id: 137210 accession number: 1962.157.7 share license status: CC0 url: https://clevelandart.org/art/1962.157.7 updated: 2023-03-22 14:08:01.961000 Landscapes in Various Styles after Old Masters, 1690. Mei Qing (Chinese, 1623–1697). Album leaf: ink and color on paper; overall: 28.6 x 44 cm (11 1/4 x 17 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1962.157.7 title: Landscapes in Various Styles after Old Masters title in original language: 倣古山水圖冊 series: series in original language: creation date: 1690 creation date earliest: 1690 creation date latest: 1690 current location: creditline: John L. Severance Fund copyright: --- culture: China, Qing dynasty (1644-1911) technique: album leaf: ink and color on paper department: Chinese Art collection: ASIAN - Album leaf type: Painting find spot: catalogue raisonne: --- CREATORS * Mei Qing (Chinese, 1623–1697) - artist --- measurements: Overall: 28.6 x 44 cm (11 1/4 x 17 5/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Spring Leaf I (formerly Leaf G). Artist's inscription, signature, and seals: Imitating Ke Jiusi's brush idea. Qushan [2 seals] Mei; Qushan [seal, lower right corner] Huasong. translation: remark: --- CURRENT EXHIBITIONS title: 1000 Jahre Chinesische Malerei opening date: 1959-10-16T04:00:00 1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). title: Year in Review - 1962 opening date: 1962-10-24T04:00:00 Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). title: Fantastics and Eccentrics in Chinese Painting opening date: 1967-03-24T05:00:00 Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967). title: The Colors of Ink opening date: 1974-01-10T04:00:00 The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). --- LEGACY EXHIBITIONS * Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). * Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964). * Juxtapositions. The Cleveland Museum of Art (September 11-October 10, 1965). * Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967). * Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974). * Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). * Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). --- PROVENANCE Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art date: ?–1962 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1962– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954. page number: Mentioned: cat. no. 109 url: Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956. page number: Mentioned: VII, Lists, 386 url: Goepper, Roger. 1000 Jahre chinesische Malerei. München: Haus der Kunst, 1959. page number: Mentioned and Reproduced: cat. no. 110 url: Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962. page number: Reproduced: p. 124, no. 100 url: Cahill, James, and Virginia Field. Fantastics and Eccentrics in Chinese Painting. [New York]: Asia Society; distributed by Abrams, 1967 page number: Mentioned: cat. no. 17 url: Lee, Sherman E. "The Water and the Moon in Chinese and Modern Painting." Art international, vol. 14 (1970), no. 1, pp. 47-59. page number: Reproduced: p. 53, fig. 21 url: Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974. page number: Mentioned: cat. nos. 43 and 44 url: Vinograd, Richard. “‘Reminiscences of Ch'in-Huai’: Tao-Chi and the Nanking School.” Archives of Asian Art, vol. 31, 1977, pp. 6–31. page number: Mentioned and Reproduced: fig. 12, pp. 9, 17 url: https://www.jstor.org/stable/20111082 Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. page number: Mentioned and Reproduced: cat. no. 228, pp. 307-309 url: Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. page number: Mentioned and Reproduced: pp. 391-396 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/1962.157.7/1962.157.7_web.jpg print: https://openaccess-cdn.clevelandart.org/1962.157.7/1962.157.7_print.jpg full: https://openaccess-cdn.clevelandart.org/1962.157.7/1962.157.7_full.tif