id:			137950
accession number:	1962.279.70.a
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.70.a
updated:		2022-01-04 16:12:01.611000

The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.); overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.70.a

title:				The merchant’s clerk replaces the sugar purchased by the philandering wife with gravel, from a Tuti-nama (Tales of a Parrot): Eighth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Painting only: 10.5 x 10.2 cm (4 1/8 x 4 in.); Overall: 20 x 14.4 cm (7 7/8 x 5 11/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
A bowl beneath the lovers’ bed contains green pan leaves, which freshen breath when chewed.

digital description: 
While buying sugar at the market, a woman has an impromptu affair with a merchant. The two lovers embrace in the chamber on the left. Outside the chamber the merchant’s clerk, wearing blue, surreptitiously replaces the adulteress’s sugar with gravel. Unaware of the switch, she will bring the bag of gravel back to her husband, who reacts with surprise and consternation

wall description: 

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RELATED WORKS

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CITATIONS

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 79, 105
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 312
	url:		https://www.jstor.org/stable/3249892

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.70.a/1962.279.70.a_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.70.a/1962.279.70.a_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.70.a/1962.279.70.a_full.tif