id:			137431
accession number:	1962.279.132.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.132.b
updated:		2023-02-02 14:15:17.835000

The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9 x 10.1 cm (3 9/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.132.b

title:				The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9 x 10.1 cm (3 9/16 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Animal Fables of India (Indian art rotation)
	opening date:   2021-03-12T05:00:00
	<i>Animal Fables of India (Indian art rotation)</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 12-August 29, 2021).

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact:
The tree with red-tipped leaves is a mango tree.

digital description:


wall description:
The prince and Good Fortune in the form of a woman came across a pool, here rendered with geometric tile work, tilted up so that the viewer can see it as though from above. A cobra had caught a frog, who cried out for help. The prince freed the frog, who jumped into the water and rejoined his mate. The prince then cut a piece of his own flesh for the snake to eat instead. The wives of the snake and frog then admonished their husbands to return the favor.
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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. <em>The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting</em>. Cleveland, OH: The Cleveland Museum of Art, 1976.
	page number: 	p.. 119
	url:		

	Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar, translator and editor. <em>Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma</em>. Cleveland, OH: The Museum, 1978.
	page number: 	pp. 124 – 129
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 315
	url:		https://www.jstor.org/stable/3249892

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 315
	url:		https://www.jstor.org/stable/3249892

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.132.b/1962.279.132.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.132.b/1962.279.132.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.132.b/1962.279.132.b_full.tif