id: 135405 accession number: 1958.41 share license status: CC0 url: https://clevelandart.org/art/1958.41 updated: 2025-07-09 11:08:21.814000 Mademoiselle Louise Riesener in a Hat, c. 1877–80. Berthe Morisot (French, 1841–1895). Pastel on pale blue laid paper; sheet: 55.5 x 46.8 cm (21 7/8 x 18 7/16 in.); framed: 75.3 x 66.2 x 4.5 cm (29 5/8 x 26 1/16 x 1 3/4 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr. 1958.41 title: Mademoiselle Louise Riesener in a Hat title in original language: series: series in original language: creation date: c. 1877–80 creation date earliest: 1877 creation date latest: 1880 current location: creditline: Bequest of Leonard C. Hanna Jr. copyright: --- culture: France, 19th century technique: pastel on pale blue laid paper department: Drawings collection: DR - French type: Drawing find spot: catalogue raisonne: Bataille and Wildenstein 527 --- CREATORS * Berthe Morisot (French, 1841–1895) - artist Born into a prosperous family, Berthe Morisot was encouraged at an early age to become an amateur artist. Along with her sister Edma, she began her studies with Geoffroy-Alphonse Chocarne (act. 1838-1857), a painter trained in the neoclassical tradition. In 1858 the sisters entered the studio of Joseph-Benoît Guichard (1806-1880), a student of Ingres (q.v.) and Delacroix (q.v.). Through Guichard they met Corot (q.v.) in 1861, under whose encouragement they began to paint out of doors near Pontoise as well as in Normandy and Brittany. Berthe Morisot exhibited at the Salon from 1864 until 1873. Fantin-Latour (q.v.) introduced her to Manet (q.v.) around 1867. They developed a close friendship, and Morisot modeled for him many times (see Manet, Berthe Morisot, no. 141). In 1874 she married his brother, Eugène, and that same year began participating in the impressionist exhibitions, never to show at the Salon again. Four years after their marriage, the couple's only child, Julie, was born on 14 November 1878 and would become a main source of artistic inspiration. Morisot matured as a central member of the group of impressionists. Her home became a meeting place for painters and writers alike, including Renoir (q.v.), Degas (q.v.), Mary Cassatt (1845-1926), and Stéphane Mallarmé. She participated in the Drouot sale of 1875, where the artists were ridiculed extensively. Her paintings, however, fetched slightly higher prices than those of Renoir, Monet (q.v.), and Sisley (q.v.). Morisot made pastels and watercolors as well as oil paintings, and during the final years of her life she experimented with lithography and drypoint etching. --- measurements: Sheet: 55.5 x 46.8 cm (21 7/8 x 18 7/16 in.); Framed: 75.3 x 66.2 x 4.5 cm (29 5/8 x 26 1/16 x 1 3/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: stamped, bottom right, in ink (faded): collection of Berthe Morisot [L.388a]; watermark, at top center: illegible cartouche; and at bottom center: PL BAS translation: remark: --- CURRENT EXHIBITIONS title: Form in the Arts opening date: 1959-06-15T04:00:00 Form in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 15-November 10, 1959). title: Mary Cassatt and Berthe Morisot opening date: 1993-11-07T05:00:00 Mary Cassatt and Berthe Morisot. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 7, 1993-January 2, 1994). title: Master Drawings from the Cleveland Museum of Art opening date: 2000-08-27T00:00:00 Master Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 27-October 17, 2000). title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art opening date: 2006-05-27T00:00:00 Monet to Dalí: Modern Masters from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008). title: Mary Cassatt and the Feminine Ideal in 19th-Century Paris opening date: 2012-10-04T00:00:00 Mary Cassatt and the Feminine Ideal in 19th-Century Paris. The Cleveland Museum of Art (organizer) (October 14, 2012-January 20, 2013). title: Pure Color: Pastels from the Cleveland Museum of Art opening date: 2016-11-19T05:00:00 Pure Color: Pastels from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2016-March 19, 2017). title: Nineteenth-Century French Drawings from the Cleveland Museum of Art opening date: 2023-01-19T05:00:00 Nineteenth-Century French Drawings from the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 20-June 11, 2023). --- LEGACY EXHIBITIONS --- PROVENANCE Georges Lurcy [1891–1953], New York date: ?-? footnotes: citations: (Jacques Seligmann & Co., New York, sold to Leonard C. Hanna, Jr., Cleveland, OH) date: ?-1939 footnotes: citations: Leonard C. Hanna Jr. [1889–1957], Cleveland, given to the Cleveland Museum of Art, Cleveland, OH date: 1939-1958 footnotes: citations: Cleveland Museum of Art, Cleveland, OH date: 1958- footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Bataille, M.-L. and G. Wildenstein. Berthe Morisot: Catalogue des peintures, pastels, et aquarelles. Paris: Beaux-Arts, 1961. page number: Mentioned and reproduced: p. 56, no. 527; Reproduced: fig. 517 url: Rey, Jean Dominique. Berthe Morisot. Norwalk, CT: Easton Press, 1982. page number: Mentioned and reproduced: p. 75 url: Burnham, Helen. “Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832–1883).” PhD diss., Institute of Fine Arts, New York University, 2007. page number: Mentioned: p. 180 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1958.41/1958.41_web.jpg print: https://openaccess-cdn.clevelandart.org/1958.41/1958.41_print.jpg full: https://openaccess-cdn.clevelandart.org/1958.41/1958.41_full.tif