id: 137388 accession number: 1962.279.112.a share license status: CC0 url: https://clevelandart.org/art/1962.279.112.a updated: 2023-08-23 21:35:49.100000 The Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. India, Mughal court, 16th century. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.6 x 10 cm (3 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.112.a title: The Parrot Addresses Khujasta at the Beginning of the Fifteenth Night, from a Tuti-nama (Tales of a Parrot) title in original language: series: series in original language: creation date: c. 1560 creation date earliest: 1555 creation date latest: 1565 current location: creditline: Gift of Mrs. A. Dean Perry copyright: --- culture: India, Mughal court, 16th century technique: gum tempera, ink, and gold on paper department: Indian and Southeast Asian Art collection: Indian Art type: Painting find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.6 x 10 cm (3 x 3 15/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * Main Asian Rotation (Gallery 245). The Cleveland Museum of Art, Cleveland, OH (July 2, 2014-January 5, 2015). --- PROVENANCE Estate of Breckinridge Long [1881–1958], Bowie, MD date: ?–1959 footnotes: *
Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. 
His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
citations: (Harry Burke Antiques, Philadelphia, PA) date: 1959–1962? footnotes: citations: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) date: 1959?–1962 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 1962– footnotes: citations: --- fun fact: The stacked red jugs on the left are water pots. digital description: wall description: Panels of bold color are closely reminiscent of local Indian painting traditions, as seen in the page to the left. The artist here is experimenting with depicting three-dimensionality in the angled rendering of the bed, the placement of Khujasta’s feet on the plane of the floor, and the parrot who stands in the space of his cage. In comparison to the figures in The Sage Narada tells King Kamsa of Vishnu’s Impending Incarnation to the left, Khujasta’s gesture is less pertly angular, and her face has smaller features and gentler contours. Falsely encouraging her to go meet her lover, the parrot tells her that if she doesn’t go, and her husband returns, she would regret not having gone to see him just as the cat repented having killed the mice. She must then hear the story of why a cat would regret killing mice. --- RELATED WORKS --- CITATIONS Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. Cleveland, OH: The Cleveland Museum of Art, 1976. page number: p. 115 url: Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar, translator and editor. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland, OH: The Museum, 1978. page number: pp. 107-111 url: Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. page number: p. 314 url: https://www.jstor.org/stable/3249892 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1962.279.112.a/1962.279.112.a_web.jpg print: https://openaccess-cdn.clevelandart.org/1962.279.112.a/1962.279.112.a_print.jpg full: https://openaccess-cdn.clevelandart.org/1962.279.112.a/1962.279.112.a_full.tif