id:			137685
accession number:	1962.279.254.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.254.b
updated:		2022-05-07 09:00:18.549000

The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 16 x 10.3 cm (6 5/16 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.254.b

title:				The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

---

culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

---

CREATORS

---

measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 16 x 10.3 cm (6 5/16 x 4 1/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

---

PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


---

fun fact: 
Rum is the Arabic name of Rome and once designated the Byzantine Empire.

digital description: 
The queen of Rum sits in the upper balcony of her palace watching the fire in her garden with shock. Two female attendants observe the action from the room below. The cowardliness of the peacock in the face of danger convinced the queen of the disloyalty of men. As a result, she vowed to never marry.

wall description: 

---

RELATED WORKS

---

CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 140
	url:		

	Nakhshabī, Z̤iyāʼ al-Dīn, and Muhammed Ahmed Simsar. Tales of a Parrot = The Cleveland Museum of Art's Ṭūṭīnāma. Cleveland: The Museum, 1978.
	page number: 	p. 242, n.289
	url:		

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.254.b/1962.279.254.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.254.b/1962.279.254.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.254.b/1962.279.254.b_full.tif