id:			137648
accession number:	1962.279.236.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.236.a
updated:		2022-03-04 10:00:35.356000

The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 11.3 x 10.1 cm (4 7/16 x 4 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.236.a

title:				The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.3 x 10.1 cm (4 7/16 x 4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Indian Gallery 242 Rotation – April-November 2018
	opening date:   2018-04-02T04:00:00
	<i>Indian Gallery 242 Rotation – April-November 2018</i>. The Cleveland Museum of Art (organizer) (April 2-November 18, 2018).

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The previous painting, which shows the palace's reaction to the daughter-in-law’s disappearance, is currently in a private collection.

digital description: 


wall description: 
The story continues with a ruse to allow the Brahman and the princess to escape the king’s son and live happily ever after. The magician transformed the lovers into men, so they were able to leave the palace unrecognized. In order to garner a fortune on which they could support themselves, the magician approached the king in the guise of a Brahman to reclaim the woman he had entrusted to the harem and who he said was his daughter-in-law. When the king stated that she has disappeared, the magician in the form of a Brahman acted as though he would stab himself to death. The king assuaged him by paying a large sum of money as compensation for losing the woman. A servant brings a blue-and-white porcelain dish full of gold coins.<br><br>A different artist painted this page without referencing the appearance of either the king or the magician in the guise of a Brahman from the previous page.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.236.a/1962.279.236.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.236.a/1962.279.236.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.236.a/1962.279.236.a_full.tif