{
"data": {
"id": 135964,
"accession_number": "1959.46",
"share_license_status": "CC0",
"tombstone": "River and Mountains on a Clear Autumn Day (\u6c5f\u5c71\u79cb\u973d\u5716), c. 1624\u201327. Dong Qichang (Chinese, 1555\u20131636). Handscroll; ink on Korean paper; painting only: 38 x 136.8 cm (14 15/16 x 53 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1959.46",
"current_location": null,
"title": "River and Mountains on a Clear Autumn Day",
"title_in_original_language": "\u6c5f\u5c71\u79cb\u973d\u5716",
"creation_date": "c. 1624\u201327",
"creation_date_earliest": 1624,
"creation_date_latest": 1627,
"artists_tags": [
"male"
],
"culture": [
"China, Ming dynasty (1368\u20131644)"
],
"technique": "Handscroll; ink on Korean paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Painting only: 38 x 136.8 cm (14 15/16 x 53 7/8 in.)",
"dimensions": {
"painting only": {
"height": 0.38,
"width": 1.368
},
"box": {
"height": 0.07,
"width": 0.076,
"length": 0.413
},
"mounted": {
"height": 0.386,
"width": 6.269
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "\u9ec3\u5b50\u4e45\u6c5f\u5c71\u79cb\u973d\u4f3c\u6b64\uff0c\u7576\u6068\u53e4\u4eba\u4e0d\u898b\u6211\u4e5f\u3002\u601d\u7fc1",
"inscription_translation": "Artist's inscription and signature at left: \nHuang Zijiu\u2019s [Huang Gongwang\u2019s] River and Mountains on a Clear Autumn Day looks like this. I truly regret that this ancient master has not seen my work. Siweng",
"inscription_remark": null,
"sortorder": 1
},
{
"inscription": "\u8463\u6587\u654f\u6bcf\u9047\u9ad8\u9e97\u93e1\u9762\u7b8b\uff0c\u66f8\u756b\u5c24\u70ba\u5165\u795e\u3002\u6b64\u5377\u6539\u8868\u7d19\u7528\u4e4b\uff0c\u5b57\u8de1\u96b1\u7136\uff0c\u517c\u6709\u671d\u9bae\u4e4b\u5370\u3002\u81f3\u65bc\u7b46\u6cd5\u5713\u79c0\uff0c\u771f\u63a5\u502a\u9ec3\u3002\u8c48\u6587\u6c88\u6240\u53ef\u540c\u65e5\u800c\u8a9e\u4e5f\u3002\n\n\u5eb7\u7199\u5e9a\u5348\u4e2d\u79cb\u5f8c\u4e00\u65e5\uff0c\u5929\u6c23\u6f84\u723d\uff0c\u91cd\u88dd\u521d\u7562\uff0c\u8dcb\u65bc\u74f6\u5eec\u3002\u62b1\u74ee\u7fc1\u9ad8\u58eb\u5947\u3002",
"inscription_translation": "2 colophons and 10 seals of Gao Shiqi \u9ad8\u58eb\u5947 (1645\u20131704): \n\nFirst inscription by Gao Shiqi:\n\nEach time Dong Qichang encountered the mirror-smooth Korean paper, his calligraphy and painting became even more inspired. Here in this scroll he made use of a paper that formerly was meant for tributary presentation. One can still discern faint traces of written characters. In addition, there is on the paper [the imprint of] a Korean seal. As to his brushwork, which is rounded and elegant, it harks directly back to Ni [Zan] and Huang [Gongwang]. This is not what Shen [Zhou] and Wen [Zhengming] were ever able to attain and to be placed on the same footing.\n\nOn the day after the mid-autumn festival [the sixteenth day of the eighth lunar month], in the gengwu year of the Kangxi era [1690], the weather is clear. The remounting has just been finished. I inscribe the colophon at Pinglu. Bao weng weng Gao Shiqi.",
"inscription_remark": null,
"sortorder": 2
},
{
"inscription": "Second inscription by Gao Shiqi \u9ad8\u58eb\u5947 (1645\u20131704):\n\nOn the twenty-third day of the ninth month, the jiaxu year of the Kangxi era [1694], I packed my bags to head north. When my boat passed Wuchang [Suzhou], Mr. Mantang [Song Luo] brought wine to bid me farewell so that we could share our thoughts on our separation in the last few years. I showed him the paintings and calligraphy which I collected and asked his opinions. Since Mr. Mantang does not own any handscrolls by Wenmin [Dong Qichang], I leave this one for him in commemoration of our parting; thus the painting will have a worthy owner and our meeting will become a beautiful story in the future. It is the fourth day after the beginning of winter, with the sky clear and sober. Trees under frost have turned red and yellow, seemingly echoing the brush and ink in the painting. I also ask Mr. Mantang to inscribe a poem to commemorate our meeting so that it will survive forever.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 3
},
{
"inscription": "1 colophon and 4 seals of Song Luo \u5b8b\u7296 (1634\u20131713): \n\nWho is the foremost art connoisseur of our dynasty?/ \nTangcun [Liang Qingbiao, 1620\u20131691] is dead, so the title passes to Jiangcun [Gao Shiqi]./ \nLeaving office, you retired for five years in the Lake region./ \nFondling handscrolls and hanging scrolls from morning to evening./ \nYou sent me your collection catalogue Xiao Xia Lu last year;/ \nIt is indeed the true equal of [Zhou Mi's] Yun Yan Guo Yan./ \nThis year you returned to the capital by imperial order;/ \nYour boat with calligraphy and paintings anchored at the river bank in Suzhou./ \nWhen we met each other you did not waste any time for conversation by poured out immediately/ \nFrom your \"coral net\" extraordinary treasures./ \nYou produced incomparable scrolls, with gold-inscribed labels and jade rollers,/ \nPouring out from bags and trunks, they were spread in disarray./ \nWithout a word, I rolled and unrolled until my fingers were numbed,/ \nWe sat straight, facing each other quietly, and never felt tired./ \nFor three days we forgot about sleeping and food./ \nAnd at times we shouted our joy out loud, forgetting who is host or guest./ \nYour Dwelling in the Fuchun Mountains and the Yuansheng manuscript/ \nThese peerless works I myself examined with delight./ \nAs an added pleasure to the farewell dinner under the Maple Bridge,/ \nYou allowed me to hold again this handscroll by Dong Qichang--/ \nThe Misty River and Piled Peaks [by Zhao Mengfu] and this Clear Autumn Day are two extraordinary masterpieces./ \nIn showing such life and spirit with \"qi yun.\" the artists were truly \"men of heaven.\"/ \nThe Clear Autumn Day is not even three feet long,/ \nPainted on tributary Korean paper, it shines like silver./ \nEvery building up and every turn of the mountains imitates nature,/ \nEvery tree and every rock is removed from the commonplace./ \nFrom the beginning, the theory of poetry is the theory of painting,/ \nLike the lotus and the morning sunshine, they complement and refresh each other./ \nThe artist's inscription regrets that \"the Old Masters cannot see my scroll.\"/ \nHuang Gongwang would have agreed in his grave./ \nThe vermilion of the seals glitter and dazzles the eyes,/ \nThese added accessories are as valuable as jade./ \nYou are very kind to give it to me,/ \nThe feelings expressed in your inscription are so sincere./ \nWanting to refuse, but unable, I accept it to respect your wish,/ \nAnd taking off my gown and cap I wrapped it with care./ \nYou asked me to write a long poem in commemoration of this beautiful occasion,/ \nI am too ashamed that my effort in response is so poor and inadequate./ \nReturning home, I unrolled it under candlelight, trying to write the colophon,/ \nThe light of the waning moon shines at the foot of the mossy wall./ \nEarnestly humming and brows knit in deep thought, I try to compose;/ \nThe verses are not outstanding, but the facts are real./ \nWith this poem recorded at the end of the scroll, I mail it to you for approval,/ \nThis poem and this painting shall outlast a thousand springs.\n\n(Translation by LYSL/HK/WKH)",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 4
},
{
"inscription": "1 colophon and 2 seals of Shao Changheng \u90b5\u9577\u8605 (1637\u20131704); \n2 inscriptions and 14 seals of the Qianlong \u4e7e\u9686 emperor (r. 1736\u201395); \n1 seal of the Jiaqing \u5609\u6176 emperor (r. 1796\u20131820); \n3 seals of the Xuantong \u5ba3\u7d71 emperor (r. 1908\u201311); \n1 seal unidentified.",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": 5
},
{
"inscription": "[\u5370] \u671d\u9bae\u570b\u738b\u4e4b\u5370",
"inscription_translation": "Seal of King Seonjo \uc120\uc870 [Yi Yeon, \uc774\uc5f0, \u674e\u6616] (r. 1567\u20131608): \"Seal of the King of Joseon,\" and fragmentary text listing tributary gifts to the Ming Emperor Wanli, dated the nineteenth day, eighth month, in the first year of Wanli's reign period, i.e. 1573.",
"inscription_remark": "Dong Qichang painted this landscape on Korean paper that had served as an official, tributary presentation by the Korean King Seonjo \uc120\uc870 (r. 1567\u20131608) to the Wanli Emperor in the first year of the latter\u2019s reign, 1573. Consequently, before its new use as a painting surface, an attempt was made to erase the text. A major portion is no longer legible since more than half may have become hidden under the painted passages. Still, the king of Korea's large square seal with a thick red border can be easily seen amid the later Qing imperial seals. Its oil base obviously made the erasure impossible. In addition, a portion of the text above the landscape can still be read. It lists the the tributary gifts that the Korean king presented to the Ming emperor including \u201ctwenty horses\u201d and \u201can assortment of luxury textiles and woven products.\u201d",
"sortorder": 6
}
],
"exhibitions": {
"current": [
{
"id": 520794,
"title": "Fifteen Chinese Paintings from the Cleveland Museum of Art",
"description": "Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum of Art, Northampton, MA (organizer) (October 9-28, 1964).",
"opening_date": "1964-10-09T04:00:00"
},
{
"id": 300779,
"title": "Juxtapositions",
"description": "Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).",
"opening_date": "1965-09-11T04:00:00"
},
{
"id": 516263,
"title": "Fantastics and Eccentrics in Chinese Painting",
"description": "Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).",
"opening_date": "1967-03-24T05:00:00"
},
{
"id": 301895,
"title": "The Colors of Ink",
"description": "The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
"opening_date": "1974-01-10T04:00:00"
},
{
"id": 442391,
"title": "The Compelling Image: Nature and Style in 17th Century Chinese Painting",
"description": "The Compelling Image: Nature and Style in 17th Century Chinese Painting. Fogg Art Museum/Harvard University, Cambridge, MA (organizer) (February 15-April 30, 1979).",
"opening_date": "1979-02-15T05:00:00"
},
{
"id": 304517,
"title": "Eight Dynasties of Chinese Painting",
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-11T05:00:00"
},
{
"id": 304561,
"title": "Visions of Landscape: East and West",
"description": "Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).",
"opening_date": "1982-02-17T05:00:00"
},
{
"id": 311446,
"title": "Asian Autumn: Masterpieces from the Collection",
"description": "Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
"opening_date": "1991-09-17T04:00:00"
},
{
"id": 207246,
"title": "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection",
"description": "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection. The Metropolitan Museum of Art, New York, NY (organizer) (September 3, 1999-January 9, 2000).",
"opening_date": "1999-09-03T00:00:00"
},
{
"id": 207308,
"title": "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)",
"description": "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717). The Metropolitan Museum of Art, New York, NY (organizer) (September 9, 2008-January 4, 2009).",
"opening_date": "2008-09-09T00:00:00"
},
{
"id": 202572,
"title": "Silent Poetry: Masterworks of Chinese Painting",
"description": "Silent Poetry: Masterworks of Chinese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14, 2015-April 24, 2016).",
"opening_date": "2015-11-14T00:00:00"
},
{
"id": 395234,
"title": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta",
"description": "China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).",
"opening_date": "2023-09-10T04:00:00"
}
],
"legacy": [
{
"description": "1000 Jahre. Haus der Kunst, Munich, Germany (October 16-December 13, 1959).",
"opening_date": "1959-10-16T04:00:00Z"
},
{
"description": "Chinese Paintings. The Cleveland Museum of Art, Cleveland, OH (1960).",
"opening_date": "1960-01-01T05:00:00Z"
},
{
"description": "Fifteen Chinese Paintings from The Cleveland Museum of Art. Smith College Museum of Art, Northampton, Massachusetts (1964).",
"opening_date": "1964-01-01T05:00:00Z"
},
{
"description": "Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967).",
"opening_date": "1967-03-23T05:00:00Z"
}
]
},
"provenance": [
{
"description": "Gao Shiqi \u9ad8\u58eb\u5947 [1645\u20131703]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "Song Luo \u5b8b\u7296 [1634\u20131713]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 2
},
{
"description": "Shao Changheng \u90b5\u9577\u8605 [1637\u20131704]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 3
},
{
"description": "Qing imperial collection (seals of Emperors Qianlong, r. 1736\u20131795, Jiaqing, r. 1796\u20131820, and Xuantong, r. 1909\u20131911)",
"citations": [],
"footnotes": null,
"date": "c. 1736\u20131910",
"sortorder": 4
},
{
"description": "(C. C. Wang \u738b\u5b63\u9077 [1907\u20132003], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?\u20131959",
"sortorder": 5
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1959\u2013",
"sortorder": 6
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "The painting has an imprint of a Korean seal that reads \"Seal of the king of Joseon.\"",
"description": "Dong Qichang had a tremendous impact on the artistic practices and historiography of later generations; his works and writings shaped literati aesthetics. Here, Dong places an abstract landscape composition diagonally across the picture plane, configured to recall earlier masters and simultaneously express his own personal style. Dong\u2019s inscription claims, Huang Gongwang\u2019s Autumn Day, looks like this. I truly regret the master has not seen my work. In fact, Dong Qichang may have had Dong Yuan\u2019s Xiao and Xiang Rivers in mind, a work he owned and considered a key work in Chinese art history.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60465243"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1959.46-river-and-mountains"
]
},
"citations": [
{
"citation": "Goepper, Roger. 1000 Jahre chinesische Malerei. Mu\u0308nchen: Haus der Kunst, 1959.",
"page_number": "cat. no. 64",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 265",
"url": "https://archive.org/details/CMAHandbook1966/page/n289"
},
{
"citation": "Cahill, James, and Virginia Field. Fantastics and Eccentrics in Chinese Painting. [New York]: Asia Society; distributed by Abrams, 1967.",
"page_number": "Reproduced: cat. no. 2",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 265",
"url": "https://archive.org/details/CMAHandbook1969/page/n289"
},
{
"citation": "Lee, Sherman E. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. [New York]: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "Reproduced: cat. no. 32",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 352",
"url": "https://archive.org/details/CMAHandbook1978/page/n372"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 191, pp. 244\u2013246",
"url": null
},
{
"citation": "Gardner, Helen, Richard G. Tansey and Fred S. Kleiner. Gardner's Art Through the Ages. Fort Worth: Harcourt Brace College Publishers, 1996.",
"page_number": "Reproduced: p. 513, fig. 15-28",
"url": null
},
{
"citation": "Fong, Wen, Chin-Sung Chang, and Maxwell K. Hearn. Landscapes clear and radiant: the art of Wang Hui (1632-1717). New York: Metropolitan Museum of Art, 2008.",
"page_number": "Reproduced: fig. 5, p. 7",
"url": null
},
{
"citation": "Yang, Kathleen \u694a\u51f1\u7433, and Chi-ch\u02bbien Wang \u738b\u5b63\u9077. Through a Chinese connoisseur's eye: private notes of C.C. Wang \u738b\u5b63\u9077\u8b80\u66f8\u7b46\u8a18. Beijing: Zhong hua shu ju, 2010.",
"page_number": "Mentioned and Reproduced: p. 311, no. 30",
"url": ""
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
"page_number": "Mentioned and Reproduced: pp. 308\u2013313",
"url": null
},
{
"citation": "Powers, Martin J., and Katherine R. Tsiang, eds. A Companion to Chinese Art. Chichester, West Sussex, UK: Wiley Blackwell, 2016.",
"page_number": "Reproduced: p. 190, fig. 8.2",
"url": null
},
{
"citation": "Tanenbaum, Mary. Fishing on the Terrace: A Collection of Writings, edited by Heather Parks. [Redwood City, CA]: Stanford University Press, 2018",
"page_number": "Reproduced: p. 110-111",
"url": null
},
{
"citation": "Griswold, William, Xiaofei Tian, Richard Von Glahn, Feng Zhao, S. J. Vainker, Masaaki Itakura, Jiang Wu, et al. China\u2019s Southern Paradise: Treasures from the Lower Yangzi Delta. Edited by Clarissa von Spee. Cleveland, OH: The Cleveland Museum of Art, 2023.",
"page_number": "Mentioned and Reproduced: p. 265, no. 121",
"url": ""
},
{
"citation": "Y\u016bya, Kawanishi. \"Old Documents of the Chos\u014fn Dynasty and Their Characteristics: With a Focus on Royal Documents.\" Acta Asiatica: Bulletin of the Institute of Eastern Culture 127 (2024): 63\u201380.",
"page_number": "Mentioned: p. 70; Reproduced: p. 76, fig.7",
"url": ""
}
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