{
    "data": {
        "id": 136319,
        "accession_number": "1960.197",
        "share_license_status": "CC0",
        "tombstone": "Buddha of Infinite Life and Light (Amida Nyorai) (\u963f\u5f25\u9640\u5982\u6765\u50cf), 1269. K\u014dshun (Japanese, active mid-1200s), assisted by Koshin (Japanese, active mid-1200s), assisted by Joshun (Japanese, active mid-1200s). Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz; overall: 94.6 cm (37 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1960.197",
        "current_location": "235B Japanese",
        "title": "Buddha of Infinite Life and Light (Amida Nyorai)",
        "title_in_original_language": "\u963f\u5f25\u9640\u5982\u6765\u50cf",
        "creation_date": "1269",
        "creation_date_earliest": 1269,
        "creation_date_latest": 1269,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Japan, Kamakura period (1185\u20131333)"
        ],
        "technique": "Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz",
        "support_materials": [],
        "department": "Japanese Art",
        "collection": "Japanese Art",
        "type": "Sculpture",
        "measurements": "Overall: 94.6 cm (37 1/4 in.)",
        "dimensions": {
            "overall": {
                "height": 0.946,
                "height_inch": 37,
                "height_inch_fraction": 0.25
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 302015,
                    "title": "Year in Review - Nineteen Hundred Sixty",
                    "description": "<i>Year in Review - Nineteen Hundred Sixty</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961).",
                    "opening_date": "1960-11-30T05:00:00"
                },
                {
                    "id": 300779,
                    "title": "Juxtapositions",
                    "description": "<i>Juxtapositions</i>. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).",
                    "opening_date": "1965-09-11T04:00:00"
                },
                {
                    "id": 196054,
                    "title": "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art",
                    "description": "<i>Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).",
                    "opening_date": "2009-06-27T04:00:00"
                },
                {
                    "id": 295705,
                    "title": "Japanese Gallery 235 Rotation - July 2017-January 2018",
                    "description": "<i>Japanese Gallery 235 Rotation - July 2017-January 2018</i>. The Cleveland Museum of Art (organizer) (July 15, 2017-January 2, 2018).",
                    "opening_date": "2017-07-15T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>One Thousand Years of Japanese Art (650-1650) from The Cleveland Museum of Art. </em>Japan House Gallery, New York, NY (March 19-May 17, 1981).",
                    "opening_date": "1981-03-19T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Shitenno-ji Temple, Osaka, Japan",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Ikeda Publ.: Ikeda Daisendo, Kobijutsu shuho, II (Kyoto, 1931), pls. 37, 38.<br>publication date&nbsp; either 1931 or 1941</div>"
                ],
                "date": "by 1931 or 1941",
                "sortorder": 1
            },
            {
                "description": "(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": [],
                "date": "?\u20131960",
                "sortorder": 2
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": [],
                "date": "1960\u2013",
                "sortorder": 3
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "The lead sculptor was K\u014dshun, who had been granted the lofty title \u201cBridge of the Law.\u201d",
        "early_education_description": null,
        "artlens_description": null,
        "description": "This ornate Buddha Amida stands in a posture of welcome, greeting the dying who will accompany him back to his Pure Land. Documents inserted into the sculpture\u2019s hollow core around the time of its creation include a copy of the sacred text <em>Amida Sutra</em>, a register of donors who desired to be joined together in generating karmic merit (<em>kechien</em>) through the creation and dedication of the sculpture, and a record asserting that the image was completed over the course of 33 days in 1269 at Shitenn\u014dji Temple in Osaka.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60781221"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1960.197-buddha-of-infinite-l"
            ]
        },
        "citations": [
            {
                "citation": "Ikeda, Sh\u014dtar\u014d \u6c60\u7530\u5e84\u592a\u90ce. <em>Ikeda Daisendo\u0304 kobijutsu shu\u0304ho\u0304 </em>\u6c60\u7530\u5927\u4ed9\u5802\u53e4\u7f8e\u8853\u96c6\u82b3. O\u0304saka: Ikeda Sho\u0304taro\u0304, 1941.",
                "page_number": "Reproduced: pls. 37, 38",
                "url": null
            },
            {
                "citation": "Lee, Sherman E. \u201cYear in Review| 1960.\u201d <em>The Bulletin of the Cleveland Museum of Art</em>, vol. 47, no. 10, 1960, pp. 223\u2013254.",
                "page_number": "Mentioned: no. 19, p. 251; Reproduced: no. 19, p. 232",
                "url": "https://www.jstor.org/stable/25142422"
            },
            {
                "citation": "Lee, Sherman E. \u201cThe Divine: And the Terrible.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 48, no. 1 (January 1961): 5\u20139.",
                "page_number": "Reproduced: p. 6, fig. 1",
                "url": "https://www.jstor.org/stable/25142429"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 275",
                "url": "https://archive.org/details/CMAHandbook1966/page/n299"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 275",
                "url": "https://archive.org/details/CMAHandbook1969/page/n299"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 371",
                "url": "https://archive.org/details/CMAHandbook1978/page/n391"
            },
            {
                "citation": "Lee, Sherman E., Michael R. Cunningham, and Ursula Korneitchouk.<em> One Thousand Years of Japanese Art (650-1650): From the Cleveland Museum of Art</em>. New York: Japan Society, 1981.",
                "page_number": "Reproduced: cat. no. 11, p. 31",
                "url": null
            },
            {
                "citation": "Yoshiyasu, Tanaka, Kimiko Steiner, and Michael R. Cunningham. \"The Statue of Amida Nyorai (Amitabha) Made by K\u014dshun.\" <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 10 (1993): 378-93.",
                "page_number": "Reproduced: cover, p. 379-81; Mentioned: pp. 378-393",
                "url": "https://www.jstor.org/stable/25161434"
            },
            {
                "citation": "Yoshiyasu, Tanaka, Kimiko Steiner, and Michael R. Cunningham. \u201cThe Statue of Amida Nyorai (Amitabha) Made by K\u014dshun.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 80, no. 10 (December 1993): 378\u2013393.",
                "page_number": "Mentioned: pp. 378\u2013393; Reproduced: pp. Cover, 379, 380, 381",
                "url": "https://www.jstor.org/stable/25161434"
            },
            {
                "citation": "Grossman, Nancy, James T. Ulak, Marjorie Williams, and Laurence Channing. <em>Art of Japan: Masterpieces from the Cleveland Museum of Ar</em>t. Cleveland, OH: The Cleveland Museum of Art, 2005.",
                "page_number": "Mentioned and Reproduced: p. 34",
                "url": ""
            },
            {
                "citation": "Franklin, David and C. Griffith Mann. <em>Treasures from the Cleveland Museum of Art</em>. Cleveland, OH: The Cleveland Museum of Art, 2012.",
                "page_number": "Mentioned and Reproduced: pp. 106\u2013107",
                "url": ""
            },
            {
                "citation": "\"Reopening of the Asian Galleries at The Cleveland Museum of Art: An Interview with David Franklin.\" <em>Orientations: The Magazine for Collectors and Connoisseurs of Asian Art</em>, vol. 44, no. 8 (November/December 2013): pp. 60-63.",
                "page_number": "Reproduced: p. 61",
                "url": null
            },
            {
                "citation": "Dobbins, James C. <em>Behold the Buddha: Religious Meanings of Japanese Buddhist Icons</em>. Honolulu: University of Hawai\u02bbi Press, 2020.",
                "page_number": "Mentioned and reproduced: pp. 8-9, fig. 5",
                "url": null
            }
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