{
"data": {
"id": 135404,
"accession_number": "1958.409",
"share_license_status": "CC0",
"tombstone": "The Passion: Christ Before Pilate, c. 1480. Martin Schongauer (German, c. 1450\u20131491). Engraving. The Cleveland Museum of Art, Leonard C. Hanna Jr. Collection by exchange, 1958.409",
"current_location": null,
"title": "The Passion: Christ Before Pilate",
"creation_date": "c. 1480",
"creation_date_earliest": 1475,
"creation_date_latest": 1485,
"artists_tags": [
"male"
],
"culture": [
"Germany"
],
"technique": "engraving",
"support_materials": [],
"department": "Prints",
"collection": "PR - Engraving",
"type": "Print",
"dimensions": {},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 350269,
"title": "Prints and Drawings from the Cleveland Museum of Art Collection",
"description": "Prints and Drawings from the Cleveland Museum of Art Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 6-September 9, 1965).",
"opening_date": "1965-05-06T04:00:00"
},
{
"id": 350752,
"title": "Old Master Prints and Drawings",
"description": "Old Master Prints and Drawings. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 29, 1966-February 28, 1967).",
"opening_date": "1966-07-29T04:00:00"
},
{
"id": 304516,
"title": "Eight Masters of the Print",
"description": "Eight Masters of the Print. The Cleveland Museum of Art, Cleveland, OH (October 14, 1980-January 18, 1981).",
"opening_date": "1980-10-14T04:00:00"
},
{
"id": 310039,
"title": "Sacred and Profane in Late Gothic Prints",
"description": "Sacred and Profane in Late Gothic Prints. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 2-August 2, 1987).",
"opening_date": "1987-06-02T04:00:00"
}
],
"legacy": []
},
"provenance": [],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The dog in this scene likely refers to late medieval Passion literature, which often compared Christ's tormentors to dogs.",
"early_education_description": null,
"artlens_description": null,
"description": "Martin Schongauer's series of the Passion of Christ was his largest set of engravings, made around 1480, and extensively copied across Europe. It consists of twelve prints detailing the suffering of Christ in the last days of his life. Schongauer's version focuses on crowded scenes, grotesque physiognomies of Christ's tormentors, and great pathos in the composition. Here, Christ is led before Pontius Pilate. The Roman governor washes his hands in water which a servant is pouring from a ewer into a basin. Right after, he orders Christ's crucifixion.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80028605"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1958.409-the-passion-christ-b"
]
},
"citations": [],
"catalogue_raisonne": "Lehrs V.141.24",
"url": "https://clevelandart.org/art/1958.409",
"images": {
"annotation": null,
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"width": "637",
"height": "893",
"filesize": "531199",
"filename": "1958.409_web.jpg"
},
"print": {
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},
"alternate_images": [],
"creditline": "Leonard C. Hanna Jr. Collection by exchange",
"image_credit": null,
"sketchfab_id": null,
"sketchfab_url": null,
"gallery_donor_text": null,
"athena_id": 135404,
"creators": [
{
"id": 12292,
"description": "Martin Schongauer (German, c. 1450\u20131491)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "Martin Schongauer (ca. 1450-53, Colmar - 2 February 1491, Breisach) was one of the most skilled and influential graphic artists of Europe in the last quarter of the 15h century. Trained both as an engraver and as a painter, Schongauer started his apprenticeship under his father Caspar Schongauer, a goldsmith from Augsburg. In 1465, he matriculated at the University of Leipzig. After one year, he left his studies, and came back to Colmar. There, he was trained under the painter Caspar Isenmann, between 1466 and 1469. Schongauer later traveled down to the Rhine, Cologne, Burgundy, the Netherlands, and he likely visited Spain. In 1489, he became a citizen of Breisach, where he died probably of the plague in 1491. Only a few of Schongauer's paintings survive. Among these is the Madonna in the Rose Garden for the Church of Saint Martin in Colmar (1473), which betrays Schongauer's admiration for the works by the Netherlandish painter Roger Van der Weyden. The bulk of Schongauer's engravings is more conspicuous: 116 prints, none of them dated, but all marked by his monogram M+S. Characterized by exquisite cross-hatching and impeccable craftsmanship, Schongauer's engravings were widely imitated by the German printmakers Ishrael van Meckenem and Albrecht Durer, as well as by Italian artists, such as Cristoforo Robetta and Nicoletto da Modena.",
"name_in_original_language": null,
"birth_year": "1450",
"death_year": "1491",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
],
"legal_status": "accessioned",
"accession_date": "1958-11-29T00:00:00",
"sortable_date": 1475,
"date_added_to_oa": null,
"date_text": "c. 1480",
"collapse_artists": false,
"on_loan": false,
"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-05-29 06:55:05.795000"
}
}