id:			137620
accession number:	1962.279.222.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.222.a
updated:		2022-01-04 16:10:25.669000

Salim and Salima return to Ayaz and Mahmuda in the sanctuary, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.222.a

title:				Salim and Salima return to Ayaz and Mahmuda in the sanctuary, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.8 x 10.1 cm (3 7/8 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The structure in the background, called a cenotaph, marks the tomb of a Sufi holy man.

digital description: 
Childhood sweethearts Ayaz and Mahmuda sit together on the grass in the sanctuary, having recently been reunited after Mahmuda’s unwilling marriage to another man. Salim, Ayaz’s friend, enters from the left with his lover Salima. Together, the four decide to escape to a foreign city where they can live the rest of their lives in peace.

wall description: 

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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 134
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.222.a/1962.279.222.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.222.a/1962.279.222.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.222.a/1962.279.222.a_full.tif