{
"data": {
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"accession_number": "1961.90",
"share_license_status": "CC0",
"tombstone": "Xu Jingyang Moving His Family (\u8a31\u65cc\u967d\u79fb\u5c45\u5716), 1644. Cui Zizhong (Chinese, 1574\u20131644). Hanging scroll; ink and color on silk; overall: 268.2 x 66 cm (105 9/16 x 26 in.); painting only: 165.3 x 64 cm (65 1/16 x 25 3/16 in.); overall with knobs: 268.2 x 74.1 cm (105 9/16 x 29 3/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1961.90",
"current_location": null,
"title": "Xu Jingyang Moving His Family",
"title_in_original_language": "\u8a31\u65cc\u967d\u79fb\u5c45\u5716",
"creation_date": "1644",
"creation_date_earliest": 1644,
"creation_date_latest": 1644,
"artists_tags": [
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"culture": [
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],
"technique": "Hanging scroll; ink and color on silk",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Hanging scroll",
"type": "Painting",
"measurements": "Overall: 268.2 x 66 cm (105 9/16 x 26 in.); Painting only: 165.3 x 64 cm (65 1/16 x 25 3/16 in.); Overall with knobs: 268.2 x 74.1 cm (105 9/16 x 29 3/16 in.)",
"dimensions": {
"painting only": {
"height": 1.653,
"height_inch": 65,
"height_inch_fraction": 0.0625,
"width": 0.64,
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"height": 2.682,
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"inscriptions": [
{
"inscription": "Artist's 2 seals: Pei-hai, Cui Zizhong yin.",
"inscription_translation": null,
"inscription_remark": null,
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{
"inscription": "9 additional seals: 2 of Xiang Yuan (18th-19th c.); 1 of Tang Zuomei (late 18th-19th c.); 1 of Zhang Heng \u5f35\u73e9 (1915-1963); 1 of C. C. Wang \u738b\u5b63\u9077 (1907\u20132003); 4 unidentified.",
"inscription_translation": null,
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"current": [
{
"id": 302039,
"title": "Year in Review (1961)",
"description": "Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961).",
"opening_date": "1961-11-01T05:00:00"
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{
"id": 445380,
"title": "The Restless Landscape: Chinese Painting of the Late Ming Period",
"description": "The Restless Landscape: Chinese Painting of the Late Ming Period. University of California, Berkeley. University Art Museum, Berkeley, CA (organizer) (November 9, 1971-January 2, 1972); Fogg Art Museum/Harvard University, Cambridge, MA (February 11-April 2, 1972).",
"opening_date": "1971-11-09T05:00:00"
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{
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"title": "Realm of the Immortals: Daoism in the Arts of China",
"description": "Realm of the Immortals: Daoism in the Arts of China. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-April 10, 1988).",
"opening_date": "1988-02-10T05:00:00"
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{
"id": 445574,
"title": "Escaping to a Better World: Eccentrics and Immortals in Chinese Art",
"description": "Escaping to a Better World: Eccentrics and Immortals in Chinese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 13-November 6, 2022).",
"opening_date": "2022-05-13T04:00:00"
}
],
"legacy": [
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"description": "The Restless landscape: Chinese painting of the Late Ming period. University Art Museum, Berkeley, CA (November 9, 1971-January 2, 1972); Fogg Art Museum, Harvard University, Cambridge, MA (February 12-April 2, 1972).",
"opening_date": "1972-02-12T00:00:00"
},
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland OH (July 16-October 28, 2003).",
"opening_date": "2003-07-16T00:00:00"
},
{
"description": "Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland OH (November 21, 2013-July 28, 2014).",
"opening_date": "2013-11-21T00:00:00"
}
]
},
"provenance": [
{
"description": "Tang Yuzhao",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 1
},
{
"description": "Xiang Yuan [18th-19th century]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 2
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{
"description": "Tang Zuomei [late 18th-19th century]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 3
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{
"description": "Zhang Heng \u5f35\u73e9 [1915-1963]",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 4
},
{
"description": "(C. C. Wang \u738b\u5b63\u9077 [1907\u20132003], New York, NY, sold to the Cleveland Museum of Art)",
"citations": [],
"footnotes": null,
"date": "?-1961",
"sortorder": 5
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": null,
"date": "1961-",
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"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Xu Jingyang, wearing red, is in the upper register of figures, while below his servants transport a rooster, dog, and other supplies.",
"early_education_description": null,
"artlens_description": null,
"description": "Xu Jingyang was a dedicated fourth-century Confucian official who allegedly turned into a Daoist immortal. This scroll depicts the legend that when he attained immortality, he took his entire household, including chickens and dogs, to paradise.
Cui Zizhong\u2019s painting style intentionally referenced ancient masters. Typical of the pre-Song dynasty landscape tradition, there is the use of blue and green colors and an emphasis on outline rather than texture. While the trembling outlines are reminiscent of earlier painters, the flickering light on rocks and trees is a stylistic feature of Cui\u2019s own time.",
"external_resources": {
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],
"internet_archive": [
"https://archive.org/details/clevelandart-1961.90-xu-jingyang-moving-h"
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"citations": [
{
"citation": "Ho, Wai-Kam. \u201cNan-Ch'en Pei-Ts'ui: Ch'en of the South and Ts'ui of the North.\u201d The Bulletin of the Cleveland Museum of Art, vol. 49, no. 1, 1962, pp. 2\u201311.",
"page_number": "Mentioned and Reproduced: pp. 9, 10, figs. 4-6",
"url": "https://www.jstor.org/stable/25142485"
},
{
"citation": "Cahill, James. The Restless Landscape: Chinese Painting of the Late Ming Period. Berkeley: University Art Museum, 1971.",
"page_number": "cat. no. 76",
"url": null
},
{
"citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
"page_number": "Reproduced: p. 353",
"url": "https://archive.org/details/CMAHandbook1978/page/n373"
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned and Reproduced: cat. no. 209, pp. 273-274",
"url": null
},
{
"citation": "Suzuki, Kei \u9234\u6728\u656c. Chu\u0304goku kaiga so\u0304go\u0304 zuroku [\u4e2d\u570b\u7e6a\u756b\u7e3d\u5408\u5716\u9304= Comprehensive Illustrated Catalog of Chinese Paintings], \u7b2c1\u5377. \u30a2\u30e1\u30ea\u30ab\u00b7\u30ab\u30ca\u30c0\u7bc7[= vol. 1 American and Canadian collections]. To\u0304kyo\u0304: To\u0304kyo\u0304 Daigaku Shuppankai, 1982.",
"page_number": "Mentioned: p. 285, no. 314",
"url": null
},
{
"citation": "Andrews, Julia Frances. The Significance of Style and Subject Matter in the Painting of Cui Zizhong. PhD dissertation, University of California, Berkeley, 1984.",
"page_number": "Mentioned and Reproduced: fig. 47, pp. 342-344",
"url": null
},
{
"citation": "Little, Stephen. Realm of the Immortals: Daoism in the Arts of China: the Cleveland Museum of Art, February 10-April 10, 1988. Cleveland, OH: The Cleveland Museum of Art in cooperation with Indiana University Press, 1988.",
"page_number": "cat. no. 4, pp. 30-31",
"url": null
},
{
"citation": "Barnhart, Richard M., Xin Yang, Chongzheng Nie, James Cahill, Shaojun Lang, and Hung Wu. Three Thousand Years of Chinese Painting. New Haven: Yale University Press; Beijing: Foreign Languages Press, 1997.",
"page_number": "Mentioned and Reproduced: p. 241, no. 226",
"url": null
},
{
"citation": "Yang, Kathleen \u694a\u51f1\u7433, and Chi-ch\u02bbien Wang \u738b\u5b63\u9077. Through a Chinese connoisseur's eye: private notes of C.C. Wang \u738b\u5b63\u9077\u8b80\u66f8\u7b46\u8a18. Beijing: Zhong hua shu ju, 2010.",
"page_number": "Mentioned and Reproduced: p. 312, fig. 33",
"url": null
}
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