id: 135382 accession number: 1958.39 share license status: CC0 url: https://clevelandart.org/art/1958.39 updated: 2024-03-26 11:01:43.398000 The Red Kerchief, c. 1868–73. Claude Monet (French, 1840–1926). Oil on fabric; framed: 128.3 x 105.7 x 14.6 cm (50 1/2 x 41 5/8 x 5 3/4 in.); unframed: 99 x 79.8 cm (39 x 31 7/16 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.39 title: The Red Kerchief title in original language: series: series in original language: creation date: c. 1868–73 creation date earliest: 1868 creation date latest: 1873 current location: 222 Impressionism & Post-Impressionism creditline: Bequest of Leonard C. Hanna, Jr. copyright: --- culture: France, 19th century technique: oil on fabric department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Claude Monet (French, 1840–1926) - artist Claude Monet spent his youth in Le Havre in Normandy, where his father worked as a wholesale grocer. By the age of sixteen, he had exhibited some of his caricatures in an art supply store, leading to his acquaintance with Boudin (q.v.). It was Boudin who first encouraged him to paint out of doors. In 1859 Monet traveled to Paris, where he saw Boudin's salon debut and met Constant Troyon (1810-1865). A year later he joined the Académie Suisse, where he was introduced to Pissarro (q.v.), but his studies were interrupted in 1861 when he was drafted for a seven-year stint in the military. His family would pay for his release from military duties only if he gave up painting. Finding this unacceptable, Monet served for one year in Algeria before an early return to France to convalesce after a severe illness. In 1862 he met Jongkind (q.v.), another important influence on the young painter's development. Monet's father then allowed him to pursue his art career in Paris, where he entered the studio of the Swiss painter Charles Gleyre (1806-1874). He studied with Gleyre until 1864 and befriended Frédéric Bazille (1841-1870), Renoir (q.v.), and Sisley (q.v.), with whom he painted in the forest of Fontainebleau (Déjeuner sur l'herbe, 1865, two fragments in Musée d'Orsay, Paris). Monet first exhibited at the Salon of 1865 and would do so again in 1866, 1868, and 1880. In 1868 he shared a studio with Bazille and Renoir but was soon forced to leave Paris to escape his creditors. He took his mistress, Camille Doncieux, and their son, Jean, to Fécamp, then Étretat, and finally Saint-Michel. There Renoir provided hospitality, and the two also painted at the boating and bathing center of La Grenouillère on the Seine. In 1870 Monet married Camille and, to escape the Franco-Prussian War, left for London, where he remained for nine months and met Durand-Ruel, his first dealer. In the summer of 1871 he visited the Netherlands and then settled in Argenteuil, to the west of Paris. He converted a boat into a studio, as Daubigny (q.v.) had done before him, allowing him to explore different viewpoints for his landscapes. He assisted in the organization of the First Impressionist Exhibition in 1874, partly because Durand-Ruel's worsened business situation had prevented the dealer from buying his art. The following year he participated in the Hôtel Drouot sale with Morisot (q.v.), Renoir, and Sisley. In 1878 Monet and his wife moved to Vétheuil with the Hoschedés, who had previously commissioned some works. Camille died the following year, and, while Ernest Hoschedé spent most of his time in Paris trying to settle his precarious financial situation, Monet stayed behind with Ernest's wife, Alice. In 1881 he moved with her and her children to Poissy and within two years was living at Giverny, where he would remain for the rest of his life. He painted some of his famous scenes-the haystack and poplar series, for example- in 1890-91. Ernest Hoschedé died in 1891, and Monet married Alice the following year. At Giverny, Monet explored the themes of his garden and water lilies. He continued to travel, going to Norway in 1895, making three trips to London from 1899 through 1901, and taking Alice to Venice in 1908. The final years of his life were mainly spent working on his Great Decorations, large paintings of a water lily pond designed for two oval rooms at the Paris Orangerie. Monet is generally considered the most typical exponent of impressionism. --- measurements: Framed: 128.3 x 105.7 x 14.6 cm (50 1/2 x 41 5/8 x 5 3/4 in.); Unframed: 99 x 79.8 cm (39 x 31 7/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Not signed translation: remark: --- CURRENT EXHIBITIONS title: Claude Monet - Seasons and Moments opening date: 1960-03-07T05:00:00 Claude Monet - Seasons and Moments. The Museum of Modern Art (March 7-May 15, 1960); Los Angeles County Museum of Art (June 14-August 7, 1960). title: Paintings by Monet opening date: 1975-03-15T04:00:00 Paintings by Monet. The Art Institute of Chicago, Chicago, IL (organizer) (March 15-May 11, 1975). title: Hommage a Claude Monet opening date: 1980-02-09T05:00:00 Hommage a Claude Monet. Musée du Louvre, Paris, France (February 9-May 5, 1980). title: Creativity in Art and Science, 1860-1960 opening date: 1987-09-16T04:00:00 Creativity in Art and Science, 1860-1960. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 16-November 8, 1987). title: Claude Monet: 1840-1926 opening date: 1995-07-04T04:00:00 Claude Monet: 1840-1926. The Art Institute of Chicago, Chicago, IL (organizer) (July 14-November 26, 1995). title: Impressionists in Winter: Effets de Neige opening date: 1998-09-19T00:00:00 Impressionists in Winter: Effets de Neige. The Phillips Collection, Washington, DC (organizer) (September 19, 1998-January 3, 1999); Fine Arts Museum of San Francisco, Yerba Buena Gardens, CA (January 30-May 2, 1999); The Brooklyn Museum, Brooklyn, NY (May 27-August 29, 1999). title: Faces of Impressionism: Portraits from American Collections opening date: 1999-10-10T00:00:00 Faces of Impressionism: Portraits from American Collections. The Baltimore Museum of Art (organizer) (October 10, 1999-January 30, 2000); Museum of Fine Arts, Houston (March 25-May 7, 2000); The Cleveland Museum of Art, Cleveland, OH (May 28-July 30, 2000). title: Monet's Garden opening date: 2004-10-29T00:00:00 Monet's Garden. Kunsthaus Zürich, CH-8024 Zürich, Switzerland (organizer) (October 29, 2004-March 13, 2005). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Beijing World Art Museum, China (May 26-August 27, 2006); Mori Art Center (September 16-November 26, 2006); Seoul Art Center, South Korea (December 22, 2006-March 28, 2007); Seoul Olympic Museum of Art, South Korea (April 7-May 20, 2007); Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009). title: Becoming Edvard Munch: Influence, Anxiety, and Myth opening date: 2009-02-14T00:00:00 Becoming Edvard Munch: Influence, Anxiety, and Myth. The Art Institute of Chicago, Chicago, IL (organizer) (February 14-April 26, 2009). title: Claude Monet opening date: 2010-09-20T00:00:00 Claude Monet. Galeries Nationales du Grand Palais, 75008 Paris, France (September 20, 2010-January 24, 2011). title: Lend-Back - Painting the Modern Garden opening date: 2015-08-27T00:00:00 Lend-Back - Painting the Modern Garden. Allen Memorial Art Museum, Oberlin, OH (organizer) (August 27, 2015-January 3, 2016). title: Monet: The Early Years opening date: 2016-10-16T00:00:00 Monet: The Early Years. Kimbell Art Museum, Fort Worth, TX (organizer) (October 16, 2016-January 29, 2017); Fine Arts Museum of San Francisco, Legion of Honor, San Francisco, CA (February 25-May 29, 2017). title: Claude Monet opening date: 2018-09-21T04:00:00 Claude Monet. Albertina, Wien, Austria (organizer) (September 21, 2018-January 6, 2019) https://www.albertina.at/en/exhibitions/monet/. --- LEGACY EXHIBITIONS * {'description': "Claude Monet: Exposition rétrospective. Musée de l'Orangerie, Paris, France (1931).", 'opening_date': '1931-01-01T00:00:00'} * {'description': 'Claude Monet de 1865 à 1888. Durand-Ruel, Paris, France (1935).', 'opening_date': '1935-01-01T00:00:00'} * {'description': "Five Centuries of History Mirrored in Five Centuries of French Art. World's Fair (Pavillon de la France), New York, NY (1939).", 'opening_date': '1939-01-01T00:00:00'} * {'description': 'A Loan Exhibition of Paintings by Claude Monet. Wildenstein & Co., New York, NY (1945).', 'opening_date': '1945-01-01T00:00:00'} --- PROVENANCE Michel Monet [1878-1966] Giverny, France, bequeathed from the artist's estate to his son, 1931 date: 1931-1939 footnotes: citations: Edouard Molyneux [1891-1974] Paris, France, 1939 date: 1939-1948 footnotes: citations: (Carroll Carstairs Gallery, New York, NY, September 16, 1948, sold to Leonard C. Hanna, Jr.) date: 1948 footnotes: citations: Leonard C. Hanna, Jr. [1889-1958], Cleveland, OH, bequeathed to the Cleveland Museum of Art date: 1948-1958 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1958- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Becker, Christoph. Monet's Garden. Ostfildern-Ruit, Germany: Hatje Cantz, 2004. page number: Reproduced: p. 25, fig. 9 url: Geffroy, Gustave. Claude Monet, sa vie, son œuvre. Paris, FR: G. Crès et cie, 1922. page number: Reproduced: opp. p. 140 url: Trevise, Duc de. "Le Pelerinage de Giverny." Revue de l'Art Ancien et Moderne 51 (January-May 1927: 42-50. page number: Reproduced: p. 45 url: Fels, Florent. "Claude Monet or the Fading Luminary." Formes; An International Art Review 15 (May 1931): 74b-75. page number: Reproduced: p. 74c url: Malingue, Maurice. Claude Monet. Monaco: Les Documents d'art, 1943. page number: Reproduced: p. 63 url: Rewald, John. The History of Impressionism. New York, NY: Museum of Modern Art, 1946. page number: Reproduced: p. 207 url: Reuterswärd, Oscar. Monet: En konstnärshistorik. Stockholm: Bonniers, 1948. page number: Reproduced: p. 51 url: Catalogue de reproductions en couleurs de la peinture de 1860 à ... = Catalogue of colour reproductions of painting from 1860 to ... = Catálogo de reproducciones en color de la pintura de 1860 a. Paris, France: Unesco, 1949. page number: Reproduced: p. 234 url: Besson, George. Claude Monet (1840-1926). Paris: Braun, 1949. page number: Reproduced: pl. 28 url: Coe, Nancy. The History of the Collecting of European Paintings and Drawings in the City of Cleveland. Thesis M.A. Oberlin College, 1955. page number: Reproduced: vol. 2, p. 75 url: Cleveland Museum of Art. In Memoriam: Leonard C. Hanna, Jr. Cleveland: The Cleveland Museum of Art, 1958. page number: Reproduced: no. 23 url: The Bulletin of the Cleveland Museum of Art XLVI no.6. (June, 1959): 123. page number: Reproduced: p. 123 url: Museum of Modern Art (New York, N.Y.), and William Chapin Seitz. Claude Monet: Seasons and Moments. New York. Museum of Modern Art. Catalogues. 1959-1963. 1960. page number: Mentioned: cat. no. 13 url: Gimpel, René. Journal d'un Collectionneur, Marchand de Tableaux. [Paris]: Calmann-Lévy, 1963. page number: Reproduced: opp. p 78 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 174 url: https://archive.org/details/CMAHandbook1966/page/n198 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 174 url: https://archive.org/details/CMAHandbook1969/page/n198 Arnason, H. H. "Motherwell: The Window and the Wall." ARTnews 68 (Summer 1969): 48-50. page number: Reproduced: p. 50; mentioned: p. 48 url: Isaacson, Joel. Monet: Le Dejeuner Sur L'herbe. London, United Kingdom: Allen Lane the Penguin Press, 1972. page number: Reproduced: p. 14 url: Bortolatto, Luigina Rossi. L'opera Completa Di Claude Monet, 1870-1889. Milano: Rizzoli, 1972. page number: Reproduced: no. 77 url: Tsuji, Kunio, Yoshiaki Inui, and Shūji Takashina. Mone to inshōha = Monet et l'impressionnisme. Tōkyō: Chūō Kōronsha, 1972. page number: Reproduced: no. 33 url: Champa, Kermit Swiler. Studies in Early Impressionism. New Haven, CT: Yale University Press, 1973. page number: Reproduced: p.31 fig. 40 url: Rewald, John. The History of Impressionism. New York, NY: Museum of Modern Art, 1973. page number: Reproduced: p. 251 url: Nordenfalk, Carl Adam Johan. "Outdoors-Indoors: A 2000-Year-Old Space Problem in Western Art." In Proceedings of the American Philosophical Society 117, no. 4 (1973): 253-54, fig. 31. page number: Reproduced: p. 253-254, fig. 31 url: Wildenstein, Daniel. Claude Monet: biographie et catalogue raisonné. Lausanne, Switzerland: La Bibliothèque des arts, 1974. page number: Reproduced: p. 257 url: Monet, Claude, and Susan Wise. Paintings by Monet: [Exhibition] March 15 Through May 11, 1975, the Art Institute of Chicago. Chicago: Art Institute of Chicago, 1975. page number: Mentioned and Reproduced: cat. no. 26, p 24 url: House, John. Monet. Oxford, United Kingdom: Phaidon; New York, NY, Dutton, 1977. page number: Reproduced: no. 18 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 216 url: https://archive.org/details/CMAHandbook1978/page/n236 House, John. "The New Monet Catalogue." The Burlington Magazine 120, no. 907 (1978): 678-39. page number: Mentioned: p. 680 url: "Hommage a Monet." Le Petit Journal des Grandes Expositions 88 (1980): fig. 25. page number: Reproduced: fig. 25 url: Monet, Claude, Hélène Adhémar, Anne Distel, and Sylvie Patin. Hommage à Claude Monet (1840-1926): 1980, année du patrimoine, Grand Palais, 8 février - 5 mai 1980. Paris: Éditions de la Réunion des musée nationaux, Ministère de la culture et de la communication, 1980. page number: Mentioned and Reproduced: cat. no. 25 url: "Grand Palais, Paris; Exposition." L'Œil 297 (April, 1980): 74. page number: Reproduced: p. 74 url: House, John. Monet. Oxford, United Kingdom: Phaidon, NY, 1981. page number: Reproduced: no. 8 url: Borowitz, Helen O. "The Rembrandt and Monet of Marcel Proust." The Bulletin of the Cleveland Museum of Art LXX, no. 2. (February, 1983):90. page number: Reproduced: p. 90, fig. 16 url: Keller, Horst. Claude Monet. München, Germany: Bruckmann, 1985. page number: Reproduced: plate 44 url: Kijima, Shunsuke, Kimio Nakayama, Yoshiaki Tōno, Makoto Ōoka, and Katsunori Miyauchi. Mone = Monet. Tōkyō, Japan: Shūeisha, 1985. page number: Reproduced: p. 6 url: Stuckey. Charles F. Monet: A Retrospective. New York, NY: 1985. page number: Reproduced: p. 75, plate 27 url: Taillandier, Yvon. Monet. New York, NY: Crown, 1987. page number: Reproduced: p. 40 url: Henning, Edward B. Creativity in Art and Science, 1860-1960. [Cleveland, Ohio]: Published by the Cleveland Museum of Art in cooperation with Indiana University Press, 1987. page number: Mentioned and Reproduced: p. 95, cat. no. 2 url: Sagner-Düchting, Karin. Claude Monet 1840-1926: ein Fest für die Augen. Köln, Germany: Benedikt Taschen Verlag, 1990. page number: Reproduced: p. 68 url: Cleveland Museum of Art. Masterpieces from East and West. New York, NY: Rizzoli International, 1992. page number: Reproduced: p. 7-8 url: Chong, Alan. European & American Painting in the Cleveland Museum of Art: A Summary Catalogue. Cleveland, Ohio: Cleveland Museum of Art, 1993. page number: Reproduced: p. 158 url: Taylor, John Russell, Claude Monet: Impressions of France : from Le Havre to Giverny. London, United Kingdom: Collins & Brown, 1995. page number: Reproduced: p. 70 url: Tucker, Paul Hayes. Claude Monet: Life and Art. New Haven, CT: Yale University Press, 1995. page number: Mentioned: p. 66-68, Reproduced: pl. 75 url: Stuckey, Charles F., Claude Monet, and Sophia Shaw. Claude Monet: 1840-1926. New York: Thames and Hudson, 1995. page number: Mentioned and Reproduced cat. no. 24, p. 244 url: Pelfrey, Robert H. Art and Mass Media. Dubuque, Iowa: Kendall/Hunt, 1996. page number: Reproduced: p. 165, fig. 7.3 url: Wildenstein, Daniel, Monet. Köln, Germany: Taschen, 1996. page number: Reproduced: p. 90, vol. 1; p. 257, vol. 2 url: Weiss, Susanne. Claude Monet: ein distanzierter Blick auf Stadt und Land : Werke 1859-1889. Berlin, Germany: Reimer, 1997. page number: Reproduced: p. 55, fig. 15 url: Moffett, Charles S. Impressionists in Winter: Effets De Neige. Washington, D.C.: Phillips Collection in collaboration with Philip Wilson Publishers, 1998. page number: Reproduced: cat. no. 6 url: Sallis, John. Shades--of Painting at the Limit. Bloomington, IN: Indiana University Press, 1998. page number: Reproduced: p. 52, fig. 4 url: Pittman, Dianne W. Bazille: Purity, Pose, and Painting in the 1860s. University Park, PA: Pennsylvania State University, 1998. page number: Reproduced: p. 207, p. 209, fig. 131 url: D Argencourt, Louise and Roger Diederen. The Cleveland Museum of Art: Catalogue of Paintings, Part Four; European Paintings of the 19th Century. Cleveland, OH: Cleveland Museum of Art, 1999. page number: Reproduced: p. 155 url: Museum of Fine Arts, Boston. Mone, Runowāru to inshōha no fūkei: kaikan kinen dai ikkai kikakuten = Monet, Renoir, and the impressionist landscape. [Japan]: Nagoya Bosuton Bijutsukan, 1999. page number: Reproduced: p. 28, fig. 28 url: Johnston, Sona, Susan Bollendorf, and John House. Faces of Impressionism: Portraits from American Collections. Baltimore, Md: Baltimore Museum of Art in association with Rizzoli International, 1999. page number: Reproduced: p. 126-127 url: Wildenstein, Daniel. Monet, or, The Triumph of Impressionism. Köln, Germany: Taschen, 1999. page number: Reproduced: p. 90, cat. no. 257 url: Johnston, Sona. Faces of Impressionism: Portraits from American Collections. New York, NY : Rizzoli, 1999. page number: Reproduced: p. 127, cat. no. 44 url: Knight, Lynne. Snow Effects: Poems on Impressionists in Winter. Concord, CA: Small Poetry Press, 2000. page number: Reproduced: p. 24 url: Jiminez, Jill Berk, and Joanna Banham. Dictionary of Artists' Models. London, United Kingdom: Fitzroy Dearborn, 2001. page number: Reproduced: p. 167 url: Norio Shimada, and Keiko Sakagami. Kurōdo Mone meigashū: hikari to kaze no kiseki. Tōkyō, Japan: Nihon Bijutsu Kyōiku Sentā, 2001. page number: Reproduced: p. 123 url: Clancy, John I. Impressionism: Historical Overview and Bibliography. New York, NY: Nova Science Publishers, 2003. page number: Reproduced: p. 20 url: Burgess, Margaret, "The Colorful Mr. Hanna", Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 45 no. 09, November 2005 page number: Mentioned & reproduced: p.7 url: https://archive.org/details/CMAMM2005-09/page/6/ Borzello, Frances. At Home: The Domestic Interior in Art. London, United Kingdom: Thames & Hudson, 2006. page number: Reproduced: p. 65 url: Lambert, Stéphane. L'adieu au paysage: les nymphéas de Claude Monet. Paris, France: Différence, 2008. page number: Reproduced: fig. 12 url: Baillio, Joseph. Claude Monet, 1840-1926: Paris, Galeries Nationales, Grand Palais, September 22, 2010-January 24, 2011. Paris: Réunion des musées nationaux, 2010. page number: Reproduced: p. 103, Mentioned: p. 254-255 url: Braschi, Cecilia. "1840-1926. Monet, une Vie Dediee a la Peinture." Dossier de l'Art 177 (September 2010): 2-23. page number: Reproduced: p. 21 url: Marchesseau, Daniel. Monet au Musée Marmottan et dans les collections suisses ; Estampes japonaises, Fondation Claude Monet, Giverny. Martigny, Switzerland: Fondation Pierre Gianadda, 2011. page number: Reproduced: p. 201, fig. 24 url: Franklin, David and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, London, United Kingdom, Scala Publishers Ltd., 2012. page number: Reproduced: p. 262-3 url: Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. page number: Mentioned and reproduced: P. 289 url: Patin, Sylvie. Monet's Private Picture Gallery at Giverny: Paintings by Monet and His Friends. Montreuil, France: Gourcuff Gradenigo; Giverny: Éditions Claude Monet Giverny: Fondation Claude Monet, 2016. page number: Reproduced: P. 12, 14, 16-17, 23 url: Cleveland Museum of Art. Museum Masters: 2016-17 Companion Guide. [Cleveland, Ohio]: Cleveland Museum of Art, 2016. page number: Mentioned and Reproduced: P. 22 url: Cachorro Fernandez, Emilio. "Habitaciones con Vistas. Pulsion Escopica A Traves de la Ventana". Archivo español de arte 88, issue 350 (April-June 2015): 157-172. page number: Reproduced: p. 170, fig. 6 url: Shackelford, George T. M., et. al. Monet: The Early Years. Fort Worth, TX: Kimball Art Museum, 2016. page number: Mention: p. 107; 202 Reproduced: cover; p. 106, cat. 12 url: Bortolatto, Luigina Rossi. Tout l'œuvre peint de Monet, 1870-1889. Paris: Flammarion, 1981. page number: Reproduced: P. 93, fig. 78 url: Widaur, Heinz. "From Pleinairism to Impressionism." In Claude Monet: A Floating World. Heinz Widauer and Dieter Buchhart, eds., 55-79. Vienna: The Albertina Museum, 2018. page number: Mentioned and reproduced: p. 76-79, cat. 24 url: Michael, Cora. "Gauguin in the the Buckeye and Hoosier States: Portrait of Teuraheimata and its Midwestern Collectors." In Paul Gauguin: Teuraheimata a Potoru, a Rediscovery, 11-19. New York: Jill Newhouse Gallery; [Akron, Ohio]: Thomas French Fine Art, 2019. page number: Mentioned: P. 14 url: Shackelford, George T. M. Monet: the Late Years. Fort Worth, Texas: Kimbell Art Museum; San Francisco: Fine Arts Museums of San Francisco, New Haven; London: Distributed by Yale University Press, 2019. page number: Reproduced: P. 15, 29 url: Rubin, James Henry. Monet. 2020, 54. page number: Mentioned and reproduced; pp. 53-54, fig. 37. url: Dombrowski, André. Monet's Minutes: Impressionism and the Industrialization of Time. New Haven; London: Yale University Press, 2023. page number: Mentioned and reproduced: p. 21-22, fig. 11 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1958.39/1958.39_web.jpg print: https://openaccess-cdn.clevelandart.org/1958.39/1958.39_print.jpg full: https://openaccess-cdn.clevelandart.org/1958.39/1958.39_full.tif