id:			137979
accession number:	1962.279.83.b
share license status:	CC0
url:			https://clevelandart.org/art/1962.279.83.b
updated:		2022-03-12 10:00:34.870000

The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night, c. 1560. Lalu. Gum tempera, ink, and gold on paper; painting only: 7.4 x 10.2 cm (2 15/16 x 4 in.); overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.83.b

title:				The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night
title in original language:	
series:				
series in original language:	
creation date:			c. 1560
creation date earliest:		1555
creation date latest:		1565
current location:		
creditline:			Gift of Mrs. A. Dean Perry
copyright:			

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culture:	Mughal India, court of Akbar (reigned 1556–1605)
technique:	gum tempera, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Lalu  - artist

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measurements: Painting only: 7.4 x 10.2 cm (2 15/16 x 4 in.); Overall: 20 x 13.2 cm (7 7/8 x 5 3/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	lālū
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Estate of Breckenridge Long, Bowie, MD, 1959; Harry Burke Antiques, Philadelphia, PA; Bernard Brown, Milwaukee, WI;
	date: 
	footnotes: 	
	citations: 	


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fun fact: 
The replica parrot is denoted by its lack of pupils.

digital description: 
The wife of the vizier’s son is having an affair with the monk, who is seated on tiger skins and wearing the blue robes of a dervish. Because he is a charlatan, he is able to recognize the deception taking place.

wall description: 

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RELATED WORKS

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CITATIONS

	<div><!--block-->Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.&nbsp;</div>
	page number: 	p. 109
	url:		

	Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976.
	page number: 	pp. 78, 109
	url:		

	Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” <em>Artibus Asiae</em> 52, no. 3/4 (1992): 283-318.
	page number: 	p. 313
	url:		https://www.jstor.org/stable/3249892

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/1962.279.83.b/1962.279.83.b_web.jpg
print:	https://openaccess-cdn.clevelandart.org/1962.279.83.b/1962.279.83.b_print.jpg
full:	https://openaccess-cdn.clevelandart.org/1962.279.83.b/1962.279.83.b_full.tif