id:			137720
accession number:	1962.279.271.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.271.a
updated:		2022-03-12 10:00:29.419000

The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 9.2 x 10.4 cm (3 5/8 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.271.a

title:				The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.2 x 10.4 cm (3 5/8 x 4 1/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The woman was forced to leave home after soothsayers predicted that she would someday harm her father.

digital description: 
The blind man clutches tightly to the hunchback’s staff with one hand and his wife’s arm with the other. At the front of the group, the hunchback points ahead to their ultimate destination—a city far from where the raja’s daughter was born. This image represents a story within the story that is being told by a parrot to the merchant’s son ‘Ubaid in order to cure his infatuation with his wife.

wall description: 

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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 142
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.271.a/1962.279.271.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.271.a/1962.279.271.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.271.a/1962.279.271.a_full.tif