id:			136268
accession number:	1960.160
share license status:	CC0
url:			https://clevelandart.org/art/1960.160
updated:		2024-03-26 01:58:48.013000

Saint Francis Receiving the Stigmata, 1535–45. Niccolo Boldrini (Italian, c. 1500–after 1566), after Titian (Italian, c. 1488-1576). Woodcut; image: 29.2 x 43.5 cm (11 1/2 x 17 1/8 in.); sheet: 29.2 x 43.5 cm (11 1/2 x 17 1/8 in.). The Cleveland Museum of Art, Delia E. Holden Fund 1960.160

title:				Saint Francis Receiving the Stigmata
title in original language:	
series:				
series in original language:	
creation date:			1535–45
creation date earliest:		1535
creation date latest:		1545
current location:		
creditline:			Delia E. Holden Fund
copyright:			

---

culture:	Italy, Venice, 16th century
technique:	woodcut
department:	Prints
collection:	PR - Woodcut
type:		Print
find spot:	
catalogue raisonne: 

---

CREATORS

* Niccolo Boldrini (Italian, c. 1500–after 1566)  - artist

* Titian (Italian, c. 1488-1576) 
Tiziano Vecellio, called Titian, was the greatest Italian painter of 16th-century Venice, known for his expressive brushwork, brilliant color, and hazy atmospheric effects. He was born in Pieve di Cadore, a small town on the Venetian side of the Alps around 1490. He moved to Venice when he was ten years old, and started his artistic training under the mosaicist Sebastiano Zuccato. He later joined Gentile's and Giovanni's Bellini workshops, and started a collaboration with the painter Giorgione on the frescoes of the Fondaco dei tedeschi in 1508. Titian's "Assumption of the Virgin" (1516-1518) for the church's high altar became the masterwork that helped establish him as one of the leading painters in the Venetian area. Over his career, Titian created paintings for prestigious commissioners, such as Pope Paul III, king Philip II of Spain, and Charles V. In his later years, Titian mainly focused on religious and mythological subjects. he died of plague on August 27, 1576 in Venice. Titian's artistic oeuvre had a great impact on later generations of painters, such as Rembrandt, Diego Velàzquez, Anton van Dyck and Peter Paul Rubens.
---

measurements: Image: 29.2 x 43.5 cm (11 1/2 x 17 1/8 in.); Sheet: 29.2 x 43.5 cm (11 1/2 x 17 1/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

	title:		Year in Review - Nineteen Hundred Sixty
	opening date:   1960-11-30T05:00:00
	<i>Year in Review - Nineteen Hundred Sixty</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961).

	title:		I and Thou
	opening date:   1984-02-21T05:00:00
	<i>I and Thou</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 21-May 27, 1984).

	title:		Love Gardens / Forbidden Fruit
	opening date:   2023-07-02T04:00:00
	<i>Love Gardens / Forbidden Fruit</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 2-October 29, 2023).

---

LEGACY EXHIBITIONS

---

PROVENANCE

	Franz Ritter van Hauslab (1798-1883), Vienna (Lugt. 1247)
	date: 
	footnotes: 	
	citations: 	


---

fun fact:


digital description:


wall description:

---

RELATED WORKS

---

CITATIONS

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1960.160/1960.160_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1960.160/1960.160_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1960.160/1960.160_full.tif