id: 136153 accession number: 1959.81 share license status: CC0 url: https://clevelandart.org/art/1959.81 updated: 2023-08-23 21:29:45.865000 Rembrandt and his Wife Saskia, 1636. Rembrandt van Rijn (Dutch, 1606–1669). Etching; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1959.81 title: Rembrandt and his Wife Saskia title in original language: series: series in original language: creation date: 1636 creation date earliest: 1636 creation date latest: 1636 current location: creditline: Gift of The Print Club of Cleveland copyright: --- culture: Netherlands, 17th century technique: etching department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: --- CREATORS * Rembrandt van Rijn (Dutch, 1606–1669) - artist --- measurements: state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Prints by Rembrandt and His Circle opening date: 1984-01-24T05:00:00 Prints by Rembrandt and His Circle. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 24-May 25, 1984). title: Generous Donors: A Tribute to The Print Club of Cleveland opening date: 1991-04-02T05:00:00 Generous Donors: A Tribute to The Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 2-August 4, 1991). title: A Lasting Impression: Gifts of the Print Club of Cleveland opening date: 2019-05-05T04:00:00 A Lasting Impression: Gifts of the Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 5-September 22, 2019). --- LEGACY EXHIBITIONS --- PROVENANCE --- fun fact: digital description: wall description: This self-portrait is the only one in which Rembrandt showed himself with his young wife, Saskia. Both figures appear in formal attire and directly meet the viewer’s gaze. To represent himself, Rembrandt deeply etched the copper plate to create dark and decisive lines, as seen below his collar and on his left wrist. He etched Saskia’s image more lightly, with faint lines that situate her in the composition’s background. Rembrandt may have drawn the image at least in part while sitting in front of a mirror. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1959.81/1959.81_web.jpg print: https://openaccess-cdn.clevelandart.org/1959.81/1959.81_print.jpg full: https://openaccess-cdn.clevelandart.org/1959.81/1959.81_full.tif