id:			137896
accession number:	1962.279.46.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.46.a
updated:		2021-06-29 06:36:22.391000

The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.3 x 9.9 cm (5 1/4 x 3 7/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.46.a

title:				The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 13.3 x 9.9 cm (5 1/4 x 3 7/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art
	opening date:   2009-06-27T04:00:00
	<i>Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 27-August 23, 2009).

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LEGACY EXHIBITIONS

* Main gallery rotation (Gallery 245): November 2, 2015 - April 4, 2016.

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
This painting was likely done by the same artist who made folios 20r (1962.279.20.a), 30r (1962.279.30.a), and 46v (1962.279.46.b).

digital description: 


wall description: 
The vizier advised the king that he should tell the dervish that he must bring the head of the King of Kings before he will give his daughter in marriage to him. The dervish then went to the King of Kings with his plight, who said that he would go himself to the local king, and bring him his head still attached to his body. At the bottom of the composition is a formal garden with leafy groundcover and canals of water. The composition has been altered, as there was an oval of gold beneath the central pool of water and orange tiles under the architectural pavilions on the roof. The strip of blue with delicate floral arabesque was added in accordance with a taste for more updated Persian styles.
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RELATED WORKS

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CITATIONS

	<div><!--block-->Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.&nbsp;</div>
	page number: 	
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. <em>The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting</em>. Cleveland, OH: The Cleveland Museum of Art, 1976.
	page number: 	p. 95
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 95
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	p. 95
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.46.a/1962.279.46.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.46.a/1962.279.46.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.46.a/1962.279.46.a_full.tif