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        "tombstone": "The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, c. 1560. Basavana (Indian, active c. 1560\u20131600). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); painting only: 10.2 x 10.7 cm (4 x 4 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.36.b",
        "current_location": null,
        "title": "The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night",
        "creation_date": "c. 1560",
        "creation_date_earliest": 1555,
        "creation_date_latest": 1565,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Mughal India, court of Akbar (reigned 1556\u20131605)"
        ],
        "technique": "gum tempera, ink, and gold on paper",
        "support_materials": [],
        "department": "Indian and Southeast Asian Art",
        "collection": "Indian Art",
        "type": "Painting",
        "measurements": "Overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); Painting only: 10.2 x 10.7 cm (4 x 4 3/16 in.)",
        "dimensions": {
            "overall": {
                "height": 0.2,
                "height_inch": 7,
                "height_inch_fraction": 0.875,
                "width": 0.143,
                "width_inch": 5,
                "width_inch_fraction": 0.625
            },
            "painting only": {
                "height": 0.102,
                "height_inch": 4,
                "height_inch_fraction": 0.0,
                "width": 0.107,
                "width_inch": 4,
                "width_inch_fraction": 0.1875
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "'amal bas\u0101wan",
                "inscription_translation": "the work of Basavana",
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [
                {
                    "id": 219976,
                    "title": "The Adventures of Hamza",
                    "description": "<i>The Adventures of Hamza</i>. National Museum of Asian Art, Washington, DC (organizer) (June 21-September 29, 2002); The Brooklyn Museum, Brooklyn, NY (November 1, 2002-January 26, 2003).",
                    "opening_date": "2002-06-21T00:00:00"
                },
                {
                    "id": 203111,
                    "title": "Art and Stories from Mughal India",
                    "description": "<i>Art and Stories from Mughal India</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016).",
                    "opening_date": "2016-07-31T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "Arthur M.Sackler Gallery, Smithsonian Institution (6/21/2002 - 9/9/2002); The Brooklyn Museum of Art (11/1/2002 - 1/26/2003): \"The Adventures of Hamza\", exh. cat. no. 11, pp. 68-69.",
                    "opening_date": "2002-06-21T00:00:00"
                }
            ]
        },
        "provenance": [
            {
                "description": "Estate of Breckinridge Long [1881\u20131958], Bowie, MD",
                "citations": [],
                "footnotes": [
                    "<div><!--block-->Samuel Miller Breckinridge Long (May 16, 1881\u2013September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II.&nbsp;</div><div><!--block-->His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.</div>"
                ],
                "date": "?\u20131959",
                "sortorder": 1
            },
            {
                "description": "(Harry Burke Antiques, Philadelphia, PA)",
                "citations": [],
                "footnotes": null,
                "date": "1959\u20131962?",
                "sortorder": 2
            },
            {
                "description": "(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)",
                "citations": [],
                "footnotes": null,
                "date": "1959?\u20131962",
                "sortorder": 3
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "1962\u2013",
                "sortorder": 4
            }
        ],
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        "former_accession_numbers": [],
        "did_you_know": "This leper king ruled a territory that stretched from Bhutan to Assam and Bengal.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "The king of Kamarupa, which ironically means \u201cbody of erotic love,\u201d had leprosy. The hunter brought the captured mother parrot to the king, assuring him that the bird knew a cure. The lavish use of gold indicates that this book was a costly production. The figure of the hunter reveals the talents of the artist Basavana, whose name is written in the right margin. Draped in rustic garments shaded to appear softly flowing, the hunter bends forward with a subtle look of shrewd expectancy as the king seems ready to pay a high price for the parrot. The billowing red curtain is one of Basavana\u2019s signature motifs. Beyond is a tantalizing glimpse of the forest to which the parrot will soon escape to rejoin her children.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q60468286"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-1962.279.36.b-the-hunter-offers-th"
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        },
        "citations": [
            {
                "citation": "Chandra, Pramod, and Daniel J. Ehnbom. <em>The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting</em>. Cleveland, OH: The Cleveland Museum of Art, 1976.",
                "page_number": "pp. 78, 92",
                "url": null
            },
            {
                "citation": "Seyller, John. \u201cOverpainting in the Cleveland T\u0324\u016bt\u012bn\u0101ma.\u201d <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283\u2013318.",
                "page_number": "Mentioned: p. 310",
                "url": "https://www.jstor.org/stable/3249892"
            },
            {
                "citation": "Corriveau, Bethany. \u201cYearly Traditions Old and New.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 56, no. 5 (September/October 2016): 29.",
                "page_number": "Reproduced and Mentioned: p. 29",
                "url": "https://archive.org/details/CMAMM2016-05"
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                "id": 6362,
                "description": "Basavana (Indian, active c. 1560\u20131600)",
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            "Page from Tales of a Parrot (Tuti-nama): Fifth night: The hunter offers the mother parrot to the king of Kamarupa"
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        "updated_at": "2026-05-29 07:03:13.180000"
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}