id:			137940
accession number:	1962.279.66.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.66.a
updated:		2022-01-04 16:11:54.877000

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Ghulam 'Ali (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 16.4 x 11.1 cm (6 7/16 x 4 3/8 in.); overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.66.a

title:				The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Ghulam 'Ali (Indian, active 1550s-1590s)  - artist

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measurements: Painting only: 16.4 x 11.1 cm (6 7/16 x 4 3/8 in.); Overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	ghulām 'alī
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* Indian Miniature Rotation (Gallery 115); February 4 - August 5, 2003.<br>Indian Miniature Rotation (Gallery 115); February 20 - August 18, 2004.

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
Works attributed to the artist Ghulam ‘Ali are found in only one other known manuscript.

digital description: 
The deceptive handmaiden appeals her case to the enthroned king, falsely claiming that the young prince has assaulted her. The prince, dressed in white, is taken away by two armed guards to be executed.

wall description: 

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RELATED WORKS

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CITATIONS

	
	page number: 	
	url:		

	
	page number: 	
	url:		

	<div><!--block-->Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.&nbsp;</div>
	page number: 	p. 103
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	p. 103
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 311
	url:		https://www.jstor.org/stable/3249892

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.66.a/1962.279.66.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.66.a/1962.279.66.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.66.a/1962.279.66.a_full.tif