id: 448036 accession number: 1961.202.e share license status: CC0 url: https://clevelandart.org/art/1961.202.e updated: 2023-08-24 01:47:31.789000 Wormwood Patch from Album of Illustrations for the Tale of Genji, 1600s. Japan, Edo period (1615-1868). Painting in an accordion-style album; ink, light color, and gold on paper; each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Vera Sterne in memory of her husband, Maurice Sterne 1961.202.e title: Wormwood Patch from Album of Illustrations for the Tale of Genji title in original language: 源氏絵画帖 蓬生 series: series in original language: creation date: 1600s creation date earliest: 1600 creation date latest: 1699 current location: creditline: Gift of Vera Sterne in memory of her husband, Maurice Sterne copyright: --- culture: Japan, Edo period (1615-1868) technique: painting in an accordion-style album; ink, light color, and gold on paper department: Japanese Art collection: Japanese Art type: Bound Volume find spot: catalogue raisonne: --- CREATORS --- measurements: Each leaf: 26.3 x 22 cm (10 3/8 x 8 11/16 in.); Painting only: 17 x 20.6 cm (6 11/16 x 8 1/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Mrs. Maurice [Vera Segal] Sterne [1904–c. 1965], Mount Kisco, NY, given to the Cleveland Museum of Art date: ?–1961 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1961– footnotes: citations: --- fun fact: The illustrations are identified by chapter title in cartouches to the upper right of the paintings. digital description: wall description: This album contains illustrations for the classic literary work the Tale of Genji, authored in the 1000s by Murasaki Shikibu, an aristocrat of the Heian period (794–1185) court. The scenes are painted in the “white drawing” (hakubyō) mode, in which a fine ink line is used to depict figures and spaces with great subtlety, punctuated only occasionally by traces of red pigment for a character’s lips, a detail of a garment, or a decorative element. These two scenes illustrate episodes from the chapters “Thin Veil of Cloud” (Usugumo) and “Barrier Gate” (Sekiya). --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/1961.202.e/1961.202.e_web.jpg print: https://openaccess-cdn.clevelandart.org/1961.202.e/1961.202.e_print.jpg full: https://openaccess-cdn.clevelandart.org/1961.202.e/1961.202.e_full.tif