{
"data": {
"id": 136680,
"accession_number": "1961.219",
"share_license_status": "CC0",
"tombstone": "Saint Jerome, c. 1638\u201340. Jusepe de Ribera (Spanish, 1591\u20131652). Oil on canvas; framed: 150 x 121.5 x 9 cm (59 1/16 x 47 13/16 x 3 9/16 in.); unframed: 129 x 100.3 cm (50 13/16 x 39 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1961.219",
"current_location": "212 Baroque Painting and Sculpture",
"title": "Saint Jerome",
"creation_date": "c. 1638\u201340",
"creation_date_earliest": 1638,
"creation_date_latest": 1640,
"artists_tags": [
"Latine and Hispanic Artists",
"male"
],
"culture": [
"Spain"
],
"technique": "oil on canvas",
"support_materials": [],
"department": "European Painting and Sculpture",
"collection": "P - Spanish before 1800",
"type": "Painting",
"measurements": "Framed: 150 x 121.5 x 9 cm (59 1/16 x 47 13/16 x 3 9/16 in.); Unframed: 129 x 100.3 cm (50 13/16 x 39 1/2 in.)",
"dimensions": {
"framed": {
"height": 1.5,
"height_inch": 59,
"height_inch_fraction": 0.0625,
"width": 1.215,
"width_inch": 47,
"width_inch_fraction": 0.8125,
"depth": 0.09,
"depth_inch": 3,
"depth_inch_fraction": 0.5625
},
"unframed": {
"height": 1.29,
"height_inch": 50,
"height_inch_fraction": 0.8125,
"width": 1.003,
"width_inch": 39,
"width_inch_fraction": 0.5
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "Signed lower right: \"Jusepe de Ribera espa[\u00f1ol]. F.\"",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 302039,
"title": "Year in Review (1961)",
"description": "Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).",
"opening_date": "1961-11-01T05:00:00"
},
{
"id": 519416,
"title": "El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries",
"description": "El Greco to Goya, A Loan Exhibition of Spanish Paintings of the Seventeenth and Eighteenth Centuries. Indianapolis Museum of Art at Newfields, Indianapolis, IN (organizer) (February 10-March 24, 1963); Rhode Island School of Design, Providence, RI (February 10-March 24, 1963).",
"opening_date": "1963-02-10T05:00:00"
},
{
"id": 515799,
"title": "700 Years of Spanish Art",
"description": "700 Years of Spanish Art. Cummer Museum of Art, Jacksonville, FL (organizer) (October 28-November 30, 1965).",
"opening_date": "1965-10-28T04:00:00"
},
{
"id": 309864,
"title": "Baroque Imagery",
"description": "Baroque Imagery. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 1984-January 6, 1985).",
"opening_date": "1984-11-06T05:00:00"
}
],
"legacy": [
{
"description": "Caravaggio and His Followers, Cleveland Museum of Art, Cleveland, Ohio (October 29, 1971\u2013January 2, 1972).",
"opening_date": "1971-10-29T04:00:00Z"
},
{
"description": "Fort Worth, Texas, The Kimbell Art Museum, 1982\u201383: \"The Tangible World of the Spirit: The Paintings of Jusepe de Ribers,\" repr. p. 128, no. 29, p. 199.",
"opening_date": "1982-01-01T00:00:00"
}
]
},
"provenance": [
{
"description": "The Cleveland Museum of Art, Cleveland, Ohio.",
"citations": [],
"footnotes": null,
"date": "1961\u2013present",
"sortorder": 1
},
{
"description": "(F. Kleinberger & Co., New York, sold to the Cleveland Museum of Art).",
"citations": [],
"footnotes": null,
"date": "1960\u20131961",
"sortorder": 2
},
{
"description": "(Alessandro Morandotti, Zurich, sold to F. Kleinberger in 1960).",
"citations": [],
"footnotes": [
"In Richard Spear\u2019s Caravaggio and his Followers, as well as in the museum\u2019s files, the owner of the painting prior to F. Kleinberger was cited as a private collector in Italy. The Kleinberger stock card for this painting reveals that the gallery purchased the painting from \u201cMorandotti,\u201d presumably Alessandro Morandotti, a dealer based in Zurich. A letter from Harry G. Sperling, the president of F. Kleinberger, to former CMA curator Henry S. Francis suggests that Morandotti sold the painting to Kleinberger on behalf of this unnamed private collector: \u201cThe Ribera was purchased by me officially in Zurich, Switzerland. I had seen it for the first time in Italy and agreed to buy it if it was offered to me in Zurich\u2026The painting came directly from private hands, where supposedly it was in the family for generations. I was not given the name of the family.\u201d When Morandotti died in 1979, his archives were dismantled.
"
],
"date": "until 1960",
"sortorder": 3
},
{
"description": "Private collection, Italy, probably consigned to Alessandro Morandotti.",
"citations": [],
"footnotes": [
"According to Harry G. Sperling, the president of F. Kleinberger, & Co., the painting had been in an unknown private collection in Italy for generations.
"
],
"date": "until c. 1960?",
"sortorder": 4
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Ribera signed the painting on the spine of the book in which Jerome will write.",
"early_education_description": null,
"artlens_description": null,
"description": "Saint Jerome (about ad 347\u2013420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study, Ribera represents him here as a penitent who withdrew to the desert, beating his chest with a stone to emulate Christ\u2019s suffering and contemplating a skull symbolizing human vanity. Working in Naples, Ribera enthusiastically adapted Caravaggio\u2019s characteristic use of light and dark and naturalistic models.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60465928"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1961.219-saint-jerome"
]
},
"citations": [
{
"citation": "Harry G. Sperling, letter to Henry S. Francis, Oct. 6, 1961, in CMA curatorial file.",
"page_number": null,
"url": null
},
{
"citation": "Stock cards, 1897\u20131973, and clipping file, F. Kleinberger, & Co., European Paintings, the Metropolitan Museum of Art, New York, NY.",
"page_number": null,
"url": null
},
{
"citation": "Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982.",
"page_number": null,
"url": null
},
{
"citation": "Cummer Gallery of Art. 700 Years of Spanish Art : Commemorating the St. Augustine Quadricentennial. Jacksonville, Fla.: Cummer Gallery of Art, 1965.",
"page_number": "cat. no. 31",
"url": ""
},
{
"citation": "Fort Worth, Texas, The Kimbell Art Museum. \"The Tangible World of the Spirit: The Paintings of Jusepe de Ribera,\" 1982\u201383.",
"page_number": "Mentioned: p. 199; Reproduced: p. 128, no. 29",
"url": ""
},
{
"citation": "Lee, Sherman E. \u201cYear in Review 1961.\u201d The Bulletin of the Cleveland Museum of Art 48, no. 9 (1961): 219\u201351.",
"page_number": "Mentioned: p. 250; Reproduced: p. 218",
"url": "http://www.jstor.org/stable/25142473"
},
{
"citation": "Lee, Sherman E. \u201cYear in Review 1961.\u201d The Bulletin of the Cleveland Museum of Art 48, no. 9 (1961): 219\u201351.",
"page_number": "",
"url": "http://www.jstor.org/stable/25142473"
},
{
"citation": "John Herron Art Institute, and Rhode Island School of Design Museum. El Greco to Goya; a Loan Exhibition of Spanish Painting of the Seventeenth and Eighteenth Centuries, under the High Patronage of His Excellency Se\u00f1or Don Antonio Garrigues. [Indianapolis], 1963.",
"page_number": "cat. no. 68, pl. 68",
"url": ""
},
{
"citation": "John Herron Art Institute, and Rhode Island School of Design Museum. El Greco to Goya; a Loan Exhibition of Spanish Painting of the Seventeenth and Eighteenth Centuries, under the High Patronage of His Excellency Se\u00f1or Don Antonio Garrigues. [Indianapolis], 1963.",
"page_number": "cat. no. 68, pl. 68",
"url": ""
},
{
"citation": "Cummer Gallery of Art. 700 Years of Spanish Art : Commemorating the St. Augustine Quadricentennial. Jacksonville, Fla.: Cummer Gallery of Art, 1965.",
"page_number": "",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
"page_number": "Reproduced: p. 131",
"url": "https://archive.org/details/CMAHandbook1966/page/n155"
},
{
"citation": "Francis, Henry S. \u201cJusepe de Ribera: The Death of Adonis.\u201d The Bulletin of the Cleveland Museum of Art 53, no. 9 (November 1966): 339\u2013347.",
"page_number": "Mentioned and Reproduced: p. 339\u201340, fig. 2",
"url": "http://www.jstor.org/stable/25152120"
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
"page_number": "Reproduced: p. 131",
"url": "https://archive.org/details/CMAHandbook1969/page/n155"
},
{
"citation": "Spear, Richard E. Caravaggio and His Followers. New York: Harper & Row, 1975.",
"page_number": "p. 154, no. 57",
"url": null
},
{
"citation": "Spear, Richard E. Caravaggio and His Followers. Rev. ed. New York: Harper & Row, 1975.",
"page_number": "Reproduced: p. 155",
"url": ""
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 151",
"url": "https://archive.org/details/CMAHandbook1978/page/n171"
},
{
"citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
"page_number": "Mentioned: pp. 504\u201306; Reproduced: p. 505",
"url": null
},
{
"citation": "Schloder, John E., and Cleveland Museum of Art. Baroque Imagery. [Cleveland]: Cleveland Museum of Art, 1984.",
"page_number": "Mentioned: p. 23\u20134; Reproduced: p. 24",
"url": ""
},
{
"citation": "Schloder, John E., and Cleveland Museum of Art. Baroque Imagery. [Cleveland]: Cleveland Museum of Art, 1984.",
"page_number": "Mentioned: pp. 23\u20134; Reproduced p. 24",
"url": ""
},
{
"citation": "Spinosa, Nicola, and Jusepe de Ribera. Ribera. Napoli: Electa Napoli, 2003.",
"page_number": "p. 164, cat. A265",
"url": ""
},
{
"citation": "Port\u00fas P\u00e9rez, Javier. Ribera. Barcelona: Pol\u00edgrafa, 2011.",
"page_number": "Reproduced: p. 44, fig. 28",
"url": ""
},
{
"citation": "Ximo Company and Mari\u0301a Antonia Argelich, Jose\u0301 de Ribera, San Jero\u0301nimo estudiando. Lleida: Centre d'Art d'E\u0300poca Moderna, Universitat de Lleida, 2013.",
"page_number": "Reproduced: p. 25, fig. 40",
"url": null
},
{
"citation": "Marshall, Christopher R. Baroque Naples and the Industry of Painting: The World in the Workbench. New Haven, CT: Yale University Press, 2016.",
"page_number": "Mentioned and Reproduced: p. 56, fig. 41",
"url": null
}
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"creditline": "Mr. and Mrs. William H. Marlatt Fund",
"image_credit": null,
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"gallery_donor_text": "Reinberger Gallery",
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"id": 2403,
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