id: 137195
accession number: 1962.151
share license status: CC0
url: https://clevelandart.org/art/1962.151
updated: 2024-08-10 14:47:53.909000
Rest on the Flight into Egypt, early 1640s. Claude Lorrain (French, 1604–1682). Oil on canvas; framed: 239 x 185 x 12 cm (94 1/8 x 72 13/16 x 4 3/4 in.); unframed: 208 x 152.5 cm (81 7/8 x 60 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund 1962.151
title: Rest on the Flight into Egypt
title in original language:
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creation date: early 1640s
creation date earliest: 1640
creation date latest: 1645
current location: 212 Baroque Painting and Sculpture
creditline: Leonard C. Hanna Jr. Fund
copyright:
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culture: France, 17th century
technique: oil on canvas
department: European Painting and Sculpture
collection: P - French 17th Century
type: Painting
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catalogue raisonne:
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CREATORS
* Claude Lorrain (French, 1604–1682) - artist
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measurements: Framed: 239 x 185 x 12 cm (94 1/8 x 72 13/16 x 4 3/4 in.); Unframed: 208 x 152.5 cm (81 7/8 x 60 1/16 in.)
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inscriptions:
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CURRENT EXHIBITIONS
title: Year in Review - 1962
opening date: 1962-10-24T04:00:00
Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).
title: Art in Italy, 1600-1700
opening date: 1965-04-06T05:00:00
Art in Italy, 1600-1700. The Detroit Institute of Arts, Detroit, MI (organizer) (April 6-May 9, 1965).
title: Visions of Landscape: East and West
opening date: 1982-02-17T05:00:00
Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).
title: Claude Lorrain and the Ideal Landscape
opening date: 1998-09-15T00:00:00
Claude Lorrain and the Ideal Landscape. National Museum of Western Art, Tokyo (organizer) (September 15-December 6, 1998).
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LEGACY EXHIBITIONS
* {'description': 'Manchester, England, 1857. "Art Treasures of Great Britain," cat. no. 654.', 'opening_date': None}
* {'description': 'CMA, Oct.-Nov. 1962: "Year in Review."', 'opening_date': '1962-10-01T00:00:00'}
* {'description': 'Detroit Institute of Arts, Apr. 6- May 9, 1965: "Art in Italy, 1600-1700," cat. no. 23, repr. (catalogue by Donald Posner).', 'opening_date': '1965-04-06T00:00:00'}
* {'description': 'CMA, Feb. 21- Mar. 12, 1982: "Visions of Landscape: East and West," no catalogue.', 'opening_date': '1982-02-21T00:00:00'}
* {'description': 'National Gallery of Art, Washington D.C., Oct. 17, 1982- Jan. 2, 1983: "Claude Lorrain: A Tercentenary Exhibition," cat. no. 33, p. 153, repr. pl. 152, p. 20.', 'opening_date': '1982-10-17T00:00:00'}
* {'description': 'Tokyo: The National Museum of Western Art, Tokyo "Claude Lorrain and the Ideal Landscape" 9/5 - 12/6/98.p. 81, no. 41.', 'opening_date': '1998-12-06T00:00:00'}
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PROVENANCE
Count Francesco Crescenzi or Giovanni Battista Crescenzi (1577-1660?), Spanish Marquess de la Torre;
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Sir William Lowther (1727-1753), third and last Baronet of Marske (Holker Hall, Lancashire);
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by inheritance to Lord George Augustus Cavendish (died 1794), Holker Hall, Lancashire;
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by inheritance to William Cavendish (1808-1891), seventh Duke of Devonshire and second Earl of Burlington;
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Lord Richard Frederick Cavendish (1871-1946)
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sale, Christie's, London, December 12, 1930, no. 37, illus.;
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Richard Edward Osborne Cavendish, Esq., Holker Hall, Lancashire;
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sold, Christie's, London, April 1, 1960, no. 87, illus., to Rudolf Heinemann, New York;
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sold the the Cleveland Museum of Art, 1962.
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RELATED WORKS
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CITATIONS
Gellée, Claude, and Henry S. Francis. “Landscape with Rest on the Flight into Egypt.” The Bulletin of the Cleveland Museum of Art 49, no. 10 (December 1962): 231–235.
page number: Reproduced: Cover, p. 233, fig. 3; Mentioned: p. 231-235
url: http://www.jstor.org/stable/25151919
Saisselin, R. G. “Art Is an Imitation of Nature.” The Bulletin of the Cleveland Museum of Art 52, no. 2 (February 1965): 34–44.
page number: Mentioned and reproduced: p. 34-35, fig. 1
url: http://www.jstor.org/stable/25152034
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.
page number: Reproduced: p. 118
url: https://archive.org/details/CMAHandbook1966/page/n142
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.
page number: Reproduced: p. 118
url: https://archive.org/details/CMAHandbook1969/page/n142
The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.
page number: Reproduced: p. 172
url: https://archive.org/details/CMAHandbook1978/page/n192
The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.
page number: Mentioned: p. 74-76; Reproduced: p. 75
url:
Talbot, William S. “Visions of Landscape: East and West.” The Bulletin of the Cleveland Museum of Art 70, no. 3 (March 1983): 112–135.
page number: Mentioned and reproduced: p. 112-113, fig. 1
url: http://www.jstor.org/stable/25159808
Ditner, David C. “Claude and the Ideal Landscape Tradition in Great Britain.” The Bulletin of the Cleveland Museum of Art 70, no. 4 (April 1983): 147–163.
page number: Mentioned and reproduced: p. 151, fig. 5
url: http://www.jstor.org/stable/25159812
Goldfarb, Hilliard T. “A Pastoral Scene with Classical Figures by Claude Lorrain.” The Bulletin of the Cleveland Museum of Art 70, no. 4 (April 1983): 164–171.
page number: Mentioned and reproduced: p. 166, fig. 3
url: http://www.jstor.org/stable/25159813
McCree, J. Woodrow. Washington Irving's Critique of American Culture: Sketching a Vision of World Citizenship. 2021, 74.
page number: Mentioned and reproduced: pp. 74-75, fig. 3.1.
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/1962.151/1962.151_web.jpg
print: https://openaccess-cdn.clevelandart.org/1962.151/1962.151_print.jpg
full: https://openaccess-cdn.clevelandart.org/1962.151/1962.151_full.tif