id:			137646
accession number:	1962.279.234.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.234.a
updated:		2021-06-29 06:36:20.522000

The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 14.5 x 10.2 cm (5 11/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.234.a

title:				The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 14.5 x 10.2 cm (5 11/16 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Indian Gallery 242 Rotation – April-November 2018
	opening date:   2018-04-02T04:00:00
	<i>Indian Gallery 242 Rotation – April-November 2018</i>. The Cleveland Museum of Art (organizer) (April 2-November 18, 2018).

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The prince becomes so lovesick that he nearly dies.

digital description: 


wall description: 
The Brahman in the form of a woman spent many blissful days with his lover, the princess of Babylon, in the palace harem, until one day the king’s son caught sight of a beauty from a rooftop, who was actually the Brahman in the form of a woman, washing her hair. He instantly fell in love with her and began to pursue her. When the king’s daughter discovered that her brother had fallen for her lover she became distraught. She is shown here gesturing with alarm.
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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 137
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.234.a/1962.279.234.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.234.a/1962.279.234.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.234.a/1962.279.234.a_full.tif