{
"data": {
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"share_license_status": "CC0",
"tombstone": "Dream Journey among Rivers and Mountains, no. 90 (\u6c5f\u5c71\u81e5\u6e38\u5716), 1658. Cheng Zhengkui (Chinese, 1604\u20131676). Handscroll; ink and color on paper; painting section: 24 x 341.5 cm (9 7/16 x 134 7/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1960.182",
"current_location": null,
"title": "Dream Journey among Rivers and Mountains, no. 90",
"title_in_original_language": "\u6c5f\u5c71\u81e5\u6e38\u5716",
"creation_date": "1658",
"creation_date_earliest": 1658,
"creation_date_latest": 1658,
"artists_tags": [
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"culture": [
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],
"technique": "Handscroll; ink and color on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Handscroll",
"type": "Painting",
"measurements": "Painting section: 24 x 341.5 cm (9 7/16 x 134 7/16 in.)",
"dimensions": {
"overall": {
"height": 0.26,
"height_inch": 10,
"height_inch_fraction": 0.25,
"width": 7.42,
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"inscriptions": [
{
"inscription": "\u6c5f\u5c71\u81e5\u904a\u5716\u5176\u4e5d\u5341, \u9752\u6eaa\u9053\u4eba, \u620a\u620c\u590f\u4e94\u3002 [\u5370] \u7a0b\u6b63\u63c6",
"inscription_translation": "Artist's inscription, signature, and seal: \n\nDream Journey among Rivers and Mountains, number 90. Qing xi dao ren, wuxu year [1658], summer, the fifth month. [seal] Cheng Zhengkui.",
"inscription_remark": null,
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{
"inscription": "Title and inscription by Huang Yi \u9ec3\u6613 (1744\u20131802), and 3 seals.",
"inscription_translation": null,
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{
"inscription": "1 colophon and 9 additional seals: \n\n3 seals of Dai Zhi \u6234\u690d (active about 1821\u20131850); \n1 colophon, dated 1914, and 3 seals of Yan Shiqing \u984f\u4e16\u6e05 (1873\u20131929); \n3 seals of Wang Nanping \u738b\u5357\u5c4f (1924\u20131985).",
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"legacy": [
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"description": "1000 Jahre. Haus der Kunst, Munich, Germany (October 16-December 13, 1959).",
"opening_date": "1959-10-16T00:00:00"
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{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
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"provenance": [
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"description": "Huang Yi \u9ec3\u6613 [1744\u20131802]",
"citations": [],
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"date": null,
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{
"description": "Dai Zhi \u6234\u690d [active about 1821\u20131850]",
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{
"description": "Yan Shiqing \u984f\u4e16\u6e05 [1873\u20131929]",
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"citations": [],
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"date": null,
"sortorder": 4
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{
"description": "(Walter Hochstadter [1914\u20132007], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": [],
"date": "?\u20131960",
"sortorder": 5
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
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"date": "1960\u2013",
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"did_you_know": "Cheng Zhengkui planned to make 100 dream journey paintings but may have ultimately made 500.",
"early_education_description": null,
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"description": "Cliffs and waterfalls interspersed with trees and dotted vegetation are spread over this handscroll. Long paths wind their way through villages, beside cottages, shrines, and over bridges. In the past, Chinese literati officials liked to take a \u201cdream journey\u201d along mountains and rivers when viewing landscape paintings in their studios. Scenery of this kind thus became a way to escape from the world of bureaucracy and administration. The painter Cheng Zhengkui used the title \u201cDream Journey\u201d for a whole series of paintings, of which this is number 90. He is said to have painted 500 of them, but the actual count remains unknown.",
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"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: V, 112; VII, Lists, 302",
"url": null
},
{
"citation": "Goepper, Roger. 1000 Jahre chinesische Malerei. Mu\u0308nchen: Haus der Kunst, 1959.",
"page_number": "cat. no. 88",
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{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962.",
"page_number": "Mentioned: p. 90, cat. no. 71",
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"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: p. 441, fig. 584",
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"citation": "Lee, Sherman E. \"The Water and the Moon in Chinese and Modern Painting.\" Art international, vol. 14 (1970), no. 1, pp. 47\u201359.",
"page_number": "Reproduced: p. 55, fig. 26",
"url": null
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"citation": "Fu, Shen \u5085\u7533. Ming Qing zhi ji di ke bi gou le feng shang yu Shitao di zao qi zuo pin [\u660e\u6e05\u4e4b\u969b\u7684\u6e34\u7b46\u52fe\u52d2\u98a8\u5c1a\u8207\u77f3\u6fe4\u7684\u65e9\u671f\u4f5c\u54c1 = An aspect of mid-seventeenth century Chinese painting: The \"dry linear\" style and the early work of Tao-chi]. Hong Kong: Xianggang Zhong wen da xue [\u9999\u6e2f\u4e2d\u6587\u5927\u5b78 = The Chinese University of Hong Kong], 1976.",
"page_number": "Reproduced: p. 594, fig. 15",
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"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Reproduced: cat. no. 231, pp. 311\u2013312",
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"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2015.",
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