van Gogh and His Sources. Columbus Museum of Art, Columbus, OH (organizer) (November 12, 2021-February 6, 2022) https://www.columbusmuseum.org/through-vincents-eyes-van-gogh-and-his-sources/.
title: Van Gogh in America
opening date: 2022-10-02T04:00:00
Van Gogh in America. The Detroit Institute of Arts, Detroit, MI (organizer) (October 2, 2022-January 22, 2023).
title: Van Gogh in Auver-sur-Oise: His Final Months
opening date: 2023-05-12T04:00:00
Van Gogh in Auver-sur-Oise: His Final Months. Van Gogh Museum, 1070 AJ Amsterdam, Netherlands (organizer) (May 12-September 3, 2023) https://www.vangoghmuseum.nl/nl/bezoek/tentoonstellingen/van-gogh-in-auvers-sur-oise; Musée d'Orsay, Paris, France (October 3, 2023-February 4, 2024).
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LEGACY EXHIBITIONS
* {'description': 'International Exhibition of Modern Art (Armory Show) New York. Armory of the 69th Regiment, New York, NY; Art Institute of Chicago, Chicago, IL; Copley Hall, Georgetown, MA; Copley Society, Boston, MA (1913).', 'opening_date': '1913-01-01T00:00:00'}
* {'description': 'Opening Exhibition. Galleries of the Société Anonyme, New York, NY (1920).', 'opening_date': '1920-01-01T00:00:00'}
* {'description': 'An Exhibition of Modern French Art. Baltimore Museum of Art, Baltimore, MD (1925).', 'opening_date': '1925-01-01T00:00:00'}
* {'description': 'First Loan Exhibition: Cézanne, Gauguin, Seurat, Van Gogh. Museum of Modern Art, New York, NY (1929).', 'opening_date': '1929-01-01T00:00:00'}
* {'description': 'Opening Exhibition. Museum of Fine Arts, Springfield, MA (1933).', 'opening_date': '1933-01-01T00:00:00'}
* {'description': 'Paintings, Watercolors & Drawings by Vincent van Gogh. Museum of Modern Art, New York, NY; Philadelphia Museum of Art, Philadelphia, PA; Museum of Fine Arts, Boston, MA; Cleveland Museum of Art, Cleveland, OH; San Francisco Museum of Fine Arts, San Francisco, CA; Nelson Atkins Museum of Art, Kansas City, MO; Minneapolis Museum of Art, Minneapolis, MN; Art Institute of Chicago, Chicago, IL; Detroit Institute of Art, Detroit, MI; Art Gallery of Ontario, Toronto, Ontario (1935-36).The Hanna Collection of Modern Masterpieces. J.B. Speed Memorial Museum, Louisville, KY (1944).', 'opening_date': '1944-01-01T00:00:00'}
* {'description': 'The Hanna Collection of Modern Masterpieces. J.B. Speed Memorial Museum, Louisville, KY (1944).', 'opening_date': '1944-01-01T00:00:00'}
* {'description': 'Pictures for Peace: A Retrospective Exhibition Organized from the Armory Show of 1913. Cincinnati Art Museum, Cincinnati, OH (1944).', 'opening_date': '1944-01-01T00:00:00'}
* {'description': 'Works by Vincent van Gogh. The Cleveland Museum of Art, Cleveland, OH (1948).', 'opening_date': '1948-01-01T00:00:00'}
* {'description': 'Summer Loan.Metropolitan Museum of Art, New York, NY (June-September 1949).', 'opening_date': '1949-06-01T00:00:00'}
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PROVENANCE
Johanna Van Gogh-Bonger [1862-1925], the wife of Theo van Gogh, Amsterdam, Netherlands.
date:
footnotes:
citations:
(Artz and de Bois, The Hague, Netherlands)
date: 1912
footnotes:
citations:
Katherine S. Dreier [1877-1952], New York, NY
date: 1912-1929
footnotes:
citations:
Mrs. Cornelius Sullivan [1877-1939], New York, NY
date: -1939
footnotes:
citations:
(Parke-Bernet Galleries, New York, NY, December 6-7, 1939, sold to Leonard C. Hanna Jr.)
date: 1939
footnotes:
citations:
Leonard C. Hanna Jr. [1889-1957], Cleveland, OH, bequeathed to the Cleveland Museum of Art
date: 1939-1958
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1958-
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
page number:
url:
Louis Anfray, “Les souvenirs d’Adeline Ravoux sur le séjour de Vincent van Gogh à Auvers-sur-Oise,” Les Cahiers de Van Gogh no. 1 (Geneva: Pierre Cailler, 1956): p. 9.
page number: Mentioned: p. 9
url:
Société Anonyme. Report 1920-1921. [New York]: The Society, 1921.
page number: Reproduced: p. 6
url:
Dreier, Katherine S. Western Art and the New Era; An Introduction to Modern Art. New York: Brentano's, 1923.
page number: Mentioned and reproduced: p. 63-64, fig. 35
url:
de LaFaille, J. B. L'oeuvre de Vincent van Gogh, catalogue raisonné. Paris, FR et Bruxelles, BE: Les Éditions G. van Oest, 1928.
page number: Reproduced: no. 786, vol. 2
url:
Gogh, Vincent van. Further Letters of Vincent Van Gogh to His Brother, 1886-1889. London: Constable & Co, 1929.
page number: Mentioned: p. 472, no. 644
url:
Scherjon, W., and W. Jos. de Gruyter. Vincent Van Gogh's Great Period, Arles, St. Rémy and Auvers Sur Oise (Complete Catalogue). Amsterdam NL: "De Spieghel", Ltd, 1937.
page number: Reproduced: p. 375, no. 222
url:
La Faille, J. Bernard de , Charles Terrasse, Prudence Montagu-Pollock, and André Gloeckner. Vincent Van Gogh. New York, N.Y.: French and European Publications [etc.], 1939
page number: Reproduced: p. 776
url:
Venturi, Lionello. "Notes on the Collection of Mrs. Cornelius J. Sullivan." Parnassus 11, no. 8 (1939): 32-33.
page number: Mentioned:p. 33
url: https://www.jstor.org/stable/772018
"The Sullivan Collection." Magazine of Art 32, no. 12 (December 1939): 710-711.
page number: Mentioned: p. 711
url:
Leymarie, Jean. Van Gogh. [Paris]: Éditions P. Tisné, 1951.
page number: Mentioned and reproduced: no. 156
url:
Coe, Nancy. The History of the Collecting of European Paintings and Drawings in the City of Cleveland. Thesis M.A. Oberlin College, 1955.
page number: Reproduced: vol. 2, p. 11
url:
Saarinen, Aline B. The Proud Possessors: The Lives, Times, and Tastes of Some Adventurous American Art Collectors. New York, NY: Random House, 1958.
page number: Reproduced: p. 241
url:
Elgar, Frank. Van Gogh, A Study of His Life and Work. New York: Praeger, 1958.
page number: Reproduced: fig. 210
url:
Cleveland Museum of Art. In Memoriam: Leonard C. Hanna, Jr. Cleveland: The Museum, 1958.
page number: Reproduced: no. 16
url:
Frankfurter, Alfred M. “Cleveland: Model Museum for a Modern Cosmopolis.” ARTnews 57 (March 1958): 24–37.
page number: Reproduced: p. 37, fig. 28
url:
The Bulletin of The Cleveland Museum of Art LIX, no.9 (September, 1959): 199.
page number: Reproduced: p. 199
url:
"Bequest of Leonard C. Hannah, Jr." The Bulletin of The Cleveland Museum of Art XLVI,no.6 (June, 1959): 122.
page number: Mentioned: p. 122
url:
Munson-Williams-Proctor Institute. 1913 Armory Show; 50th Anniversary Exhibition, Utica, NY:1963.
page number: Reproduced: p. 191, no. 1047
url:
Sachs II, Samuel. "Reconstructing the Whirlwind of 26th Street." ARTnews 61 (February 1963): 26.
page number: Reproduced: p. 26
url:
Henning, E. B. “Cleveland Museum of Art: From Turner to Guston.” Apollo: The International Magazine for Collectors 78 (December 1963): 481–88.
page number: Reproduced: p. 486
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 178
url: https://archive.org/details/CMAHandbook1966/page/n202
Christie, Manson & Woods. Important Impressionist and Modern Drawings, Paintings and Sculpture. 1966.
page number: Mentioned & reproduced: lot no. 49
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 178
url:
De la Faille, J.-B. The Works of Vincent Van Gogh; His Paintings and Drawings. Amsterdam: Meulenhoff International, 1970.
page number: Mentioned and reproduced: no. 786
url:
Lecaldano, Paolo. L'opera pittorica completa di Van Gogh e i suoi nessi grafici. Milan, IT: Rizzoli, 1971.
page number: Reproduced: no. 841
url:
Lubin, Albert J. Stranger on the Earth; A Psychological Biography of Vincent Van Gogh. New York, NY: Holt, Rinehart Winston, 1972.
page number: Reproduced: p. 232, pl. 19
url:
Henning, Edward B. "Pablo Picasso: Bouteille, Verre, et Fourchette." The Bulletin of the Cleveland Museum of Art LIX, no. 7 (September 1972): 194-203.
page number: Mentioned and reproduced: p. 199, fig. 12
url:
Henning, Edward. "Reconstruction: A Painting by Jasper Johns." The Bulletin of The Cleveland Museum of Art LX, no. 8 (October, 1973): 235-241.
page number: Reproduced: p. 237
url:
Johnson, Mark. "Portrait Painting: An Image of a Man." Arts and Activities 82, no. 1 (September 1977): 32-38.
page number: Reproduced: p. 37, fig. 5
url:
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 221
url: https://archive.org/details/CMAHandbook1978/page/n241
Hulsker, Jan. The Complete Van Gogh: Paintings, Drawings, Sketches. New York, NY: H.N. Abrams, 1980.
page number: Reproduced: no. 2036; Detail: p. 485 no. 16
url:
Nemecaek, Alfred. "Der Wirt Ravoux und Seine Tochter-Menschen in Auvers." Art: Das Kunstmagazin 1 (February 1981): 28.
page number: Reproduced: p. 28
url:
Henning, Edward. "Woman in the Waves by Paul Gauguin." The Bulletin of The Cleveland Museum of Art LXXI, no.10 (October, 1984): 280-289.
page number: Reproduced: p. 283
url:
Herbert, Robert L., Eleanor S. Apter, and Elise K. Kenney. The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné. New Haven, CT: Published for the Yale University Art Gallery by Yale University Press, 1984.
page number: Mentioned: p. 748, 776
url:
Van der Marck, Jan. In Quest of Excellence: Civic Pride, Patronage, Connoisseurship. Miami, Fla., U.S.A.: The Center, 1984.
page number: Mentioned: cat no. 124, p. 246, Reproduced: p. 73
url:
Ikegami, Chūji. Gohho. Tōkyō, Japan: Shūeisha, 1985.
page number: Reproduced: p. 72
url:
Gohho ten. Tokyo, Japan: Tōkyō Shinbun, 1985.
page number: Reproduced: p. 76
url:
Mothe, Alain. Vincent van Gogh à Auvers-sur-Oise. Paris, FR: Valhermeil, 1987.
page number: Reproduced: p. 89
url:
Henning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987.
page number: Reproduced: p. 107
url:
Brown, Milton W. The Story of the Armory Show. New York, NY: Abbeville Press, 1988.
page number: Reproduced: p. 199; mentioned: p. 272, no. 1047
url:
Christie, Manson & Woods International Inc. Impressionist and Modern Paintings and Sculpture, Part I. 1988.
page number: Mentioned and reproduced: p. 56-62, lot no. 22
url:
Mukōda, Naoki, and Hideo Takumi. Gohho junrei. Tōkyō: Shinchōsha, 1990.
page number: Reproduced: p. 76
url:
Madeline, Laurence. "Auvers: La Symphonie Inachevee." In Van Gogh, Auvers-sur-Oise: Mai-Juillet 1890., 8-27. [Paris]: Publié par Beaux-Arts Magazine, Publications, Nuit et jour, 1990.
page number: Reproduced: p. 17
url:
Heijbroek, Jan Frederik, and Ester Wouthuysen. Kunst, kennis en commercie: de kunsthandelaar J.H. de Bois (1878-1946). Amsterdam, NL: Contact, 1993.
page number: Mentioned: p. 44, 200
url:
Walther, Ingo F. and Rainer Metzger. Vincent Van Gogh: The Complete Paintings. Köln, DE: Benedikt Taschen, 1993.
page number: Reproduced: p. 667, vol. 2
url:
Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993.
page number: Reproduced: p. 88
url:
Gachet, Paul, and Alain Mothe. Les 70 jours de van Gogh à Auvers: essai d'éphéméride dans le décor de l'époque (20 mai-30 juillet 1890), d'après les lettres, documents, souvenirs et déductions, Auvers-sur-Oise, 1959. [Saint-Ouen-l'Aumône]: Editions du Valhermeil, 1994.
page number: Reproduced: p. 154-155, pl. 26
url:
Hulsker, Jan. The New Complete Van Gogh: Paintings, Drawings, Sketches: Revised and Enlarged Edition of the Catalogue Raisonné of the Works of Vincent Van Gogh. Philadelphia: John Benjamins Pub. Co, 1996.
page number: :Mentioned and reproduced: p. 466-467
url:
D' Argencourt, Louise, and Roger Diederen. Catalogue of Paintings. Pt. 4. European Paintings of the 19th Century. Cleveland: Cleveland Museum of Art, 1974.
page number: Mentioned and reproduced: p. 310-313.
url:
Dorn, Roland. Van Gogh Face to Face: The Portraits. New York, NY: Thames & Hudson, 2000.
page number: Reproduced: p. 197
url:
Shackelford, George T. M.. Vincent Van Gogh: The Painter and the Portrait. New York, NY: Universe, 2000.
page number: Reproduced: p. 66, no. 50
url:
Gogh, Vincent van, and Roland Dorn. Van Gogh Face to Face: The Portraits. New York: Thames & Hudson, 2000.
page number: Mentioned and Reproduced: cat. no. 197
url:
Goldin, Marco. Gauguin, Van Gogh: l'avventura del colore nuovo. Conegliano, IT: Linea d'ombra libri, 2005.
page number: Reproduced: p. 26
url:
Gross, Jennifer R., and Ruth L. Bohan. The Société Anonyme: Modernism for America. New Haven, CT: Yale University Press in association with the Yale University Art Gallery, 2006.
page number: Reproduced: p. 174
url:
Veen, Wouter van der, and Peter Knapp. Van Gogh in Auvers: his last days. New York, NY: Monacelli Press, 2010.
page number: Reproduced: p. 163, fig. 83
url:
Franklin, David. Director's Choice: The Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2012.
page number: Reproduced: p. 62-63
url:
Berman, Avis. 2013. “Forces for the New Collectors and the Armory.” Magazine Antiques 180, no. 1 (January/February 2013: 154-166.
page number: Mentioned: p. 159; reproduced: p. 162, fig. 11
url:
Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016.
page number: Mentioned and Reproduced: P. 22
url:
Kahng, Eik, ed. Through Vincent's Eyes: Van Gogh and His Sources. Santa Barbara, CA: Santa Barbara Museum of Art; New Haven, CT: in association with Yale University Press, 2021.
page number: Mentioned and reproduced: P. 198-201, no. 19
url:
Stein, Susan Alyson. "Van Gogh in New York: Picturing the First Years, 1912-29." In Van Gogh in America. Jill Shaw, ed., 56-91. Detroit, Michgan: Detroit Institute of Arts, 2022.
page number: Reproduced: P. 61, pl. 18, no. 65; Mentioned: P. 63
url:
Bakker, Nienke. "Timless Portraits: On Melancholy and Youth." In Van Gogh in Auvers-Sur-Oise: His Final Months edited by Nienke Bakker, Emmanuel Coquery, Teio Meedendorp, and Louis van Tilborgh, 116-133. London: Thames & Hudson Ltd, 2023.
page number: Mentioned: p. 117, 120; Reproduced: p. 122, no. 120.
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1958.31/1958.31_web.jpg
print: https://openaccess-cdn.clevelandart.org/1958.31/1958.31_print.jpg
full: https://openaccess-cdn.clevelandart.org/1958.31/1958.31_full.tif