id: 137335 accession number: 1962.259 share license status: CC0 url: https://clevelandart.org/art/1962.259 updated: 2023-08-25 11:18:42.541000 Portrait of a Woman, c. 1490–95. Master of the Holy Kinship (German). Oil on wood; framed: 44 x 34.5 x 5.5 cm (17 5/16 x 13 9/16 x 2 3/16 in.); unframed: 30.3 x 21.3 cm (11 15/16 x 8 3/8 in.). The Cleveland Museum of Art, Bequest of Jane Taft Ingalls 1962.259 title: Portrait of a Woman title in original language: series: series in original language: creation date: c. 1490–95 creation date earliest: 1485 creation date latest: 1500 current location: 111 German and Austrian Gothic creditline: Bequest of Jane Taft Ingalls copyright: --- culture: Germany, 15th century technique: oil on wood department: Medieval Art collection: MED - Medieval Art type: Painting find spot: catalogue raisonne: --- CREATORS * Master of the Holy Kinship (German) - artist --- measurements: Framed: 44 x 34.5 x 5.5 cm (17 5/16 x 13 9/16 x 2 3/16 in.); Unframed: 30.3 x 21.3 cm (11 15/16 x 8 3/8 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Year in Review - 1962 opening date: 1962-10-24T04:00:00 Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). title: Portraiture: The Image of the Individual opening date: 1983-11-22T05:00:00 Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). --- LEGACY EXHIBITIONS * French Primitives and Objects of Art, E. Kleinberger Inc., New York, NY (1927). --- PROVENANCE Count Bissaccio, Chartres date: footnotes: citations: A. Berg, Portland, Oregon date: footnotes: citations: (Kleinberger, New York, NY) date: 1927 footnotes: citations: Estate of Jane Taft Ingalls, Cleveland, OH, gifted to the Cleveland Museum of Art date: -1962 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1962- footnotes: citations: --- fun fact: digital description: wall description: This portrait represents a woman in her later middle years holding a handsome rosary made of coral with gold medals. Her identity remains unknown, but the richness and elegance of her black woolen gown with fur-trimmed cuffs and her coif of white sheer linen attests to her comfortable social standing. The prominence of her rosary is perhaps meant to suggest her personal devotion. The panel has been attributed to the anonymous Master of the Holy Kinship the Younger, a painter in Cologne (Germany) with a flourishing workshop in the years around 1500. --- RELATED WORKS --- CITATIONS Sperling, Emil M. Catalogue of a Loan Exhibition of French Primitives and Objects of Art: In Aid of the French Hospital in New York. New York: Kleinberger Galleries, 1927. page number: no. 36 url: Tatlock, R.R. "Shorter Notices: An American Exhibition of French Primitives, The National Gallery", Burlington Magazine LI (1927). page number: p. 195, pl. 1,B url: Goldblatt, Maurice H. "Jean Perreal Thirty Portraits Identified," The Connoisseur Vol. 123 (March 1949). page number: p. 9, no. IX, p. 7 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. page number: Reproduced: p. 73 url: https://archive.org/details/CMAHandbook1966/page/n97 The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. page number: Reproduced: p. 73 url: https://archive.org/details/CMAHandbook1969/page/n97 Cleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. page number: Reproduced: fig. 57 & 57a, p. 160 - 161 url: The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. page number: Reproduced: p. 83 url: https://archive.org/details/CMAHandbook1978/page/n103 Scillia, Diane G. "Portrait of a Woman, Attributed to the Master of the Holy Kinship the Younger." The Bulletin of the Cleveland Museum of Art 79, no. 8 (1992): 278-87. page number: Reproduced: cover, p. 278, 285; Mentioned: p. 278-87 url: https://www.jstor.org/stable/25161371 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1962.259/1962.259_web.jpg print: https://openaccess-cdn.clevelandart.org/1962.259/1962.259_print.jpg full: https://openaccess-cdn.clevelandart.org/1962.259/1962.259_full.tif