{
"data": {
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"tombstone": "Guardian King of the North (Bishamonten) (\u6bd8\u6c99\u9580\u5929\u50cf), 1185\u20131333. Japan, Kamakura period (1185\u20131333). Wood with gold polychromy; overall: 76.8 x 28.6 cm (30 1/4 x 11 1/4 in.); base: 5.2 cm (2 1/16 in.). The Cleveland Museum of Art, James Parmelee and Cornelia Blakemore Warner Funds, 1959.135",
"current_location": null,
"title": "Guardian King of the North (Bishamonten)",
"title_in_original_language": "\u6bd8\u6c99\u9580\u5929\u50cf",
"creation_date": "1185\u20131333",
"creation_date_earliest": 1185,
"creation_date_latest": 1333,
"artists_tags": [],
"culture": [
"Japan, Kamakura period (1185\u20131333)"
],
"technique": "wood with gold polychromy",
"support_materials": [],
"department": "Japanese Art",
"collection": "Japanese Art",
"type": "Sculpture",
"measurements": "Overall: 76.8 x 28.6 cm (30 1/4 x 11 1/4 in.); Base: 5.2 cm (2 1/16 in.)",
"dimensions": {
"overall": {
"height": 0.768,
"height_inch": 30,
"height_inch_fraction": 0.25,
"width": 0.286,
"width_inch": 11,
"width_inch_fraction": 0.25
},
"base": {
"height": 0.052,
"height_inch": 2,
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},
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"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [],
"legacy": [
{
"description": "Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (March 12-July 16, 2003).",
"opening_date": "2003-03-12T00:00:00"
}
]
},
"provenance": [
{
"description": "Ikeda, Tokyo, Japan",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "(Mathias Komor, New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131959",
"sortorder": 2
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1959\u2013",
"sortorder": 3
}
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"description": "In Buddhism, Bishamonten is one of four kings who protect the cardinal directions. He stands with a stupa symbolizing the Buddhist teachings and relics of the Buddha in the palm of his left hand, and a spear to foil the enemies of Buddhism in his right. He crushes a demon beneath his feet.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q80029008"
],
"internet_archive": [
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},
"citations": [
{
"citation": "Ikeda, Sho\u0304taro\u0304 \u6c60\u7530\u5e84\u592a\u90ce. Kobijutsu shu\u0304ho: Ikeda Daisendo\u0304 \u53e4\u7f8e\u8853\u96c6\u82b3: \u6c60\u7530\u5927\u4ed9\u5802. Kyo\u0304to: Yamamoto Koshu\u0304, 1941.",
"page_number": "Reproduced: vol. 2, pls. 37\u201338",
"url": null
},
{
"citation": "Lee, Sherman E. \u201cYear in Review.\u201d The Bulletin of the Cleveland Museum of Art 46, no. 10 (December 1959): 210\u2013231.",
"page_number": "Mentioned; p. 229; Reproduced: p. 221",
"url": "www.jstor.org/stable/25142366"
},
{
"citation": "Lee, Sherman E. \u201cThe Divine: And the Terrible.\u201d The Bulletin of the Cleveland Museum of Art 48, no. 1 (January 1961): 5\u20139.",
"page_number": "Reproduced: p. 7, fig. 2",
"url": "www.jstor.org/stable/25142429"
},
{
"citation": "Zenzo Shimizu \u6e05\u6c34\u5584\u4e09. \"Japanese Sculptures in America and Canada,\" Ars Buddhica \u4f5b\u6559\u85dd\u8853, no. 126 (September 1979), part I, pp. 67\u201388.",
"page_number": "Reproduced: fig. 12",
"url": null
}
],
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"legal_status": "accessioned",
"accession_date": "1959-04-25T00:00:00",
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"alternate_titles": [
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"updated_at": "2026-05-29 06:55:52.279000"
}
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