id: 135456
accession number: 1958.45
share license status: Copyrighted
url: https://clevelandart.org/art/1958.45
updated: 2024-04-17 13:45:57.403000
The Harem , Spring-summer 1906. Pablo Picasso (Spanish, 1881–1973). Oil and pencil on canvas; framed: 174 x 130.5 x 11.4 cm (68 1/2 x 51 3/8 x 4 1/2 in.); unframed: 154.3 x 110 cm (60 3/4 x 43 5/16 in.); former: 163.2 x 120 x 6.1 cm (64 1/4 x 47 1/4 x 2 3/8 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.45 © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
title: The Harem
title in original language:
series:
series in original language:
creation date: Spring-summer 1906
creation date earliest: 1906
creation date latest: 1906
current location:
creditline: Bequest of Leonard C. Hanna, Jr.
copyright: © Estate of Pablo Picasso / Artists Rights Society (ARS), New York
---
culture: Spain, 20th century
technique: oil and pencil on canvas
department: Modern European Painting and Sculpture
collection: Mod Euro - Painting 1800-1960
type: Painting
find spot:
catalogue raisonne:
---
CREATORS
* Pablo Picasso (Spanish, 1881–1973) - artist
Pablo Ruiz Picasso (1881-1973), the most prolific and influential artist of the 20th century, shifted the emphasis of art from its traditional concern with beauty toward radical innovation. The son of an art teacher, Picasso demonstrated remarkable talents as a child and entered the royal art academy in Madrid at age sixteen. Less than a year later, he abandoned his studies and soon joined several avant-garde artist and anarchist groups in Barcelona and Paris. After passing through a succession of stylistic periods, most notably the Blue (1901-1904) and Rose (1904-1906) Periods, he collaborated with Georges Braque (1882-1963) in 1908 to invent Cubism, a revolutionary method of restructuring pictorial space. Picasso remained active until his death in 1973. Although his art still appears radical, many of his works are over one hundred years old. Cubism, perhaps the most important development in 20th-century art, was invented around 1908 by Pablo Picasso (1881-1973) and Georges Braque (1882-1963). The most revolutionary aspect of the style was not its obvious emphasis on geometric form; rather, it was the introduction of a radically new approach to configuring pictorial space. Since the Renaissance, artists had used various methods to create the illusion of distant space receding behind the canvas surface. The Cubists rejected that idea and collapsed space by compressing foreground, middle ground, and background into a continuous web of overlapping, intersecting planes. During the 1910s, other painters and sculptors embraced or adapted Cubism to their own ends. This revolutionary approach inspired a host of related movements and continues to influence the visual language of artists, architects, and designers throughout the world.
---
measurements: Framed: 174 x 130.5 x 11.4 cm (68 1/2 x 51 3/8 x 4 1/2 in.); Unframed: 154.3 x 110 cm (60 3/4 x 43 5/16 in.); Former: 163.2 x 120 x 6.1 cm (64 1/4 x 47 1/4 x 2 3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Signed upper left: "Picasso"
translation:
remark:
---
CURRENT EXHIBITIONS
title: Man: Glory, Jest, and Riddle: A Survey of Human From Through the Ages
opening date: 1964-11-10T05:00:00
Man: Glory, Jest, and Riddle: A Survey of Human From Through the Ages. San Francisco Museum of Modern Art, San Francisco, CA (organizer) (November 10, 1964-January 3, 1965).
title: Pablo Picasso: A Retrospective
opening date: 1980-05-22T04:00:00
Pablo Picasso: A Retrospective. The Museum of Modern Art, New York, NY (organizer) (May 22-September 16, 1980).
title: Pablo Picasso
opening date: 1983-04-02T05:00:00
Pablo Picasso. The National Museum of Modern Art, Tokyo, Tokyo, Japan (organizer) (co-organizer) (April 2-May 29, 1983); Kyoto Municipal Museum of Art, Kyoto, Japan (co-organizer) (June 10-July 24, 1983).
title: Picasso
opening date: 1984-07-27T04:00:00
Picasso. National Gallery of Victoria, Melbourne, Australia (co-organizer) (July 27-September 23, 1984); Art Gallery of New South Wales, Sydney, Australia (October 9-December 2, 1984).
title: Les Demoiselles D'Avignon (The Ladies of Avignon)
opening date: 1988-01-26T05:00:00
Les Demoiselles D'Avignon (The Ladies of Avignon). Musée National Picasso, Paris, France (January 26-April 18, 1988); Museu Picasso, Barcelona, Spain (May 10-July 14, 1988).
title: Picasso, 1905-1906
opening date: 1992-02-05T05:00:00
Picasso, 1905-1906. Museu Picasso, Barcelona, Spain (organizer) (February 5-April 19, 1992); Kunstmuseum Bern, Bern, Switzerland (May 8-July 26, 1992).
title: Picasso: The Early Years, 1892-1906
opening date: 1997-03-30T00:00:00
Picasso: The Early Years, 1892-1906. National Gallery of Art (organizer) (March 30-July 27, 1997); Museum of Fine Arts, Boston (September 10, 1997-January 4, 1998).
title: 1900
opening date: 2000-03-10T00:00:00
1900. Galeries Nationales du Grand Palais, 75008 Paris, France (March 14-June 26, 2000).
title: Picasso Erotique
opening date: 2001-02-19T00:00:00
Picasso Erotique. Galerie national du Jeu de Paume, Paris, France (February 19-May 15, 2001); Montréal Museum of Fine Arts (June 15-September 15, 2001); Museu Picasso (October 25, 2001-January 20, 2002).
title: Picasso et Ingres
opening date: 2004-03-16T00:00:00
Picasso et Ingres. Musée National Picasso, Paris, France (March 16-June 21, 2004).
title: Monet to Dalí: Modern Masters from the Cleveland Museum of Art
opening date: 2006-05-27T00:00:00
Monet to Dalí: Modern Masters from the Cleveland Museum of Art. Vancouver Art Gallery, Vancouver, Canada (June 9-September 16, 2007); The Cleveland Museum of Art, Cleveland, OH (organizer) (October 21, 2007-January 13, 2008); Frist Art Museum, Nashville, TN (February 15-June 1, 2008); Utah Museum of Fine Arts, Salt Lake City, UT (June 22-September 21, 2008); The Detroit Institute of Arts, Detroit, MI (October 12, 2008-January 18, 2009).
title: Picasso: Tradición y Vanguardia
opening date: 2006-06-05T00:00:00
Picasso: Tradición y Vanguardia. Museo Nacional del Prado, Madrid, Spain (organizer) (June 5-September 17, 2006).
title: Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939)
opening date: 2006-10-15T00:00:00
Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí (1868-1939). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 15, 2006-January 7, 2007); The Metropolitan Museum of Art, New York, NY (co-organizer) (March 4-June 3, 2007).
title: Picasso 1906. La Gran Transformación
opening date: 2023-11-14T05:00:00
Picasso 1906. La Gran Transformación. Museo Nacional Centro de Arte Reina SofÍa, Madrid, Spain (organizer) (November 14, 2023-March 4, 2024) https://www.museoreinasofia.es/exposiciones/picasso-1906.
---
LEGACY EXHIBITIONS
---
PROVENANCE
John Quinn [1870-1924], New York, NY
date: by 1926
footnotes:
citations:
(P. Rosenberg, New York, NY, 1928)
date: 1928
footnotes:
citations:
Leonard C. Hanna, Jr. [1889-1957], Cleveland, OH, by bequest to the Cleveland Museum of Art
date: -1958
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1958-
footnotes:
citations:
---
fun fact:
digital description:
wall description:
---
RELATED WORKS
---
CITATIONS
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 195
url: https://archive.org/details/CMAHandbook1969/page/n219
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 241
url: https://archive.org/details/CMAHandbook1978/page/n261
Boggs, Jean Sutherland, Brigitte Léal, and Marie-Laure Bernadac. Picasso and Things: The Still Lifes of Picasso. Cleveland: Cleveland Museum of Art, 1992.
page number: Mentioned and reproduced: P. 48, fig. 3b
url:
Asahi Shinbunsha. Pikaso: 20-seiki no kyoshō = Pablo Picasso. Tōkyō, Japan: Asahi Shinbunsha, 1995.
page number: Reproduced: fig. 18
url:
Chipp, Herschel Browning, Alan Wofsy, and Fernand Mourlot. Picasso's paintings, watercolors, drawings and sculpture: a comprehensive illustrated catalogue, 1885-1973. San Francisco, CA: Alan Wofsy Fine Arts, 1995.
page number: Reproduced: p. 185
url:
McCully, Marilyn, ed. and Natasha Elena Staller. Picasso--the Early Years, 1892-1906. Washington, DC: National Gallery of Art, 1997.
page number: Mentioned: p. 265-266; Reproduced: p.262, 264, 323
url:
McCully, Marilyn. Picasso: Painter and Sculptor in Clay. London, United Kingdom: Royal Academy of Arts, 1998.
page number: Reproduced: p. 30, fig. 20
url:
Arnason, H. H., and Marla Prather. History of Modern Art: Painting, Sculpture, Architecture, Photography. New York, NY: Harry N. Abrams, Inc, 1998.
page number: Reproduced: p. 302
url:
1900: Galeries nationales du Grand Palais, Paris, 14 mars-26 juin 2000. Paris, France: Réunion des Musées Nationaux, 2000.
page number: Reproduced: p. 328
url:
McCully, Marilyn. Picasso: scolpire e dipingere la ceramica. Ferrara, Italy: Ferrara arte, 2000.
page number: Reproduced: p. 34
url:
Galeries nationales du Grand Palais (France), Réunion des musées nationaux (France), and Musée d'Orsay. 1900: Galeries nationales du Grand Palais, Paris, 14 mars-26 juin 2000. Paris, France: Réunion des musées nationaux, 2000.
page number: Reproduced: p. 328
url:
Léal, Brigitte, Christine Piot, Marie-Laure Bernadac, and Pablo Picasso. The ultimate Picasso. New York, NY: Harry N. Abrams, 2000.
page number: Reproduced: p. 101
url:
Clair, Jean, ed. Picasso Érotique. Munich, London, New York: Prestel, 2001.
page number: Reproduced: p. 193
url:
Andersen, Wayne V. Picasso's Brothel: Les Demoiselles D'Avignon. New York, NY: Other Press, 2002.
page number: Reproduced: p. 214, fig. 131
url:
Picasso, Ingres: Paris, Musée Picasso, 16 mars-21 juin 2004 : Montauban, Muśee Ingres, 8 juillet-3 octobre 2004. Paris, France: Réunion des musées nationaux, 2004.
page number: Reproduced: p. 83
url:
Picasso, Ingres: Paris, Musée Picasso, 16 mars-21 juin 2004 : Montauban, Muśee Ingres, 8 juillet-3 octobre 2004. Paris, France: Réunion des musées nationaux, 2004.
page number: Reproduced: p. 83
url:
Widmaier-Picasso, Diana, and Pablo Picasso. Picasso: "Art Can Only Be Erotic". Munich, Germany: Prestel, 2005.
page number: Reproduced: p. 35
url:
Calvo Serraller, Francisco. Picasso: tradición y vanguardia: guía antológica de la exposición, Picasso, tradición y vanguardia Madrid, Spain: Fundación Amigos del Museo del Prado, 2006.
page number: Mentioned: p. 16-17; Reproduced: p. 17
url:
Robinson, William H., Jordi Falgàs, and Carmen Belen Lord. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. Cleveland, OH: Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006.
page number: Mentioned: p. 242-247; Reproduced: p. 244
url:
Salus, Carol. Some Early Celestina Drawings by Picasso. Valencia, Spain: Universitat die València, 2006.
page number: Mentioned: p. 111-123; Reproduced: fig. 5
url:
Yapou, Yanna. "From Guadi to Dali." Apollo: The International Magazine for Collectors CLXV no. 543 (April 2007): 98.
page number: Reproduced: p. 98
url:
Arikha, Avigdor, and Museo del Prado. El Museo Del Prado Y El Arte Contemporáneo : La Influencia De Los Grandes Maestros Del Pasado En El Arte De Vanguardia. Madrid, Spain: Fundación Amigos del Museo del Prado, 2007.
page number: Reproduced: fig. 30
url:
Dagen, Philippe. Picasso. New York, NY: Monacelli Press, 2009.
page number: Reproduced: p. 71
url:
Léal, Brigitte, Christine Piot, and Marie-Laure Bernadac. Picasso: The Monograph, 1881-1973. Barcelona, Spain: Ediciones Polígrafa, 2009.
page number: Reproduced: p. 101
url:
Cowling, Elizabeth, and Richard Kendall. Picasso Looks at Degas. Williamstown, MA: Sterling and Francine Clark Art Institute, 2010.
page number: Mentioned and reproduced: p. 175-175
url:
Rishel, Joseph J. Gauguin, Cézanne, Matisse: Visions of Arcadia. Philadelphia, PA : Philadelphia Museum of Art, 2012.
page number: Reproduced: p. 90
url:
Bozal Fernández, Valeriano. Historia de la pintura y la escultura del siglo XX en España. Boadilla del Monte Madrid, Spain: A. Machado Libros, 2013.
page number: Reproduced: p. 101
url:
Salus, Carol. Picasso and Celestina: The Artist's Vision of the Procuress. Newark, Delaware: Juan de la Cuesta, 2015.
page number: Reproduced: p. 82, figure 17
url:
Vallès, Eduard. Picasso: obra catalana. Barcelona: Enciclopèdia Catalana, 2015.
page number: Reproduced: p. 286-[287]
url:
Mustalish, Rachel and Rebecca A. Rabinow. Picasso: de 'Pageses d'Andorra' a 'Demoiselles d'Avignon:' Un Viatge Romànic. [Andorra] : Govern d’Andorra, 2016.
page number: Reproduced: p. 35, plate 22
url:
Bouvier,Raphaël, ed.Picasso: The Blue and Rose Periods. Riehen/Basel, Switzerland: Fondation Beyeler; Berlin, Germany: Hatje Cantz, 2019.
page number: Reproduced: P. 210
url:
Barón, Javier. Greco et les Modernes. Paris: Cohen&Cohen, 2019.
page number: Mentioned and reproduced: P. 208-209, ill. 208
url:
Dumas, Ann. "The Rose Period." In Picasso and Paper. William H. Robinson, et al., 80-101. London: Royal Academy of Arts, 2020.
page number: Reproduced: P. 97, cat. no. 69
url:
Bouvard, Emilie, Camille Frasca, and Cécile Godefroy. Picasso-Méditerranée. Paris: In Fine: Musée National Picasso-Paris, 2020.
page number: Reproduced: P. 131; Mentioned: P. 404
url:
Frank, Susan Behrends. "Chronology." In Picasso: Painting the Blue Period. Kenneth Brummel, and Susan Behrends Frank, eds., 294-321. New York: DelMonico Books · D.A.P.; Toronto, Ontario, Canada: Art Gallery of Ontario, 2021.
page number: Mentioned and reproduced: P. 314-315, fig. 22
url:
Bondil, Nathalie and Saskia Ooms. Fernande Olivier et Pablo Picasso: Dans l'Intimité du Bateau-Lavoir. [Paris]: In fine: Musée de Montmartre, 2022.
page number: Reproduced: P. 83, ill. 49
url:
---
IMAGES