id: 137044
accession number: 1961.47
share license status: CC0
url: https://clevelandart.org/art/1961.47
updated: 2022-01-04 16:08:12.452000
Fishing in Springtime, 1700s. Ike Taiga (Japanese, 1723-1776). Hanging scroll, ink and color on silk; painting only: 124 x 49.4 cm (48 13/16 x 19 7/16 in.); including mounting: 210 x 62.9 cm (82 11/16 x 24 3/4 in.). The Cleveland Museum of Art, Edward L. Whittemore Fund 1961.47
title: Fishing in Springtime
title in original language:
series:
series in original language:
creation date: 1700s
creation date earliest: 1700
creation date latest: 1799
current location:
creditline: Edward L. Whittemore Fund
copyright:
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culture: Japan, Edo period (1615-1868)
technique: Hanging scroll, ink and color on silk
department: Japanese Art
collection: ASIAN - Hanging scroll
type: Painting
find spot:
catalogue raisonne:
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CREATORS
* Ike Taiga (Japanese, 1723-1776) - artist
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measurements: Painting only: 124 x 49.4 cm (48 13/16 x 19 7/16 in.); Including mounting: 210 x 62.9 cm (82 11/16 x 24 3/4 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review (1961)
opening date: 1961-11-01T04:00:00
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).
title: Suibokuga: Japanese Ink Painting
opening date: 1985-10-01T04:00:00
Suibokuga: Japanese Ink Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 1, 1985-February 24, 1986).
title: Japanese Gallery 235 Rotation
opening date: 2018-01-02T05:00:00
Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).
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LEGACY EXHIBITIONS
* Later Japanese Art Gallery Rotation (Gallery 113). The Cleveland Museum of Art, Cleveland, OH (February 20-May 6, 2003).
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PROVENANCE
(Mayuyama and Company, Tokyo, Japan, sold to the Cleveland Museum of Art)
date: ?-1961
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 1961-
footnotes:
citations:
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fun fact:
digital description:
wall description:
Ike Taiga was subject to many artistic influences; we know he practiced Zen calligraphy from an early age, his father may have had ties to the famous painter Ōgata Kōrin (1658–1716), he may have trained under a Tosa school painter, and he is thought to have seen Western images early on that informed his approach in representing depth. Though he started with professional beginnings—making a living after his father’s death by selling paintings on fans—he surrounded himself with the members of the literati community, and never stopped absorbing stylistic influences from diverse sources throughout his career. As a result, his style is unique and aesthetically definitive of nanga—the name given to Japanese literati painting.
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RELATED WORKS
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CITATIONS
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1961.47/1961.47_web.jpg
print: https://openaccess-cdn.clevelandart.org/1961.47/1961.47_print.jpg
full: https://openaccess-cdn.clevelandart.org/1961.47/1961.47_full.tif