{
    "data": {
        "id": 137121,
        "accession_number": "1961.89",
        "share_license_status": "CC0",
        "tombstone": "Lady Xuanwen Giving Instruction on the Rites of Zhou (\u5ba3\u6587\u541b\u6388\u7d93\u5716), 1638. Chen Hongshou (Chinese, 1598/99\u20131652). Hanging scroll; ink and color on silk; image: 172.8 x 55.7 cm (68 1/16 x 21 15/16 in.); overall: 293.9 x 71 cm (115 11/16 x 27 15/16 in.); with knobs: 293.9 x 79 cm (115 11/16 x 31 1/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1961.89",
        "current_location": null,
        "title": "Lady Xuanwen Giving Instruction on the Rites of Zhou",
        "title_in_original_language": "\u5ba3\u6587\u541b\u6388\u7d93\u5716",
        "creation_date": "1638",
        "creation_date_earliest": 1638,
        "creation_date_latest": 1638,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "China, Ming dynasty (1368\u20131644)"
        ],
        "technique": "Hanging scroll; ink and color on silk",
        "support_materials": [],
        "department": "Chinese Art",
        "collection": "ASIAN - Hanging scroll",
        "type": "Painting",
        "measurements": "Image: 172.8 x 55.7 cm (68 1/16 x 21 15/16 in.); Overall: 293.9 x 71 cm (115 11/16 x 27 15/16 in.); with knobs: 293.9 x 79 cm (115 11/16 x 31 1/8 in.)",
        "dimensions": {
            "image": {
                "height": 1.728,
                "height_inch": 68,
                "height_inch_fraction": 0.0625,
                "width": 0.557,
                "width_inch": 21,
                "width_inch_fraction": 0.9375
            },
            "overall": {
                "height": 2.939,
                "height_inch": 115,
                "height_inch_fraction": 0.6875,
                "width": 0.71,
                "width_inch": 27,
                "width_inch_fraction": 0.9375
            },
            "with knobs": {
                "height": 2.939,
                "height_inch": 115,
                "height_inch_fraction": 0.6875,
                "width": 0.79,
                "width_inch": 31,
                "width_inch_fraction": 0.125
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "\u5ba3\u6587\u541b\u8005\u97cb\u901e\u6bcd\u5b8b\u6c0f\u4e5f\u3002\u7236\u6388\u4ee5\u5468\u5b98\u97f3\u7fa9\uff0c\u66f0\uff1a\u543e\u5bb6\u4e16\u5b78\u50b3\u5468\u5b98\u3002\u50b3\u696d\u76f8\u7e7c\u3002\u6b64\u53c8\u5468\u516c\u6240\u88fd\uff0c\u7d93\u7d00\u3014\u5178\u3015\u8aa5\u767e\u5b98\u54c1\u7269\u5099\u65bc\u6b64\u77e3\u3002\u5973\u53ef\u53d7\u4e4b\u3002\u541b\u8af7\u8aa6\u4e0d\u8f1f\u3002\u77f3\u5e1d\u5f99\u5c71\u6771\u3002\u541b\u4e43\u63a8\u9e7f\u8eca\uff0c\u80cc\u8ca0\u7236\u6240\u6388\u66f8\u5230\u5180\u5dde\u3002\u901e\u6642\u5e74\u5c11\u3002\u665d\u5247\u63a1\u6a35\uff0c\u591c\u5247\u6559\u901e\u3002\u901e\u9042\u5b78\u6210\u540d\u7acb\u3002\u4ed5\u7b26\u5805\u70ba\u592a\u5e38\u3002\u5805\u5e38\u5e78\u5176\u592a\u5b78\uff0c\u554f\u535a\u58eb\u7d93\u5178\u3002\u4e43\u61ab\u79ae\u6a02\u907a\u7f3a\u3002\u6642\u535a\u58eb\u76e7\u58fa\u5c0d\u66f0\uff1a\u5ee2\u5b78\u65e2\u4e45\uff0c\u66f8\u50b3\u96f6\u843d\u3002\u6bd4\u5e74\u7db4\u64b0\uff0c\u6b63\u7d93\u7c97\u96c6\u3002\u60df\u5468\u5b98\u3001\u79ae\u7d93\uff0c\u672a\u6709\u5176\u5e2b\u3002\u7aca\u898b\u592a\u5e38\u97cb\u901e\u6bcd\u5b8b\u6c0f\u4e16\u5b78\u5bb6\uff0c\u5973\u50b3\u5176\u7236\u696d\u3002\u5f97\u5468\u5b98\u97f3\u7fa9\u3002\u4eca\u5e74\u516b\u5341\u3002\u8996\u807d\u7121\u95d5\u3002\u975e\u6b64\u6bcd\u7121\u53ef\u50b3\u6388\u5f8c\u751f\u3002\u4e8e\u662f\u5c31\u5b8b\u6c0f\u5bb6\u7acb\u8b1b\u5802\uff0c\u7f6e\u751f\u54e1\u767e\u4e8c\u5341\u4eba\u3002\u9694\u7d73\u7d17\u7e35\u800c\u6388\u696d\u7109\u3002\u62dc\u5b8b\u6c0f\u7235\uff0c\u865f\u70ba\u5ba3\u6587\u541b\u3002\u8cdc\u4f8d\u5a62\u5341\u4eba\u3002\u5468\u5b98\u5b78\u5f8c\u884c\u4e8e\u4e16\u3002\n\n\u5d07\u798e\u620a\u5bc5\u516b\u6708\u4e8c\u65e5\uff0c\u70ba\u7dac\u59d1\u516d\u65ec\u4e4b\u8fb0\u3002\u7dac\u5f1f\u81ea\u6210\u70ba\u59d1\u5066\u3002\u5055\u59d1\u5b63\u5973\u99f1\u5bc6\u3001\u5916\u5b6b\u6979\u3001\u6960\u3001\u6969\u3001\u6a52\u3001\u695e\u3001\u68c5\u3001\u5b6b\u5973\u60e0\u3001\u6f09\u9152\u4e0a\u58fd\uff0c\u5c6c\u7dac\u5716\u5beb\uff0c\u6240\u4ee5\u980c\u795d\u8005\u3002\u7dac\u601d\u5b8b\u6bcd\u5c1a\u4e94\u80e1\u4e4b\u6642\uff0c\u7d93\u85c9\u5c6c\u4e4b\u5a66\u4eba\uff1b\u4eca\u592a\u5e73\u6709\u8c61\uff0c\u800c\u79c9\u6756\u540d\u7fa9\u8005\uff0c\u7368\u7dac\u59d1\u723e\u3002\u656c\u5beb\u6b64\u5716\uff0c\u4e14\u539a\u671b\u4e8e\u5f1f\u7d39\u7109\u3002\u7336\u5b50\u6d2a\u7dac\u4e5d\u9813\u9996\u3002",
                "inscription_translation": "Artist's inscription and signature: \n\nLady Xuanwen is Wei Cheng\u2019s mother, nee Song. Her father transmitted to her the text, Zhou guan ying yi [The phonetics and meanings of the Rites of Zhou], and told her thus: \u201cIt is our family\u2019s tradition to uphold and continue the Zhou guan from one generation to the next. In addition, this text was written by the Duke of Zhou; it contains classics, annals, laws, titles, all officials and numerous things. It is your duty to receive it.\u201d Lady [Xuanwen] studied and recited the book without cease. Emperor Shi [Shi Fu \u77f3\u864e, 295\u2013349] moved his capital to Shandong. As a consequence, Lady followed suit by pushing a deer cart while carrying the manuscript from her father on her back. Wei Cheng at the time was a mere child. Consequently Lady gathered firewood during the day and taught Wei Cheng at nights. It came to pass that Wei Cheng became erudite, gained fame, and served as chamberlain for ceremonials under Fu Jian. Fu Jian often visited the National University. While raising questions about the [current state of] classics to those erudites, he lamented the losses of such texts regarding rites and music. One of those erudites, Lu Hu, responded: \u201cSuch matters have been laid waste for some time. Their transmissions were in fragments. In successive years, we have compiled a rough compendium of all classics. The only missing piece is Zhou guan, for which we do not have an instructor. Now it comes to my attention that Madam Song, the mother of Wei Cheng, the chamberlain for ceremonials, is from a family of scholars; she [is a rarity] of a woman who carried on her father\u2019s learning and is well versed in Zhou guan ying yi. She now is in her eightieth year, and is deficient in neither seeing nor hearing. Except for her, there is no one who could take on this duty for instructing the young.\u201d As a result, it was decided to erect a lecture hall in Madame Song\u2019s mansion, while recruiting and placing under her care a total of 120 younger scholars. By setting up a red gauze curtain [separating herself from her students], she began the instruction. \n\nOn this second day of the eighth month, the year of wuyin of the Chongzhen era [1638], is the birthday of my aunt. My cousin Zicheng is her son-in-law. He, together with my aunt\u2019s second daughter, Luomi, also the maternal grandsons Ying, Nan, Bian, Yun, Leng, Bing, and granddaughter Hui, poured wine to honor the birthday lady. In addition, it was their request that I should make a painting to celebrate the occasion. I have thought that Madame Song lived during the time when the Five Barbarian Tribes were holding sway and the classics were being assigned to women. Now is the time of peace; it is rare to see women [wise enough to] uphold correctness in titles and ranks, except for my aunt. Thereupon, I respectfully painted this picture, while also placing my earnest anticipation for [great deeds] from my cousin and his offspring. Your nephew, Hongshou, bows his head nine times.",
                "inscription_remark": null,
                "sortorder": 1
            },
            {
                "inscription": "5 additional seals: \n\n2 of Xu Weiren \u5f90\u6e2d\u4ec1(1788\uff0d1855); \n2 of Sun Zutong \u5b6b\u7956\u540c (1894\u20131937); \n1 of C. C. Wang \u738b\u5b63\u9077 (1907\u20132003).",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": 2
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 302039,
                    "title": "Year in Review (1961)",
                    "description": "<i>Year in Review (1961)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).",
                    "opening_date": "1961-11-01T05:00:00"
                },
                {
                    "id": 516263,
                    "title": "Fantastics and Eccentrics in Chinese Painting",
                    "description": "<i>Fantastics and Eccentrics in Chinese Painting</i>. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).",
                    "opening_date": "1967-03-24T05:00:00"
                },
                {
                    "id": 211775,
                    "title": "Highlights of Asian Paintings from The Cleveland Museum of Art",
                    "description": "<i>Highlights of Asian Paintings from The Cleveland Museum of Art</i>. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998).",
                    "opening_date": "1998-02-21T00:00:00"
                },
                {
                    "id": 539332,
                    "title": "Six Dynasties of Chinese Painting (Chinese art rotation)",
                    "description": "<i>Six Dynasties of Chinese Painting (Chinese art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 10, 2023-May 5, 2024).",
                    "opening_date": "2023-11-10T05:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "<em>Eight Dynasties of Chinese Painting</em>. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983).",
                    "opening_date": "1980-11-06T05:00:00Z"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003).",
                    "opening_date": "2003-07-16T04:00:00Z"
                },
                {
                    "description": "<em>Main Asian Rotation (Gallery 242)</em>. The Cleveland Museum of Art, Cleveland, OH (November 21, 2013-July 28, 2014).",
                    "opening_date": "2013-11-21T05:00:00Z"
                }
            ]
        },
        "provenance": [
            {
                "description": "Wan Chengzi \u842c\u627f\u7d2b [1775\u2013after 1837]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 1
            },
            {
                "description": "Xu Weiren \u5f90\u6e2d\u4ec1 [1788\u20131853]",
                "citations": [],
                "footnotes": null,
                "date": null,
                "sortorder": 2
            },
            {
                "description": "Sun Zutong \u5b6b\u7956\u540c [1894\u20131937]",
                "citations": [],
                "footnotes": null,
                "date": "early 20th century",
                "sortorder": 3
            },
            {
                "description": "(C. C. Wang \u738b\u5b63\u9077 [1907\u20132003], New York, NY,  sold to the Cleveland Museum of Art)",
                "citations": [],
                "footnotes": null,
                "date": "?\u20131961",
                "sortorder": 4
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1961\u2013",
                "sortorder": 5
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Chen Hongshou's long inscription at the top of the painting compares his virtuous aunt with the historical exemplar, Lady Xuanwen.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "This painting by Chen Hongshou depicts the story of Xuanwen Jun, or Lady of Literary Propagation, at a venerable age, instructing young scholars on the Confucian classics. It was painted for Chen\u2019s aunt in celebration of her 60th birthday. <br> <br>Chen\u2019s painting style is archaic in the use of fine outlines and brilliant coloring with mineral pigments. In depicting the figures, he uses the \u201ciron-wire\u201d brush style (fine, even lines) with deliberate control. The faces are elongated and exaggerated. A few ritual bronzes lend the scene an antique flavor.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60466052"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1961.89-lady-xuanwen-giving"
            ]
        },
        "citations": [
            {
                "citation": "Ho, Wai-Kam. \u201cNan-Ch\u2019en Pei-Ts\u2019ui: Ch\u2019en of the South and Ts\u2019ui of the North.\u201d <em>The Bulletin of the Cleveland Museum of Art</em> 49, no. 1 (1962): 1\u201311.",
                "page_number": "Mentioned and Reproduced: pp. 1\u20138, Cover, figs. 1\u20133",
                "url": "http://www.jstor.org/stable/25142485"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1966</em>. Cleveland, OH: The Cleveland Museum of Art, 1966.",
                "page_number": "Reproduced: p. 265",
                "url": "https://archive.org/details/CMAHandbook1966/page/n289"
            },
            {
                "citation": "Cahill, James, and Virginia Field. <em>Fantastics and Eccentrics in Chinese Painting</em>. [New York]: Asia Society; distributed by Abrams, 1967.",
                "page_number": "Reproduced: cat. no. 8",
                "url": null
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1969</em>. Cleveland, OH: The Cleveland Museum of Art, 1969.",
                "page_number": "Reproduced: p. 265",
                "url": "https://archive.org/details/CMAHandbook1969/page/n289"
            },
            {
                "citation": "The Cleveland Museum of Art. <em>Handbook of the Cleveland Museum of Art/1978</em>. Cleveland, OH: The Cleveland Museum of Art, 1978.",
                "page_number": "Reproduced: p. 352",
                "url": "https://archive.org/details/CMAHandbook1978/page/n372"
            },
            {
                "citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. <em>Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
                "page_number": "Reproduced:  pp. 272-273, cat. no. 208",
                "url": null
            },
            {
                "citation": "<em>T\u014dy\u014d kaiga no seika: tokubetsuten: Kur\u012bvurando Bijutsukan no korekushon kara</em> [\u6771\u6d0b\u7d75\u753b\u306e\u7cbe\u83ef: \u7279\u522b\u5c55: \u30af\u30ea\u30fc\u30f4\u30e9\u30f3\u30c8\u7f8e\u8853\u9928\u306e\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u304b\u3089 = Highlights of Asian painting from the Cleveland Museum of Art]. Japan: Nara National Museum, 1998.",
                "page_number": "Reproduced: pp. 66-67, cat. no. 41",
                "url": null
            },
            {
                "citation": "Yang, Kathleen \u694a\u51f1\u7433, and Chi-ch\u02bbien Wang \u738b\u5b63\u9077. <em>Through a Chinese connoisseur's eye: private notes of C.C. Wang</em> \u738b\u5b63\u9077\u8b80\u66f8\u7b46\u8a18. Beijing: Zhong hua shu ju, 2010.",
                "page_number": "Mentioned and Reproduced: p. 312, no. 32",
                "url": ""
            },
            {
                "citation": "Cleveland Museum of Art. <em>The CMA Companion: A Guide to the Cleveland Museum of Art</em>. Cleveland: Cleveland Museum of Art, 2014.",
                "page_number": "Mentioned and reproduced: P. 108",
                "url": ""
            },
            {
                "citation": "Chou, Ju-hsi and Anita Chung. <em>Silent Poetry: Chinese Paintings from the Collection of the Cleveland Museum of Art</em>. Cleveland, OH: Cleveland Museum of Art, 2015.",
                "page_number": "Mentioned and Reproduced: pp. 314\u2013320",
                "url": null
            },
            {
                "citation": "Vinograd, Richard. \"Composite Identities: Portraits.\" In <em>Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou. </em>Julia M. White, ed., 57-67. Oakland, California: University of California Press, 2017.",
                "page_number": "Reproduced: p. 59, fig. 5.2",
                "url": null
            },
            {
                "citation": "Vinograd, Richard Ellis. <em>Facing China: Truth and Memory in Portraiture</em>. London: Reaktion Books, 2022.",
                "page_number": "Mentioned and Reproduced: p. 246, fig. 128",
                "url": ""
            },
            {
                "citation": "\"Permanent Collection Installations: Six Dynasties of Chinese Paintings.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine </em>63, no. 4 (2023): 18\u201319.",
                "page_number": "Reproduced and Mentioned: p. 19",
                "url": "https://archive.org/details/CMAMM2023-04/page/18/mode/2up"
            },
            {
                "citation": "Burnett, Katharine. \"Weirder than Weird : 'Weird Figure' Painting of Luohans and Literati in Seventeenth-Century China.\" <em>Artibus Asiae </em>84, n. 1 (2024): 81\u2013109.",
                "page_number": "Mentioned: p. 108; Reproduced: p. 104, fig. 19.",
                "url": ""
            }
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