id: 135476 accession number: 1958.466 share license status: CC0 url: https://clevelandart.org/art/1958.466 updated: 2024-06-28 11:05:51.622000 Paysanne portant des seaux, 1889. Camille Pissarro (French, 1830–1903). Etching and drypoint; The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection 1958.466 title: Paysanne portant des seaux title in original language: series: series in original language: creation date: 1889 creation date earliest: 1889 creation date latest: 1889 current location: creditline: Mr. and Mrs. Lewis B. Williams Collection copyright: --- culture: France, 19th century technique: etching and drypoint department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: Delteil vol.17, no.85 --- CREATORS * Camille Pissarro (French, 1830–1903) - artist Camille Pissarro's parents ran a general merchandise business on St. Thomas. After attending boarding school in Paris, Pissarro returned to the West Indies to work for his father from 1847 until 1852. As an artist he was largely self-taught, receiving some instruction from Fritz Melbye (1826-1896), a Danish artist with whom he traveled to Venezuela in 1852. When Pissarro returned to Paris in 1855, he shared a studio with Anton Melbye (1818-1875), Fritz's brother, and with David Jacobsen (1821-1871). He took classes at the École des Beaux-Arts in 1856 and three years later attended the Académie Suisse, where he befriended artists such as Cézanne (q.v.), Monet (q.v.), and Guillaumin (q.v.). Corot (q.v.) encouraged him to paint landscapes around Paris, and he was listed as Corot's pupil in the catalogues of the Salons of 1864 and 1865. He had met Julie Vellay in 1860, with whom he would have eight children; they married in 1871. Pissarro exhibited regularly at the Salons from 1859 to 1870, although his work received little attention and he sold hardly anything. In 1866 he settled in Pontoise, often returning to Paris where he kept a studio. He frequented Émile Zola's "Thursdays" (weekly literary gatherings) and associated with Manet's (q.v.) artistic circle that gathered in the Café Guerbois. During the Franco-Prussian War (1870-71) Pissarro fled with his family, first to Montfoucault and then to London, where he worked with Monet and Daubigny (q.v.) and was introduced to the dealer Durand-Ruel. In 1872 he returned to Pontoise, where he painted with Cézanne. Around 1869 Pissarro began painting in a purely impressionist style, and in 1874 he helped organize the first impressionist exhibition. He moved to Éragny-sur-Epte in 1884, where he came into contact with Seurat (q.v.) and Paul Signac (1863-1935) and subsequently began to work in a pointillist style. He eventually found this technique too limiting, and returned to an impressionist mode, often working in series. By the end of his career his landscapes and depictions of city life sold well, and in 1892 he was given a retrospective exhibition at Durand-Ruel. By now, the artist had developed strongly anarchist convictions. Pissarro not only painted and made drawings, he also experimented with etching and lithography. --- measurements: state of the work: II/VII edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: The Vocabulary of Prints opening date: 1975-07-29T04:00:00 The Vocabulary of Prints. The Cleveland Museum of Art, Cleveland, OH (July 29-December 31, 1975). title: The Impressionist Aesthetic opening date: 1982-08-10T04:00:00 The Impressionist Aesthetic. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 10-October 31, 1982). title: The Graphic Art of the Barbizon School opening date: 1987-03-17T05:00:00 The Graphic Art of the Barbizon School. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-May 17, 1987). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1958.466/1958.466_web.jpg print: https://openaccess-cdn.clevelandart.org/1958.466/1958.466_print.jpg full: https://openaccess-cdn.clevelandart.org/1958.466/1958.466_full.tif