{
"data": {
"id": 136534,
"accession_number": "1961.10.2",
"share_license_status": "CC0",
"tombstone": "Figure of the Bagpiper (Le Joueur de musette), 1748\u201352. Vincennes Porcelain Factory (France, 1740\u201356), Pierre Blondeau (French), Fran\u00e7ois Boucher (French, 1703\u20131770). Unglazed soft-paste porcelain (biscuit); overall: 22.9 x 13.4 x 8 cm (9 x 5 1/4 x 3 1/8 in.). The Cleveland Museum of Art, The Norweb Collection, 1961.10.2",
"current_location": "216A French and German",
"title": "Figure of the Bagpiper (Le Joueur de musette)",
"creation_date": "1748\u201352",
"creation_date_earliest": 1748,
"creation_date_latest": 1752,
"artists_tags": [
"gender unknown",
"male"
],
"culture": [
"France, Vincennes"
],
"technique": "unglazed soft-paste porcelain (biscuit)",
"support_materials": [],
"department": "Decorative Art and Design",
"collection": "Decorative Arts",
"type": "Ceramic",
"measurements": "Overall: 22.9 x 13.4 x 8 cm (9 x 5 1/4 x 3 1/8 in.)",
"dimensions": {
"overall": {
"height": 0.229,
"width": 0.134,
"depth": 0.08
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 302039,
"title": "Year in Review (1961)",
"description": "Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).",
"opening_date": "1961-11-01T05:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "R. Henry Norweb, Cleveland, Ohio.",
"citations": [],
"footnotes": null,
"date": null,
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}
],
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"related_works": [],
"former_accession_numbers": [
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],
"did_you_know": null,
"description": "Although a few Vincennes porcelain figures exist that are glazed, the royal factory adopted at an early date the practice of producing unglazed biscuit figures that, because of the purity of their material, resemble marble figurines. The fashion for biscuit figures first introduced at Vincennes quickly spread through Europe.",
"external_resources": {
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"https://www.wikidata.org/wiki/Q60754446"
],
"internet_archive": [
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"citations": [
{
"citation": "Chavagnac, Xavier Roger Marie, and Gaston Antoine Grollier. Histoire des manufactures franc\u0327aises de porcelaine. Paris: A. Picard et fils, 1906.",
"page_number": "p. 268",
"url": ""
},
{
"citation": "Bourgeois, E\u0301mile. Le biscuit de Se\u0300vres au XVIIIe sie\u0300cle. Vol. 2. Paris: Goupil, 1909.",
"page_number": "p. 4, pl. 3",
"url": ""
},
{
"citation": "Gu\u00e9rinet, Armand, ed. Les Biscuits de la manufacture nationale de Sevres, XVIIIe siecle & XIXe siecle. Paris: A. Guerinet, 1910.",
"page_number": "pl. 43, 35",
"url": ""
},
{
"citation": "Bourgeois, E\u0301mile, and Georges Lechevallier-Chevignard. Le biscuit de Se\u0300vres: recueil des mode\u0300les de la manufacture de Se\u0300vres au XVIIIe sie\u0300cle. Paris: P. Lafitte, 1913.",
"page_number": "no. 367, pl. 1",
"url": ""
},
{
"citation": "Les oeuvres de la Manufacture nationale de Se\u0300vres. Vol. 1, La Sculpture de 1738 \u00e0 1815. Se\u0300vres: Manufacture nationale, 1932.",
"page_number": "p. 8, no. 382",
"url": ""
},
{
"citation": "Hawley, Henry. \"Ceramics of the Rococo Age.\" The Bulletin of the Cleveland Museum of Art 48 (March 1961).",
"page_number": "p. 54-55, fig. 6",
"url": ""
},
{
"citation": "Zick, Gisela. \"D'Apr\u00e8s Boucher. Die Vall\u00e9e de Montmorency und die europ\u00e4ische Porzellanplastik.\" Keramos 29 (July 1965).",
"page_number": "p. 5, fig. 1a, b",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 135",
"url": "https://archive.org/details/CMAHandbook1966/page/n159"
},
{
"citation": "Dauterman, Carl Christian. The Wrightsman Collection. Vol 4, Porcelain. New York: Metropolitan Museum of Art, 1966.",
"page_number": "p. 283, no. 115",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 135",
"url": "https://archive.org/details/CMAHandbook1969/page/n159"
},
{
"citation": "Jedding, Hermann. Europa\u0308isches Porzellan. Vol. 3. Mu\u0308nchen: Keysersche Verlagsbuchhandlung, 1971.",
"page_number": "p. 279, no. 869",
"url": ""
},
{
"citation": "Pre\u0301aud, Tamara. Porcelaines de Vincennes: les origines de Se\u0300vres. Paris: E\u0301ditions des Muse\u0301es nationaux, 1977.",
"page_number": "p. 159, 171",
"url": ""
},
{
"citation": "Guillem\u00e9-Brulon, Doroth\u00e9e. \"Le Premier surtout de table en Biscuit de S\u00e8vres.\" L'Estampille 173 (September 1984).",
"page_number": "p. 42-45",
"url": ""
},
{
"citation": "Boucher, Franc\u0327ois. Francois Boucher, 1703-1770. New York: Metropolitan Museum of Art, 1986.",
"page_number": "p. 353-54, no. 96",
"url": ""
},
{
"citation": "Fay-Hall\u00e9, Antoinette. \"De l'influence de l'art de Boucher sur l'oeuvre de la Manufacture de Vincennes-S\u00e8vres.\" Actes du IIIe Colloque national de ce\u0301ramologie: Paris, 9 de\u0301cembre 1989. Paris: Editions Varia, 1989.",
"page_number": "p. 18, fig. 1; p. 20",
"url": ""
},
{
"citation": "Pre\u0301aud, Tamara, and Antoine d' Albis. La porcelaine de Vincennes. Paris: A. Biro, 1991.",
"page_number": "p. 172-73, no. 175",
"url": ""
},
{
"citation": "Versailles et les tables royales en Europe: XVIIe\u0300me-XIXe\u0300me sie\u0300cles. Paris: Re\u0301union des muse\u0301es nationaux, 1993.",
"page_number": "p. 285-86",
"url": ""
}
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"creditline": "The Norweb Collection",
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{
"id": 11807,
"description": "Vincennes Porcelain Factory (France, 1740\u201356)",
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"biography": "The French National Manufacture of soft-paste porcelain was established at Vincennes in 1738 before it moved in 1756.",
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{
"id": 57115,
"description": "Pierre Blondeau (French)",
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"id": 1888,
"description": "Fran\u00e7ois Boucher (French, 1703\u20131770)",
"extent": null,
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"biography": "French Rococo artist who epitomizes the frivolous and elegant court life of France in the mid-18th century. During his early career he was closely associated with Watteau, many of whose paintings he engraved. Boucher was a successful and incredibly prolific artistic who had a major impact on both fine and decorative art of the 18th century. He is particularly noted for having reinvented the genre of the pastoral, creating images of shepherds and shepherdesses as sentimental lovers that was taken up in a variety of medium. Boucher's sketchy manner of painting helped to promote painterliness as an end in itself. This trend dominated French painting until the emergence of Neoclassicism, when the tides of criticism turned against Boucher and his followers.",
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"legal_status": "accessioned",
"accession_date": "1961-01-17T00:00:00",
"sortable_date": 1748,
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"date_text": "1748\u201352",
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"cover_accession_number": "1961.10",
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [
"The Bagpipe Player"
],
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"updated_at": "2026-03-27 00:01:55.130000"
}
}