id:			137953
accession number:	1962.279.71.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.71.b
updated:		2022-01-04 16:12:02.082000

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Lalu. Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.1 x 10.3 cm (4 x 4 1/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.71.b

title:				The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Lalu  - artist

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measurements: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 10.1 x 10.3 cm (4 x 4 1/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	lā[lū]
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The prince’s undone turban, loose hair, and bound wrists indicate his ordeal.

digital description: 


wall description: 
This early Mughal court scene is the last of the series in which the handmaiden lies about how the prince raped her, and she threatens to burn herself to death if he is not executed. She is depicted in the lower right of the composition. The seventh vizier in the green robe demanded that the prince be brought to the assembly, and he is led in, bound, his turban in disarray.
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RELATED WORKS

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CITATIONS

	<div><!--block-->Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.&nbsp;</div>
	page number: 	p. 106
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 78, 106
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 312
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.71.b/1962.279.71.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.71.b/1962.279.71.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.71.b/1962.279.71.b_full.tif