id: 135691 accession number: 1959.228 share license status: CC0 url: https://clevelandart.org/art/1959.228 updated: 2023-03-24 11:13:12.190000 Genesis II, 1914. Franz Marc (German, 1880–1916). Color woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1959.228 title: Genesis II title in original language: series: series in original language: creation date: 1914 creation date earliest: 1914 creation date latest: 1914 current location: creditline: Gift of The Print Club of Cleveland copyright: --- culture: Germany, 20th century technique: color woodcut department: Prints collection: PR - Woodcut type: Print find spot: catalogue raisonne: Lankheit p.273, n. 843 ; Schardt VII.1914.2 --- CREATORS * Franz Marc (German, 1880–1916) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Space and Modern Art opening date: 1966-06-09T04:00:00 Space and Modern Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 9-September 25, 1966). title: German Expressionist Graphics opening date: 1980-05-07T04:00:00 German Expressionist Graphics. The Cleveland Museum of Art (organizer) (May 7-October 5, 1980). title: Eastward from the Rhine: Romanticism to Abstraction, 1800-1925 opening date: 1984-06-12T04:00:00 Eastward from the Rhine: Romanticism to Abstraction, 1800-1925. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 12-September 9, 1984). title: Graphic Discontent: German Expressionism on Paper opening date: 2018-01-14T05:00:00 Graphic Discontent: German Expressionism on Paper. The Cleveland Museum of Art (organizer) (January 14-May 27, 2018). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: Like other members of Der Blaue Reiter in Munich, Franz Marc focused on depicting animals, which symbolized joyous rebirth. Genesis II was made to illustrate the creation story in the book of Genesis; he planned to include it in an illustrated Bible. Here, three horses emerge from a background of chaos and movement. His Tiger is less joyous and more threatening than the bounding horses; with clenched teeth, the tiger leers toward a cowering animal behind it. After enthusiastically enlisting in the German army, Marc died in battle at Verdun, France, on March 4, 1916. His wartime death—and that of fellow artist August Macke—had a profound impact on the Munich Expressionists, whose vision of an earthly paradise quickly dissolved. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1959.228/1959.228_web.jpg print: https://openaccess-cdn.clevelandart.org/1959.228/1959.228_print.jpg full: https://openaccess-cdn.clevelandart.org/1959.228/1959.228_full.tif