{
"data": {
"id": 137204,
"accession_number": "1962.157.10",
"share_license_status": "CC0",
"tombstone": "Landscapes in Various Styles after Old Masters (\u5023\u53e4\u5c71\u6c34\u5716\u518a), 1690. Mei Qing (Chinese, 1623\u20131697). Album leaf: ink and color on paper; overall: 28.6 x 44 cm (11 1/4 x 17 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1962.157.10",
"current_location": null,
"title": "Landscapes in Various Styles after Old Masters",
"title_in_original_language": "\u5023\u53e4\u5c71\u6c34\u5716\u518a",
"creation_date": "1690",
"creation_date_earliest": 1690,
"creation_date_latest": 1690,
"artists_tags": [
"male"
],
"culture": [
"China, Qing dynasty (1644-1911)"
],
"technique": "album leaf: ink and color on paper",
"support_materials": [],
"department": "Chinese Art",
"collection": "ASIAN - Album leaf",
"type": "Painting",
"measurements": "Overall: 28.6 x 44 cm (11 1/4 x 17 5/16 in.)",
"dimensions": {
"overall": {
"height": 0.286,
"height_inch": 11,
"height_inch_fraction": 0.25,
"width": 0.44,
"width_inch": 17,
"width_inch_fraction": 0.3125
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "[\u5370] \u4e09\u6627\u904a.\n\n\u540c\u96f2\u5343\u5dba\u767d\u6f2b\u6f2b\uff0c\u7121\u6059\u9752\u677e\u6620\u6238\u770b\u3002\n\u9db4\u6c05\u4e0d\u9808\u9084\u8e0f\u96ea\uff0c\u6e05\u98a8\u6211\u6700\u6155\u8881\u5b89\u3002\n\n\u4eff\u99ac\u9060\u7236\u7b46\u610f\u3002\u77bf\u5c71\u6885\u6e05\u4e26\u984c\u3002[\u5370] \u6885; \u77bf\u5c71 [\u5370, \u5de6\u4e0b]\u753b\u677e; \u67cf\u6898\u5c71\u53e3\u4eba\u5bb6.",
"inscription_translation": "Winter leaf II (formerly leaf J). Artist's inscription and seals:\n\n[seal] Sanmei you.\n\nThe same cloud envelops a thousand cliffs with white cover.\nStill unaffected, the green pines leave their reflections on the cottage.\nForsaking the crane-feather robe, I trod through the snow.\nLike a breeze of fresh air, I admire most the spirit of Yuan An.\n\nIn imitation of Ma Yaofu's [Ma Yuan] brush idea. Qushan Mei Qing [painted] and inscribed. [2 seals] Mei; Qushan [seal, lower left corner] Huasong; Bo jian shan kou ren jia.",
"inscription_remark": null,
"sortorder": 1
}
],
"exhibitions": {
"current": [
{
"id": 377849,
"title": "1000 Jahre Chinesische Malerei",
"description": "1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, M\u00f9nich, Germany (organizer) (October 16-December 13, 1959).",
"opening_date": "1959-10-16T04:00:00"
},
{
"id": 302276,
"title": "Year in Review - 1962",
"description": "Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).",
"opening_date": "1962-10-24T04:00:00"
},
{
"id": 516263,
"title": "Fantastics and Eccentrics in Chinese Painting",
"description": "Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).",
"opening_date": "1967-03-24T05:00:00"
},
{
"id": 301895,
"title": "The Colors of Ink",
"description": "The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).",
"opening_date": "1974-01-10T04:00:00"
}
],
"legacy": [
{
"description": "Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).",
"opening_date": "1954-11-05T00:00:00"
},
{
"description": "Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).",
"opening_date": "1964-01-01T00:00:00"
},
{
"description": "Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965).",
"opening_date": "1965-09-11T00:00:00"
},
{
"description": "Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).",
"opening_date": "1967-03-23T00:00:00"
},
{
"description": "Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).",
"opening_date": "1974-01-01T00:00:00"
},
{
"description": "Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).",
"opening_date": "1981-02-10T00:00:00"
},
{
"description": "Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).",
"opening_date": "1991-09-17T00:00:00"
}
]
},
"provenance": [
{
"description": "Richard B. Hobart [1885\u20131963], Cambridge, MA, sold to the Cleveland Museum of Art",
"citations": [],
"footnotes": [],
"date": "?\u20131962",
"sortorder": 1
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "1962\u2013",
"sortorder": 2
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [
"62.157i",
"1254.60",
"2939.54"
],
"did_you_know": "Mei Qing\u2019s visits to Huangshan were in the spring and summer, so this wintry scene was a product of his imagination.",
"early_education_description": null,
"artlens_description": null,
"description": null,
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q60466078"
],
"internet_archive": [
"https://archive.org/details/clevelandart-1962.157.10-landscapes-in-variou"
]
},
"citations": [
{
"citation": "Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954.",
"page_number": "Mentioned: cat. no. 109",
"url": null
},
{
"citation": "Sire\u0301n, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956.",
"page_number": "Mentioned: VII, Lists, 386",
"url": null
},
{
"citation": "Goepper, Roger. 1000 Jahre chinesische Malerei. Mu\u0308nchen: Haus der Kunst, 1959.",
"page_number": "Mentioned: cat. no. 110",
"url": null
},
{
"citation": "Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964.",
"page_number": "Reproduced: p. 455, fig. 600",
"url": null
},
{
"citation": "Cahill, James, and Virginia Field. Fantastics and Eccentrics in Chinese Painting. [New York]: Asia Society; distributed by Abrams, 1967",
"page_number": "Mentioned: cat. no. 17",
"url": null
},
{
"citation": "Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974.",
"page_number": "Mentioned: cat. nos. 43 and 44",
"url": null
},
{
"citation": "Cahill, James. \"Ch\u016bgoku kaiga niokeru kis\u014d to gens\u014d\" [Fantastics and eccentrics in Chinese painting] (part II). Kokka (1975): no. 979, pp. 2-21.",
"page_number": "Reproduced: color pl. 4",
"url": null
},
{
"citation": "Fu, Shen \u5085\u7533. Ming Qing zhi ji di ke bi gou le feng shang yu Shitao di zao qi zuo pin [\u660e\u6e05\u4e4b\u969b\u7684\u6e34\u7b46\u52fe\u52d2\u98a8\u5c1a\u8207\u77f3\u6fe4\u7684\u65e9\u671f\u4f5c\u54c1 = An aspect of mid-seventeenth century Chinese painting: The \"dry linear\" style and the early work of Tao-chi]. Hong Kong: Xianggang Zhong wen da xue [\u9999\u6e2f\u4e2d\u6587\u5927\u5b78 = The Chinese University of Hong Kong], 1976.",
"page_number": "Mentioned and Reproduced: fig. 22",
"url": null
},
{
"citation": "Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980.",
"page_number": "Mentioned and Reproduced: cat. no. 228, pp. 307-309",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Mentioned and Reproduced: pp. 391-396",
"url": null
},
{
"citation": "Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015.",
"page_number": "Mentioned: p. 396",
"url": null
}
],
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"creditline": "John L. Severance Fund",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 137204,
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{
"id": 6341,
"description": "Mei Qing (Chinese, 1623\u20131697)",
"extent": null,
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"name_in_original_language": "\u6885\u6e05",
"birth_year": "1623",
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"sortable_date": 1690,
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"alternate_titles": [
"Landscapes after Various Styles of Old Masters",
"Landscapes in Various Styles after Old Masters \u5023\u53e4\u5c71\u6c34\u5716\u518a"
],
"is_highlight": false,
"updated_at": "2026-09-04 11:08:46.111000"
}
}