id:			137613
accession number:	1962.279.219.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.219.b
updated:		2022-03-12 10:00:25.697000

Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16.3 x 10.2 cm (6 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.219.b

title:				Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 16.3 x 10.2 cm (6 7/16 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* Indian Miniature Rotation (Gallery 115); August 13, 2003 - February 18, 2004.<br>Indian Minature Rotation (Gallery 115); August 18, 2004 -

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
Mahmuda’s name means “praised” or “blessed.”

digital description: 
In the lower register of this bustling scene, musicians play in celebration of the impending wedding. Above, the betrothed couple sits at the right. Although Mahmuda was happily engaged to her childhood sweetheart, Ayaz, the young vizier wanted her for himself. Mahmuda’s father, the grand vizier, agrees to the arrangement. Heartbroken, Ayaz believes he has lost Mahmuda forever.

wall description: 

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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 134
	url:		

	Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland: The Museum, 1978.
	page number: 	p. 213, n. 249
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.219.b/1962.279.219.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.219.b/1962.279.219.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.219.b/1962.279.219.b_full.tif