id:			137583
accession number:	1962.279.203.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.203.b
updated:		

The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot), c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 6.2 x 10.2 cm (2 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.203.b

title:				The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1665
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

---

culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

---

CREATORS

---

measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 6.2 x 10.2 cm (2 7/16 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

* Main Asian Rotation (Gallery 245); July 2, 2014 - January 5, 2015.

---

PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


---

fun fact:
The painting depicting the blue jackal is in the Edwin Binney 3rd Collection of the San Diego Museum of Art (1990.273).

digital description:
On the thirty-first of fifty-two nights, Tuti the talking parrot begins to tell Khujasta a moralizing story about a blue jackal who, through trickery, briefly became the emir of wild beasts. The original underdrawing in black and red is visible beneath the flaked paint on Khujasta’s face and upper body.

wall description:

---

RELATED WORKS

---

CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 130
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 317
	url:		https://www.jstor.org/stable/3249892

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.203.b/1962.279.203.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.203.b/1962.279.203.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.203.b/1962.279.203.b_full.tif