id:			137427
accession number:	1962.279.130.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.130.b
updated:		

The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 7.9 x 10.2 cm (3 1/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.130.b

title:				The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

---

culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

---

CREATORS

---

measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.9 x 10.2 cm (3 1/8 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

	title:		Animal Fables of India (Indian art rotation)
	opening date:   2021-03-12T05:00:00
	<i>Animal Fables of India (Indian art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 12-August 29, 2021).

---

LEGACY EXHIBITIONS

---

PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


---

fun fact:
The medallion pattern of Khujasta’s skirt is a convention of an earlier painting style

digital description:


wall description:
<em>When like a red-turbaned king the sun disappeared under the canopy in the west and like a silver-robed monarch the moon appeared on the throne in the east, Khujasta went to ask Tuti’s permission to leave.</em><br>The parrot replied that his mistress Khujasta should devote herself to her obligations of propriety, just like the three extraordinary companions of the prince. Her interest piqued, Khujasta asked Tuti to tell her about them. He then launched into a story about the benefits of loyalty and generosity that lasted all night.
---

RELATED WORKS

---

CITATIONS

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 315
	url:		https://www.jstor.org/stable/3249892

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.130.b/1962.279.130.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.130.b/1962.279.130.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.130.b/1962.279.130.b_full.tif