id: 137630 accession number: 1962.279.227.a share license status: CC0 url: https://clevelandart.org/art/1962.279.227.a updated: 2023-01-11 01:13:47.228000 The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 12.5 x 10 cm (4 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.227.a title: The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night title in original language: series: series in original language: creation date: c. 1560 creation date earliest: 1555 creation date latest: 1565 current location: creditline: Gift of Mrs. A. Dean Perry copyright: --- culture: Mughal India, court of Akbar (reigned 1556–1605) technique: gum tempera, ink, and gold on paper department: Indian and Southeast Asian Art collection: Indian Art type: Painting find spot: catalogue raisonne: --- CREATORS --- measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 12.5 x 10 cm (4 15/16 x 3 15/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI; date: footnotes: citations: --- fun fact: In this painting, intended for a Muslim patron, the sculpture of a Hindu deity lacks a face and hands. digital description: The raja’s son, wearing orange, stands with his hands raised in supplication before an enshrined golden image. When he entered the temple for worship, he encountered a princess and instantly became deeply enamored by her beauty. Upon arriving home, his father ensured that the two would be married, although the promised self-sacrifice remained unfulfilled. wall description: --- RELATED WORKS --- CITATIONS Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. page number: pp. 79, 136 url: Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. page number: p. 318 url: https://www.jstor.org/stable/3249892 --- IMAGES web: https://openaccess-cdn.clevelandart.org/1962.279.227.a/1962.279.227.a_web.jpg print: https://openaccess-cdn.clevelandart.org/1962.279.227.a/1962.279.227.a_print.jpg full: https://openaccess-cdn.clevelandart.org/1962.279.227.a/1962.279.227.a_full.tif